Fallout (Original Amazon Series Soundtrack)

Steal From the Rich, Give to Myself By: Simon Viklund

Listen to/purchase "Tales from the Depths" : https://fanlink.to/TalesFromTheDepths

Fox Sailor - Tales from the Depths (From the album "Myths & Legends - Chapter II" https://foxsailor.bandcamp.com/album/myths-legends-chapter-ii)

Music by Fox Sailor

Youtube : https://www.youtube.com/c/FoxSailorMusic
Spotify : https://open.spotify.com/artist/6kolefro6D38Kv6Wa7dgRX
Soundcloud : https://soundcloud.com/fox-sailor
Twitter : https://twitter.com/Fox_Sailor
Bandcamp : https://foxsailor.bandcamp.com/music
Instagram : @fox_sailor

- Concerning permission for non-profit YouTube videos : You can use my music,  just remember to credit me.
- For commercial use of my music, contact me here : thefoxsailor@gmail.com

Tales from the Depths (Official Audio) | Epic Pirate Music

A Last Request (Sea of Thieves OST)

The Ghoul

Bringing Order to the Wasteland

Vault 33

Ice Cream and Apple Pie

Do the Right Thing

Artifact

Brotherhood of Steel (Full Version)

The soundtrack o visit from an old chilean friend.
credits

Nitrato de Chile

With his seventh full-length release, Unterland, Austrian composer and sound artist Kobermann (Johannes Piller) presents a meditative counterpoint to a culture spinning ever faster — one where the next reel, the next drop, and the next dopamine hit scream for attention. Unterland withdraws from this dynamic, offering instead a deep, slow-burning exploration of repetition, space, and sonic ritual.

Created primarily using modular synthesizers, field recordings, and minimal post-processing, the album moves between ambient, dub, and avant-garde minimalism, drawing influence from early New Age cassettes, contemporary drone practices, and tape-saturated club ghosts. But more than genre, Unterland is a terrain — an imagined topography where each track marks a physical and emotional waypoint.

The 60-minute journey begins with Waves, where blurred field recordings and gently detuned drones wash over the listener like fog over a valley. A child’s voice introduces the piece, speaking of “huge waves” — a fitting metaphor for the undulating nature of what follows.

The 23-minute Hokus Pokus becomes the album’s gravitational core. It’s less a composition than a space to inhabit: modular sequences, feedback loops, and noise textures evolve gradually, encouraging listeners to surrender to a slower sense of time. It’s an invitation to recalibrate — to listen in a way modern life rarely allows.

Alebrijes follows as a surreal, protective presence: ghostly rhythms, laugh-like tones, and deconstructed dub pulses drift through the mix like dream-guardians.

The B-side opens with Strobe Pad, where shimmering pads, panned percussion, and reverb-drenched harmonics suggest a moment of clarity — a brief emergence from the murk. The track serves as a light source before the final descent into abstraction.

Small Cases and Unfold mark a psychological ascent: from the minimalist weightlessness of travel into the oxygen-thin air of revelation. Granular textures and filtered drones evoke both euphoria and disorientation — the moment after a summit, when the world reshapes itself around your breath.

The closing track, Future Schmelz, places the listener at a glacial edge, where crumbling drums and filtered sequences collapse into a dance of entropy. Delayed hats, decaying Moog DFAM sequences, and feedback bursts create a post-dub atmosphere — as if memory itself were dissolving.

All seven pieces were composed and recorded between February 2024 and February 2025 using a modular system, recorded and arranged in Ableton Live. 
credits
released July 13, 2025

All Tracks written and produced by Kobermann
Mixing & Mastering by Johannes Piller
Photography by Jonny P.
Artwork by Tanja Tuner
All rights reserved © A.T.C. Records 2025

Bandcamp

Kobermann - Alebrijes

DRONE THREE FITCH

Halo 2 Soundtrack - Remembrance

Assassin´S CreeD 4 Black Flag - Fight Theme(M4A_128K).m4a

Enough Dead Heroes es la cuarta pista de música introducida en el álbum Halo: Original Soundtrack, compuesta por Martin O'Donnell.

Esta canción se puede escuchar de fondo en el nivel El Pillar of Autumn de Halo: Combat Evolved. La sección de entre los minutos 0:35 y 1:08 se escucha a menudo cuando aparecen Hunters en el mismo juego. Esta misma piesa se puede oír en la pista Brutes (Soundtrack) de Halo 3. La primera parte se puede encontrar también en la pista Heretic, Hero de Halo 2. Probablemente, el título de esta canción que en español significa "Suficientes héroes muertos" se debe a que Cortana dice esta frase en la cinemática inicial del primer nivel de Halo: Combat Evolved.

Halo - Enough Dead Heroes

Bringing Order to the Wasteland

Ramin Djawadi

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