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Get @fabiankrooss' remix on @rebelliondertraumer here:
➟ Beatport: https://bit.ly/3zi3fIY

@schattenspiel-project is a project best to be experienced live, but somehow manages to convey their unique sound on a record as well. The electronic-acoustic live duo which merges classical cello with analog synths has been a longtime friend of Rebellion der Traumer and we're excited to release their four tracks alongside a stellar remix by upcoming talent Fabian Krooss.

🎧 More Music in our Playlists on Spotify ⤵
💃 It's Time to Dance: https://spoti.fi/2FjcR9k
⚡ Melodic & Deep House: https://spoti.fi/2JVCgJH
🌃 Mosaic: https://spoti.fi/2qMavuY
🍍 Organic House & Downtempo: https://spoti.fi/2K0w7vN
 👯‍♀️ Yoga Electronica: https://spoti.fi/2qJt0A9
💥 White Ocean (Burning Man 2021): https://spoti.fi/2vrVN0W
🌌 AfrikaBurn 2021: https://spoti.fi/2qMRUOy

🐧 trndmsk's weekly Spotify charts: https://spoti.fi/2sgrlms

Schattenspiel - Auftritt Des Peitschenanglers (Fabian Krooss Remix) [Rebellion der Träumer]

Click for more ♬

get it here: https://lnk.to/Rampue-BubblebathTrance-ATribeCalledKotori

This long-awaited project from A Tribe Called Kotori marks the collective's first full-length venture, featuring the immensely talented Rampue. Known for his phantasmagorical soundscapes, Rampue navigates the realms of electronica, abstract music, and balearic-infused progressive house with exceptional mastery. Based in Berlin, this virtuoso manages to mesmerize and elevate listeners through twelve extraordinary tracks, forming the foundation of this resplendently textured sonic journey. His compositions oscillate between understated euphoria and riveting exoticism, reflecting his prowess in evoking contrasting emotions through his music.

The creative journey leading to the birth of 'Bubblebath Trance' is a tale of irony and serenity intertwined. As Rampue recalls, "It all started and ended in the same moment: my cherished feline companion, my laptop awash with an unintended bath, and alas, a dearth of backups." This unfortunate series of events led to an outcome echoing a kind of chaotic tranquility. This serenity, born from stepping into a bubbling primitive chaos, permeates throughout the album, enriching the overall listening experience.

Rampue's debut album subtly imitates the "euphonious strains" of iconic PlayStation 1 video game soundtracks from his youth. The music sweeps listeners into a paradoxical emotional experience—imbued with nostalgia, yet vibrant and dynamic. It’s as though listeners are offered a bird's eye view of the world below, allowing them to rise slowly through the atmosphere's layers towards uncharted territories.

Rampue’s artistic mastery shines in ‘Harmonie,’ a true paragon of his unique take on classic electronica. The track radiates a poetic flame, consuming and transforming all within its reach. Picture yourself riding a chocobo across the sandy expanses of North Corel while this composition echoes in the distance. It paints a vivid scene for Final Fantasy VII aficionados.

The album embraces a rich variety of musical hues and subtleties. From the brass-heavy coastal jazz influences in 'Schattenschranz', to the chopped-up, trip-hop-adjacent electronics in 'Inside', Rampue demonstrates his ability to shape-shift across genres. Other tracks like the joyously chaotic 'Tripomatic', and 'Ich hasse Sonne', with its cinematic flair, contribute to the diverse soundscape.

The album’s eponymous track, 'Bubblebath Trance', is a piece both exuberant and deeply moving. It could well serve as the album’s centerpiece—a lucid dream of dancing shapes, colors, and sentiments to envelop your consciousness. It elegantly drifts from a liminal state of awareness into the rapids of one's inner turmoil, offering a mirror into the artist's inner world.

