It really beautiful and calm, congratulations

how old are you bro this shit is fireee keep it up the acapella is crazy

Very soothing. I really love these harmonies!

Wonderful choral chant and a nice homage to György Ligeti's "Lux Aeterna". It is impressive to hear what voice synthesis software is becoming capable of. all the best!

https://on.soundcloud.com/PkG4Q1QrehUMCw7t9

This composition is a choral chant for 6 voices with post-tonal music, lyrics that reflect on the passage of time and interpretation made using voice synthesis software.

A fairly detailed introduction to this work can be read at the following links:

Introduction in English:
https://drive.google.com/file/d/1hz2Nwfho2emnLZwwSW0o-qY9jVeGZZJv/view?usp=sharing

Introducción en castellano:
https://drive.google.com/file/d/1NtbVN6-e5ovCm4dyx7QFSdxxvducTGdI/view?usp=sharing

Introducció en català:
https://drive.google.com/file/d/1e7Gz2a1LF_WfVpjjg8zg1yBzJMxQq-Mx/view?usp=sharing

MOLTS ANYS !    -.-Cor a 6 veus-.-

A piece of music is a mentally constructed entity, of which scores and performances are partial representations by which the piece is transmitted.
(Fred Lerdahl & Ray Jackendoff)

Any tone can succeed any other tone, any tone can sound simultaneously with any other tone or tones, and any group of tones can be followed by any other group of tones, just as any degree of tension  or nuance can occur in any medium under any kind of stress or duration. Successful projection will depend upon the contextual and formal conditions that prevail, and upon the skill and soul of the composer.
(Vincent Persichetti)

Music is a system of signs composed of complex forms which may be represented by physical sounds, and which in this way mediate between mental and psychic contents. To deal with such a system, semiotics are naturally evoked. To describe these forms, mathematics is the adequate language. To represent these forms on the physical level, physics are indispensable. And to understand the psychic contents, psychology is the predestined science.
(Guerino Mazzola)

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