Excellent all around. Great process and write-up. Intriguing sounds and performance.

Features the sound of Great Peter (216 cwt or 10.8 tons) situated in the North-West Tower of York Minster.

More on the 682nd weekly Disquiet Junto project, Unring a Bell — The Assignment: What if you could? — at https://disquiet.com/0682/

Disquiet Junto | Unring A Bell - disquiet0682

What is it like to unring a bell. Serge Modular plus time domain manipulation in the DAW.

ONIRR disquiet0682

Recorded, mixed & mastered on 24 Jan 2025 by Jim Lemanowicz at Blissville Electro-Magnetic Laboratories of Massapequa. 

Bell samples, synth, grains. 

Artwork/Photography - Jim Lemanowicz, Massapequa, NY, USA - 05 Sep 2017

©2025 Jim Lemanowicz

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This original version of “Pig Open Again” was submitted as part of Disquiet Junto Project 0682:  Unring a Bell. The Assignment: What if you could?

More on the Disquiet Junto at: disquiet.com/junto/

More on the 682nd weekly Disquiet Junto project, Unring a Bell — The Assignment: What if you could? — at https://disquiet.com/0682/

Pig Open Again (disquiet0682)

Attempt to Unlearn a Short Sequence of Tones - disquiet0682

sound art for disquiet0682.

More on the 682nd weekly Disquiet Junto project, Unring a Bell — The Assignment: What if you could? — at https://disquiet.com/0682/

I live in Glasgow where every child is taught this verse in school:

here is the tree that never grew
here is the bird that never flew
here is the fish that never swam
here is the bell that never rang

It refers to the Glasgow Coat of Arms which has a tree, a bird, a fish and a bell on it. The symbols represent tales and miracles from the life of St. Mungo (Patron Saint of Glasgow).

It seemed like a good fit for the title of this Junto project.

For the track I used a large metal light shade (that I found in the streets of Glasgow) and a rock. I rubbed the rock around the inside of the light shade, taking special care as to the speed, volume and resonance of the sound. Different areas of the shade produced different sounds; scraping, hissing or resonant tones. I recorded two tracks like this with contact mics and panned them hard left and right. Then playing the edge of the shade with a violin bow, I recorded some pulsing feedbacky sounds. I didn’t use effects or even any EQing, I just kept re-recording things until I got them exactly right, instead of fixing them on the computer.

here is the bell that never rang (disquiet0682)

This was my contribution for Disquiet Junto Project 0682: Unring a Bell. The Assignment: What if you could?

Here’s a copy of my post on the Disquiet Junto 0682 discussion thread on Lines:

My interpretation of un-ringing was based on bell tones morphing and unraveling into other sounds. Initially tried to create this soundscape in Ableton Live but nothing seemed to click. Finally settled on using a small modular system for production. 

Put together a Morphagene reel in Adobe Audition using bell samples as well as atmospheric sounds from freesound.org. The patch routing went from Make Noise Morphagene, Bastl Ikarie, Holocene NLMM, and finally a Make Noise XOH out to an audio interface to Ableton. Manually played Morphagene as the composition progressed. Recorded and deleted multiple versions, till I was finally satisfied with this one. Added a bit of delay and reverb with Valhalla Supermassive. Bells photo by Shaouraav Shreshtha via Unsplash.

More on the 682nd weekly Disquiet Junto project, Unring a Bell — The Assignment: What if you could? — at https://disquiet.com/0682/

Bells Unraveling [disquiet0682]

A Koala Sampler jam using Tibetan bowls and subtle beats at 120 BPM. I was aiming for conflicting emotions - blissed out trance and moving your body.

Tibetan Bell by the_very_Real_Horst -- https://freesound.org/s/413626/ -- License: Creative Commons 0

Got a Message From Lynne

Got a Message From Lynne (disquiet0682)

The Assignment: What if you could?

There is just one step to this project. The idea that one cannot “unring a bell” is a fairly common saying, at least in English. But what if you could? What might it sound like? And what use might the unrung bell serve in the making of music. Please record a track in which you try to unring a bell.

More on the 682nd weekly Disquiet Junto project, Unring a Bell — The Assignment: What if you could? — at https://disquiet.com/0682/

unrung [disquiet0682]

More on the 682nd weekly Disquiet Junto project, Unring a Bell — The Assignment: What if you could? — at https://disquiet.com/0682/

SONG 67 - DisquietJunto0682 - Unring a Bell

My piece is made with reversed bell sounds. Every time I tried to unring the bell it just rang normally, so I thought the only way to unring a bell is to reverse its sounds. 

While trying to unring a bell, I thought of the Lady Macbeth quote "What's done cannot be undone". As she is haunted by past events, I placed many echoes on my track to well, echo her emotions, as I'm sure it's something everyone can relate to. 

More on the 682nd weekly Disquiet Junto project, Unring a Bell — The Assignment: What if you could? — at disquiet.com/0682/

what's done cannot be undone [disquiet0682]

I use sound as a way to express my healing process, accept reality, and find beauty in life's unpredictability. In its raw and unfiltered form, sound serves as a powerful medium for conveying the complex emotions I experience while navigating life's chaos and uncertainty. By embracing disharmony and unexpected shifts in my music, I am not only accepting reality as it is, but also transforming it into something meaningful and intimate for me. This creates a space where vulnerability and acceptance coexist, allowing me to find love and beauty in the imperfect and even the disturbing.

Fierce sorrow

Artist and non-musician making sound art with found objects.

here is the bell that never rang (disquiet0682)

Raincat

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