To round off this musical odyssey, the tranquil ambient tones of 'Die Leiden des hungrigen Fruehstuecks' seal the album with a stamp of affirmation. 'Bubblebath Trance' emerges as a rare class of albums—one that creates its own lexicon apart from the usual norms and expectations. It educates the listener with its new language, weaving through their ears, challenging the boundaries between the real and unreal.

This album exists as an ethereal object, withholding its secrets even after countless listens and awe-inspiring moments. It's an ever-evolving musical enigma, with its meaning and interpretation left to the listener's perception. It resists being confined to any singular definition, instead unfolding in real-time to the rhythm of the listener's heart and mind. The release date is set for August 25, 2023, and is sure to be a milestone in Rampue's career and for A Tribe Called Kotori.

Inside

LISTEN & BUY
https://fanlink.tv/WhoWeUsedtoBeRmxs

Everything evolves. In this compelling remix album, Arutani's third opus is reimagined through the unique lenses of O/Y, DJ Balaton, Rezident, Brigade, and AVEM. Each artist brings their distinct style to the table, transforming the original tracks into fresh narratives while maintaining the delicate balance of hope and melancholia that defines Arutani's work. Every remix offers a new glimpse of light and richness in detail, celebrating the ongoing journey of musical transformation and versatility.

Artist: @Arutani
Remix: @AVEMsdream
Titel: Right Here
Label: Laut & Luise
Cat-No: LULLP008R
Distribution: KOMPAKT
Format: Digital
Release Date: 12 Jul 2024

Sea Change - We Don't Know (AVEM Remix)

Arutani feat. Sea Change - We Don't Know (AVEM Remix)

Lets Have a Break - LHB

Stuck in Traffic is olliray’s first album. The story begins in 2017 with the release of BoxRox, a small electronic idea that became the spark for everything that followed. Over the next two years the music grew slowly and naturally in a small flat in South London. Most of the songs began as simple synth sketches that later opened into fuller pieces with piano, guitar and voice.

The title came from a real moment in late 2018. Olliray was waiting for his dad to arrive for lunch. His dad was stuck in traffic and the delay gave him an unexpected pocket of time. In that quiet stretch he recorded all the vocals for the title track in one take. When his dad finally arrived he played him the music and asked what he should call it. His dad smiled and gave the answer that became the name of the whole album.

Stuck in Traffic holds the feeling of that early period. Raw, instinctive and made by ear. A blend of electronic textures and intimate melodies shaped between 2017 and late 2018, and released in January 2019.

For fans of synthwave, retrowave and 80s inspired electronic music.

How They Communicate

It's time to slow down the pace, but not the groove. Cereus makes his debut with a two-track EP that is pure sonic alchemy.

"Arriba" and "Marfa Lights" are more than tracks; they are portals to a dimension where melancholy meets motion. Downtempo has never sounded this profound and danceable. Feel the evolution of organic sounds weaving a soulful rhythmic tapestry that promises to ignite the most discerning dance floors, from sunset moments to the most intimate after-hours.

Mixed and Produced: Nathaniel Blake.
Mastered: Ohxala Records Studio.
[OR98]

Arriba

Cereus - Arriba (Original Mix)

In LOVE with this beautiful track <3 <3 <3

Acid Pauli - Nana by Powel (Burning Man 2016)

https://open.spotify.com/album/7GPU3lZQYGArOb7DbLBvgh

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www.katermukke.info

www.facebook.com/ilovemukke

www.facebook.com/janmirberlin

Murmuration EP / MUKKE020

Jan Mir - Murmuration - MUKKE020

OUT NOW: https://lifeanddeath.lnk.to/Saqqara

VINYL
A1. Barratt - Saqqara
A2. Barratt & DJ Tennis - Time Bending 
B1. Barratt  - Khaos
B2. Barratt  - 1983 (Vinyl Edit)

DIGITAL
01. Barratt - Saqqara
02. Barratt & DJ Tennis - Time Bending 
03. Barratt - Khaos
04. Barratt - 1983
05. Barratt - Collider

The Saqqara EP is a multilayered, sonic canvas from the mind of Chris Barratt, as he launches his new alias, Barratt, for Life and Death. Fine brushstrokes move from all areas of his musical hideout, spreading over five, varied, aural sculptures, each one warping and weaving on its own cosmic trajectory. Pooling from key aspects of his Eagles & Butterflies project, Barratt induces new musical shades, hinting at moments of disco and funk, through a lens of psychedelia. 

