🖤🖤

rometsito - me gustan mucho los carros

do
  -- setCycle (0)
  hush
  all $ id
  setbpm $ 160
  let trans = note (0)
  let note' n = note (scale "minor" n+2) |+ trans
  let kb = slow 1 $ (rotR (0/8)) $ mono $ jersey--foot "9  <3 ~> <9 18>"--g (beat "[[0|0|1],2,<3 ~ 4>,8,12,<14 10>]" 16 $ "1")
  let kb2 = slow 1 $ "1(4,8)"
  let bsp = "<0 -1>/4"
  -- let _swing = swingBy (1/12) 8
  d1 $ stack [ silence
    -- ,"1*4" # "909bd:10" # sh 0.2 # l 1 # g 1.2 # sp 1 # rel 0.2 # lpf 2000
    ,"1*4" # "shabd:28" # sh 0.2 # l 1 # g 1.2 # sp 1 # rel 0.2 # lpf 2000
    ,kb # "606mpcbdp" # sp 2 |- note 0.1 # g 1.1 # note' bsp # cut 1 # sh 0
    ,press "shasd*2" # n 9 |+ note "<3 0>/4" # rel 0.2 # sh 0.2
    -- ,ghost $ press "909oh*4" # l 1 # sp 3
    -- ,"808sd2(6,16)" # n 10 # sp 2 # sh 0.2
    ,press "808cp2*2" # n 3 |+ note 2 # g 1.3
    -- ,"808hh2(16,16,2)" # n 4 # sp 0.75 # rel (slow 3 $ range 0.2 0.12 $ sine) # l 1 # fshift (rand*20) |* g "[0.8 0.88 1]*4" # g 0.95
    ,"shafx" # n 9 # hpf 9000 |- note "<0>"
    -- ,"~~~~~shaht:30*3" # rel 0.2 # g 0.7
    -- ,"1([0 0 9 7],16,3)" # "r70ht" # g 0.8 # l 2 # sp 2
    ] |* g 1.3
  -- d6 $ "1(5,16,3)" # note' bsp # "orgpolystab"# l 1.2 # sp 4
  d7_ -- $ degby 0.2
      -- $ supcut (|- note 24)
      $ degby 0.2
      $ (<| foot 0)
      $ sometimes (ply 2) $ rotL 0 $ revOn' [4,2,0.5] $ chat' 8 4 "aleteo2" # hpf 250 # cut 1 # l 1 # sh 0.2 # room 0.2 # hpf 200 |+ note 4 # sp 1 # lpfrel 0.1
  d8 $ smtmsby "0 0.2" (|* sp 2) $ panrand 
      $ smtmsby 0.2 (|+ b 0) $ chop "[8|8|16]*4" $ "amandote8:1" # be' 8 "<2 1>/2" "<5 6>/8" # hpf 300 # g 0.9 # sh 0.3 |+ note 4 # sp 0.5 # cut 1 # delay' 0.4 0.28 0.8 -- # krush 0.4 # coarse 3 # sp 1
  getnow 16

[LIVECODING IMPROV] AMANDOTE_160_TECHNOISH_240716

published by ⟡₍⑅ᐢ..ᐢ₎⁀➴ʚɞ https://lespoints.bandcamp.com/album/speedparade-compilation-vol-3

Andes Adrea - FR FR FR (or Maybe Not)

Influenced by her hometown Cairo’s underground scene, London-based writer and researcher Nihal selects contemporary left-field hip hop, drill, drum & bass and experimental sounds from the Middle East and North Africa capturing the organic crossovers traversing the region.  
Find the full tracklist and related episodes on NTS: https://www.nts.live/shows/nihal/episodes/nihal-5th-september-2024

Nile To Bank w/ Nihal 050924

this track is for Henry (1880) who lives in London Bridge Station <3333

henry (1880)

https://soundcloud.com/paranoid-london/lovin-u-ahh-shit-album-version

Lovin U (Ahh Shit) [Gothica Remix]

cosas 
que duelen 
contar 

recuerdos 
de vida 
palpitar 

y si nunca hubiera 
ido aca
no tendria nada
que contar

oscar con guitarras - palpitar

Order 'Collect' 
Houndstooth shop: http://store.houndstoothlabel.com/collect.html
iTunes: http://found.ee/CollectDL
Bandcamp: http://found.ee/CollectBC
Spotify: http://found.ee/CollectSP
Amazon: http://found.ee/CollectAMZ

