this is the room i've always seen,
this is the place i've always known
my whole existence just a dream
for all eternity alone

these are the ropes that keep me safe
suspended over dangerous ground
my balance is a fragile thing
i really don't wish to be found

ropes are digging into skin
the only thing i can still feel
i bleed so that i drink
i bleed so that i heal

i bleed so that i heal

I Bleed So That I Heal

Track from the album “Different World” (2021)

Music/Instruments/Lyrics/Recording/
Mixing/Production/Mastering: Enzo Kreft

Email: enzokreft@live.be
Official site: enzokreft.blogspot.com
Facebook: www.facebook.com/enzokreftmusic/
Bandcamp: enzokreft.bandcamp.com/
YouTube: www.youtube.com/user/enzokreft
Twitter: twitter.com/EnzoKreft

Viral Paranoia

Tiefblau und Unendlich weit

Tiefblau Und Unendlich Weit

Storm Bliksem Licht Raak Depressie Pijn Verdriet Sterker Door Strijd

Storm

A new 5 track mini album released on Hibernate Recordings.
https://hibernate.bandcamp.com/album/nia

Charitable fundraising has been hit very hard by the COVID-19 so as part of #TwoPointSixChallenge we plan to release 26 free download/pay as much as you can afford Ep or albums on Hibernate Bandcamp page over the coming weeks. 100% income being donated to charities. All proceeds from this EP go to Medicins Sans Frontiers.

blochemy - Nia (Hibernate) Sampler

RADIANT

Midoriyutaka 緑豊か

VclFX33Rl

elektro-medidation-20201214

#222

Real evil sneaks into our world in the sweetest of guises. When you can, reject Mars, Hershey's and Nestle and all companies that support slave labor of any kind. Send a friend some Slave Free Chocolate instead. It tastes much better.

At the moment we're working on two videos for an upcoming release of a single/b-side. We're very excited about them and we'll share with you soon.
 
In the meantime, here's a rough new track that we just made in support for the class action law suit of eight Malian young men who managed to escape back to Mali after being trafficked as children and forced to harvest cocoa in Cote D’Ivoire for one or more of the Defendant companies: Nestle, Cargill, Mars, Mondelēz, Hershey, Barry Callebaut, and Olam. These companies have a long history of violating human rights to produce cheap cocoa. Let's hit them where it hurts.

Hershey's Kiss of Death

Grey Gods

Outrageously expressive vocalist and dancer, regrettably trapped in the tone-deaf body of a cage fighter - hence eternally death-embracing Goth
Deeply religious, yet extremely critical of a clearly unfinished project - Lord, what were thee thinking?
According to many, blasphemous, as I do not oppose a certain fallen angel. It just seems so obvious to me that this creature ('creation, see what I did there?), is just as necessary as the dear Lord himself - and is still trying to clean up some of the mess left behind. I think...
There are times when I've been known to express political thoughts, but only ever to desperately call for revolution and/or declare violence as acceptable as long as it is directed at fascists (and only as long as the good lord does not himself deal with these dickheads by bestowing upon them erectile disfunction and reserving them special rooms in hell). 
Strictly for freedom, opportunity, love, food, shelter, education, health, empathy and dreams. For a true, science based and supported, social democracy. Absolutely not in favour of any form of dictatorship, be that fascist or socialist. However, and to be clear - I am not somewhere in the middle, nor on a fence ;)

Musically, I like to think that I am influenced by classical music, as well as death and doom metal, gospel, blues, country, 80's pop, east-german 80's punk, gothic rock, Enya and, of course, Abba, however, when I listen to the stuff I churn out when I'm experiencing just the right level of depression, I can't help but be reminded of classics like 'Da Da Da' by Trio or 'I'm too sexy for my shirt' by Right Said Fred.
I'd love to liken my voice to heroes like David Bowie, Nick Cave, Blixa Bargeld, Peter Murphy, Andrew Eldritch, Dave Gahan, Marc Almond, Peter Steele and so many other real singers out there, but have to honestly say that, by carefully resisting the need to actually hit notes befitting the underlying musical arrangements, harmonies and ambience, I've managed to create a perfectly detuned and emotionally confused, yet consistently dislikeable style of my own. I wish I could say it grows on you ...

As all my remaining friends despair of my tyrannical tendencies (proudly displayed by diva-like tantrums) when participating in collaborative attempts to achieve somewhat melodious and/or rhythmic proclamations, I tend to squeeze these out all by my lone self. Should anyone out there feel capable (and inspired) to deal with an eternally intoxicated (by his own ego) and therefore very very angry individual, that (who?) is yet confusingly happy to sensually scream along any old tune (that does not glorify fascism), then please get in touch. 

Also happy if you get in touch if none of the above makes any sense to you, but you do like one or two of my songs - there must be someone out there ...

Thank you kindly for stopping by...

'Being humble dictates that I tell you not to take my music and words too seriously - but I don't mean it!' (Rausch, Psalm 384 (or thereabouts), 2021)

I Bleed So That I Heal

raging rausch

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ENFIN NOIR

Olga

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