Fantastic as usual, you're onto something with this contact mic-ing business

Came for the left side. Stayed for the scapulimancy.

very sensitive and brilliant all I've heard ..good day for my spirit)

very sensitive and brilliant all I've heard..great stuff and mind ..good day for the spirit)

Here is a montage of ReelWorld One Country jingles for 101.3 KFDI/Wichita, KS.

All jingles were recorded on the stream mostly during the overnight hours of Tuesday, January 4, 2022, with a few recorded on Thursday, December 31, 2020.  The montage is arranged in chronological update order.  Enjoy!

KFDI ReelWorld One Country Jingle Montage - 1/4/22

First of a series....the last of its species

sparse piano chords that take a parabolic flight into low earth orbit before making one last effort. A harmonic base for further development:

G minor, 115 bpm.

As far as process and kit, this was made with an upright piano, a coles4038, and stock ableton effects. I played for 20 minutes, kept the good bits, and edited it to be AABA with forward progress.

Make something cool with it!

More on the 636th weekly Disquiet Junto project, Left (1 of 3) — The Assignment: Record the first third of a trio — at https://disquiet.com/0636/

Dissolve Left! (disquiet0636)

A three-voice electronic sequence, 84 & 168 bpm, panned toward the left.

More on the 636th weekly Disquiet Junto project, Left (1 of 3) — The Assignment: Record the first third of a trio — at https://disquiet.com/0636/.

Clockwork Left (disquiet0636)

This was my contribution for Disquiet Junto Project 0636: Left (1 of 3)

Here’s a copy of my post on the Disquiet Junto 0636 discussion thread:

Created this generative ambient track using SDKC Helical on my little ALM 3U 52hp rig. No other modules were used except for a bit of reverb with FX Aid. Manually adjusted note spread, envelope, filter cutoff, etc. while recording. Mangle, chop up or do whatever you’d like for your creation. The main thing of course is to enjoy the process. Busy few weeks coming up so not sure whether I’ll be able to participate 100% in this series, we’ll see.
This is in C# Major.
River image by Nitish Kadam via Unsplash.     

More on the 636th weekly Disquiet Junto project, Left (1 of 3) — The Assignment: Record the first third of a trio — at https://disquiet.com/0636/

View From The Left Bank [disquiet0636]

Disquiet Junto Project 0636: Left (1 of 3)
The Assignment: Record the first third of a trio.

My idea for this first part of the trio was to create something that sounded like a single acoustic instrument, while sounding like no known instrument.

The piece was basically made with a home made version of the Vietnamese Dan Bau instrument, which I played with a bow (non traditional). I selected some recordings that sounded interesting and re-recorded those played back through a software effects chain with a resonator (physical model of a pipe) and a feedback mechanism. I played this feedback-resonator-device using a 3D midi control surface, mapping the many parameters of the physical model and feedback mechanism to the 3 of the controller by using a technique called preset morphing. Finally, I collaged several recordings together to get the final piece, trying to leave room for contributions of others — i.e. sparse arrangement, minimal stereo image, hold back on reverb.

More on the 636th weekly Disquiet Junto project, Left (1 of 3) — The Assignment: Record the first third of a trio — at https://disquiet.com/0636/

The Creature From Left Field (disquiet0636)

More on the 636th weekly Disquiet Junto project, Left (1 of 3) — The Assignment: Record the first third of a trio — at https://disquiet.com/0636/

Just Percussion Disquiet0636

This track is a slow drone using 11 different panned Logic Pro X organs. 7 play bottom C1, 2 play Aflat1, 1 plays A1, 1 plays G1. Added are arpeggiators, reverbs and other effects to give texture and pulse.

This in response to the first of this year's three part @disquiet collaborative project. More on the 636th weekly Disquiet Junto project, Left (1 of 3) — The Assignment: Record the first third of a trio — at https://disquiet.com/0636/

left 1of3 disquiet0636

sound art for disquiet0636

More on the 636th weekly Disquiet Junto project, Left (1 of 3) — The Assignment: Record the first third of a trio — at https://disquiet.com/0636/

marsh bones (disquiet0636)

Built upon 33per's "(Rock the) Firebells" piece: https://soundcloud.com/33per/firebells

This instrument made of fireballs immediately made me think of the two organ pipes I have in my studio. I took them outside and played them with a shop vac. A bit noisy, but there it is.

Added two elements to 33per's track, both are made from samples of the lowest organ pipe. Left lots of empty space.

As the original track is stereo and makes use of that, my mix is also stereo with my parts layered on. I have a version with hard panning if you prefer.

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More on the 637th weekly Disquiet Junto project, Right (2 of 3) — The Assignment: Record the second third of an eventual trio — at https://disquiet.com/0637/

Firebells And Pipes - Stereo - disquiet0637

sound art for disquiet0637

More on the 637th weekly Disquiet Junto project, Right (2 of 3) — The Assignment: Record the second third of an eventual trio — at https://disquiet.com/0637/

idiophones (disquiet0637) w/ xhg

Disquiet Junto Project 0637: Right (2 of 3)
The Assignment: Record the second third of an eventual trio.

https://llllllll.co/t/disquiet-junto-project-0637-right-2-of-3/66483

Includes this track from @Raincat: https://soundcloud.com/raincat-306596410/marsh-bones-disquiet0636

Track notes here:

[Disquiet_Junto_0637] Marsh Bone Epochs (feat. Raincat) (Right 2 of 3)

Artist and non-musician making visionary sound art with found objects.

I collect litter and make small scale sonic sculptures and rudimentary instruments. When I play them I’m thinking of natural rhythms like the wind in the trees or animal movements.

marsh bones (disquiet0636)

Raincat

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Mush0t0ku

Mush0t0ku

337is (three three seven is)

SAMPLAIR

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