Monster Hunter: Rise - The Beast Bares it's Fangs (Tigrex Theme)

Red Alert  - Soviet March [Epic version]

Sonic X Shadow Generations Trailer Music (Shadow's part)

NemesisTheory - Castle Of Tears: Bloodlines

Brimston Premium underrated
and I will fight for until until my final dying roar

Unholy Finality, Theme of Nighttime Providence (Calamity Mod UST) by Brimston Premium

An orchestration of the Runescape title music. I'm not sure if it has been done before - I literally just listened to the original and redid it,

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Used:
FL Studio 10, Kontakt 4, Cinesamples CineBrass, CineOrch, VOXOS, HollyWoodwinds & CineSnare, Audiobro LA Scoring Strings, Orchestral String Runs, Project SAM Symphobia & Symphobia 2, Tonehammer Epic Toms, Liberis & Requiem, True Strike, Spitfire British Woodwinds, Harp & Percussion, Private string library.

Runescape Orchestrated

Chopin’s Waltz in A-flat major, Op. 42, is no ordinary dance—it’s a waltz supreme, a dance-poem where elegance collides with daring invention. On the surface, it dazzles with Parisian brilliance: swirling gowns, aristocratic pairs, a ballroom sparkling with wit and coquetry. But under the magnifying glass, it reveals Chopin’s genius for bending time itself. The left hand beats the familiar three of the waltz, while the right hand insists on two—duple against triple, particle against wave—creating an auditory illusion as if couples were gliding past each other in different dimensions.

Like a jeweler turning a diamond in shifting light, each return to this piece reveals new colors. Its interwoven themes play like refracted beams in a prism: amusement, drama, intimacy, and that unforgettable sostenuto melody blooming at the heart of the work, a melody Schumann said deserved to be danced only by countesses. Even Chopin’s humor flickers through—the sudden break in the reprise feels less like a mistake than sly stagecraft, as if a dancer had tripped, only for the music to whirl back into an ecstatic frenzy.

From a quantum lens, Op. 42 is superposition in sound: both gallop and glide, both order and abandon. Chopin carried fragments of it for years—echoes of youthful sketches, of tone-portraits of his beloved Maria, of earlier Valses Brillantes—before collapsing them into this final, mature form. The result is music that feels inevitable yet forever unstable, a ballroom spun inside a collider. It is Chopin the improviser and Chopin the architect fused into one: creating a waltz that is not just danced in time, but dances with time itself.

Frédéric Chopin Waltz in A-flat major, Op.42


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why is there a furry in the thumbnail oh wait that's just cuckario xddddddddddddddddddddddddddddddddd gotmmm

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Music by Nik Sudan and Henry Mattson.

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