_A Flight That Never Comes_ [RAINBOW FACTORY SONG] (Linkin Park Parody)(M4A_128K).m4a

Music Video: https://youtu.be/rNyImU1MYNs

FREE DOWNLOAD: https://childlikewonder.bandcamp.com/track/good-enough-fnaf-sb-song

Good Enough (FNAF SB SONG)

Last Night (Plankton AI cover by Morgan Wallen)

A Ai cover from the PostmodernJukebox cover of Flowers, from Miley Cyrus.

Made just for fun, the song is not mine

Flowers - Miley Cyrus (Angel dust Cover Ai)

Better Than You

This one came from diving deep into the real history of places like Trans-Allegheny, Danvers State Hospital, and Willowbrook. These weren't just hospitals - they were human warehouses where society dumped anyone deemed "unfit," then subjected them to barbaric treatments in the name of medicine.

The song opens with that Gothic architecture imagery because these places were built to look imposing and fortress-like - designed to keep people in and the world out. "They called it treatment, called it care / While demons danced in every stair" captures how these institutions hid torture behind medical terminology.

What really gets me is how they turned healing into horror - electroshock without anesthesia, ice baths, lobotomies performed with ice picks. "Lobotomies with rusty tools / Turning humans into fools" - that's not metaphor, that actually happened to thousands of people who just needed help.

The "halls of madness" concept works because these buildings literally absorbed decades of suffering. When you read about people visiting these abandoned places, they all report the same thing - an overwhelming sense of dread, like the walls themselves remember the pain.

Musically, this is Gothic metal at 130 BPM in A minor - that perfect key for institutional horror themes. The track operates on multiple rhythmic layers with a crushing 65 BPM doom foundation, 130 BPM driving energy, and aggressive tremolo bursts. That dominant 110 Hz frequency gives it genuine cathedral-like resonance, making the 'halls' feel massive and oppressive. It's Gothic metal in the truest sense - not just heavy, but architecturally heavy, like the buildings themselves are singing.

The song follows classic metal structure with clear verse-chorus cycles, energy spikes and dips that mirror the emotional journey, and a central guitar solo that lets the Gothic horror atmosphere really breathe before building to that crushing finale.

This appeals to fans of Paradise Lost, Type O Negative, Tristania, and Moonspell - listeners drawn to heavy but atmospheric metal that balances aggression with gothic elegance. It's for people who want music that doesn't just pummel you, but creates a mood and tells a story.

With AI helping me create that Gothic horror sound, it perfectly matched the anger I was feeling about these buried crimes. This song's about remembering the victims and making sure we never forget what happens when society decides some people are disposable.

**A darkened march through towering corridors of sound — heavy riffs and cathedral shadows intertwine, carrying the listener through the relentless yet hypnotic Halls of Madness.**

Halls of Madness

[Verse]
Pretty neat if you ask me
Sharp as the edge of a glass sea
Colors pop like a wild spree
Lights flash
Bounce off the marquee

[Chorus]
Pretty neat
As neat as can be
Like a comet cutting through the galaxy
Pretty neat
Yeah
Can't you see
It's a spark in the dark
A fire running free

[Verse 2]
Neon signs hum in the night
Street's alive
It feels just right
Every shadow's got its own bright fight
It's a wild rhythm
Hold on tight

[Chorus]
Pretty neat
As neat as can be
Like a dream stitched into reality
Pretty neat
Yeah
Can't you see
It's the beat in your feet
The pulse in the spree

[Bridge]
Catch the wind
Let it spin
Spin
Spin
Every end’s just where you begin
It's a whirl
It's a blur
It's a grin
So neat
So sweet
Pull me in

[Chorus]
Pretty neat
As neat as can be
Like a rocket chasing infinity
Pretty neat
Yeah
Can't you see
It's a spark in the dark
A fire running free

Minecraft Song - Revenge (Minecraft Animation By Minecraft Jams)

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