Find 18+ online:
www.eighteenpl.us
https://www.instagram.com/18plus18plus18plus/
https://twitter.com/18plus18plus
https://www.youtube.com/user/18plus18plus18plus
https://www.facebook.com/18plus18plus 
https://soundcloud.com/18plus18plus18plus

- A collect phone call is a form of communication based on the understanding that the receiver pays the cost of the message sent 
- A collection agency buys debt at a fraction of its balance based on the reduced likeliness of the debt being recouped 
- To collect is to gather, to source and to inventory 

18+ (@18plus18plus18plus) return with their thirteen-track second second album, ‘Collect’, which explores the duo’s aggressive evolution as musicians. Frequently radical and genre-defying, together Justin and Samia have produced their most ambitious and powerful work to date. On 'Collect', the duo explore the relationship of public vs private in a more invasive style, exemplified by the sampling of phone calls and personal field recordings intertwined between tracks. 

Recorded collaboratively between Justin and Samia’s respective Berlin and Honolulu residences, the album is a product of their physical geographical distance and autobiographical individual growth: the fragmented meeting of displaced minds, reflecting on the way we now interact in a variety of contexts, from platonic, to professional, to economic. 

May 2016 Tour Dates:
17 May	Sigursgade, Copenhagen - Denmark
18 May	Berghain Kantine, Berlin - Germany
19 May	De School, Amsterdam - Netherlands
20 May	The Pickle Factory, London - UK	
23 May	Le Pop Up du Label, Paris - France
24 May	Milla Club, Munich - Germany
25 May	Uebel & Gefährlich, Hamburg - Germany
26 May	Karlstorbahnhof, Heidelberg - Germany
27 May	Club Bahnhof Ehrenfeld, Cologne - Germany
28 May	DOK	, Gent - Belgium



Press enquiries to Purple:
Jemma Litchfield / Tom Mehrtens / Anna Meacham
at firstname.surname@purplepr.com 
or call +44 207 434 7090

Collect

Drama

Free Download

18+ / Drama

I can't remember anything
and thats okay with me

When I cry I'll do it softly so my mother doesn't worry
cause' last time she I ended up  with a doctor that didn't know anything 
cause' if he looked inside my mind  he would have realized that I wanted to die

So love me please
love me please
abandon me
abandon me

I opened my doors when you needed a home
I said take the bed and I'll take the floor
cause' you were my brother, you were my best friend
now you don't even look my way
I don't need you and I don't need her Ill be okay

So love me please
love me please
abandon me
abandon me

My bones are weak and they'll decay
and I'm sure that yours hurt as much as mine
but I want you to know that you weren't her replacement
I just missed having someone in my bed that I could love

So love me please
love me please
abandon me
abandon me

Watch me as I bleed
cause' no one cares if my bones break
and no one cares if I'm still awake
I just wanna go home 
but I'm my bed is not my own

Abandon Me, Please. (Demo)

FIND ME (Intro)

My stomach hurts
and I can't hide the fact
that I'm not getting better

I don't close my eyes at night
cause it reminds me that I'm alone
and I'm not feeling better

What am I so afraid of?
I already stared death in the face
and said Im not afraid to die

Why do I still hold my breathe when I'm around you?

I'm sorry mom I can't always be happy
And I'm sorry dad but I'm getting home late again
Cause' I like driving around screaming so 
When I get home no one hears me crying alone

Apology Letters

@f-u-n-e-r-a-l 
Handy tool y sus remixes, son producto de una conexion transatlantica entre el productor Argentino ''EL PLVYBXY'' y el productor japones ''WRACK'', juntos crearon una polimerizacion ritmica, abarcando distintos jeites percutivos propios de sus respectivas ciudades y sus influencias musicales exteriores como el Gqom y el kuduro. ''Handy Tool'' incluye 4 remixes o reversiones con participantes de todo el mundo, ''Funeral'' desde bolivia, ''Nahshi'' desde Italia, ''Prettwbwoy'' desde Japon, y ''Tearz'' Desde Usa. 
Cada uno compartiendo su vision de lo que es una ''herramienta de pista'', o ''Club Tool''. El arte de tapa la realizo ''IRIKI'' artista japones del equipo de ''RADD LOUNGUE''.

DOWNLOAD

EL PLVYBXY x WRACK  - Handy Tool (FUNERAL Tribal Remix)

King krule
Archy Marshall 
Edgar the beatmaker/heartbreaker/breathtaker 
DJ jdsports 
And the rest

Abandon Me, Please. (Demo)

Ran.feri

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