The title track is a late-night floor-filler - a bold yet uniquely personal necropolis built from riveting delays and arpeggiators. Time Bending sees DJ Tennis join in, stepping up with his trademark, rough around the edges production aesthetic, en route to unknown destinations. Barratt hones-in on a confident, stripped-down style on Khaos - rhythm versus melody -  just in time for festival season. 1983 soundtracks a ride to utopia on a rocket-fueled Vespa, leading to Collider, the land of un-quantised madness, where the most treasured of synthesisers live amongst their drum machine counterparts. 

Flowing yet incredibly interconnected, Saqqara is best interpreted as a mini artist album - the first of many Barratt offerings.

Barratt & DJ Tennis - Time Bending

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Get Mark Slee's track on @manjumasi here: 
➟ Beatport: https://bit.ly/32QdAfM

For release number twenty-three on San Francisco's Manjumasi, label co-founder @mcslee returns with a new EP, his first original showing on the imprint since its debut release, his "Nocturne Belle" EP in 2016.

The "Grapeseed" EP features three original tracks, all with deep and mysterious elements that have become a marker of Slee's production style, as well as the broader Manjumasi label sound. First up is "Grapeseed", a haunting number built around a deep gliding bass riff with echoing bell melodies. The second track is Westvine, again featuring gently modulated bell elements in the lead, while dialing up both the shuffle and groove on a much more syncopated low-end. Finally, we have "Bitter Flower", which uses a super deep groove to set the foundation for classic synth elements with a modern twist. Acid-lines echo through the sonic space, alongside a nod to the classic M1 organ texture.

Alongside the originals is a diverse collection of outstanding remixes from highly respected producers. First up is Berlin's @acidpauli, who turns in an incredible deep and minimal interpretation of "Westvine". Here the focus is on solid bass and little organic details that grow gently through the mix, like tendrils into a brick foundation. Next is Seattle-based Jeff McIlwain, aka Lusine, who pulls the tempo of "Grapeseed" down to a very mellow 100bpm, the perfect pace for a deep bass burner that works its way steadily through an intense slow-mo crescendo. Finally, Birmingham's Tom Flynn takes aim more squarely at the dancefloor, with a proper ripping take on Bitter Flower. Driving synths and arpeggios recall the energy and euphoria of classic progressive house, but Tom's touch employs a more modern and sophisticated sound palette, expressing both melancholy and intrigue.

🎧 More Music in our Playlists on Spotify ⤵
💃 Dance: https://spoti.fi/2FjcR9k
⚡ Deep House: https://spoti.fi/2JVCgJH
🌃 Disco: https://spoti.fi/2qMavuY
🍍 Downtempo: https://spoti.fi/2K0w7vN
 👯‍♀️ Electronica: https://spoti.fi/2qJt0A9
💥 Tech House: https://spoti.fi/2vrVN0W
🌌 Techno: https://spoti.fi/2qMRUOy

🐧 trndmsk's weekly Spotify charts: https://spoti.fi/2sgrlms

Grapeseed EP

Mark Slee - Westvine (Acid Pauli Remix) [Manjumasi]

Thought this song was too good to not be on soundcloud so had to add it.

Acid Pauli - Nana ( Be Svendsen Remix )

rampue - ræmpjuː

INTERNATIONAL BOOKING:
booking@audiolith.net

SHOWS:
audiolithbooking.net/en/artist/rampue/

Inside

rampue

Related tracks