Otun

Pasillo

The second single from "A Guide to the Birdsong of Western Africa" comes from Senegalese super-group Wau Wau Collectif and features Kora maestro Lamine Cissokho. They made a beautiful track inspired by the Yellow-casqued hornbill, a species that faces a high risk of extinction in the wild, mainly due to habitat loss and hunting. The lyrics call on citizens of the world to mobilise, come together and protect our ecosystems.

Support the project & pre-order the album here: https://shikashika.bandcamp.com/album/a-guide-to-the-birdsong-of-western-africa

A Guide to the Birdsong of Western Africa

Support the project

Wau Wau Collectif Feat. Lamine Cissokho - Yellow-casqued hornbill

Un rémix que no salió editado....

link de descarga.....

https://www.mediafire.com/?meeuzhgoamr9g65

Amadou & Mariam - Dougou badia (Chancha Via Circuito remix)

london-paris-sofia-bansko-nesebr-london. december-january (2009/10)

Adam Shaikh - Ciew Mewele By Issa Bagayogo (Dusty Foot Remix)

If you ever wondered what organic dem-bow sounded like, this is about as close as you could get! After years of mutual admiration, Brujería sees El Búho and Bomba Estereo’s Li Saumet collaborating for the first time and it doesn’t disappoint. El Búho trademark floating flutes, weave in and out of the reggaeton rhythm while Saumet’s lyrics call for the need to cleanse and heal, embracing the
brujería or witchcraft of her ancestors.

Strata

Brujería

El Búho & Bomba Estereo - Brujería Feat. Li Saumet

SILENT KNIGHT! (Prod. SHARKTOOF!)

El Regreso del Gallito (The Return of the Rooster) takes its inspiration from the sounds and landscapes of Paraguay, the small South American country unbeknownst to many outside its borders. Paraguayan composer and producer Santi and Turkish singer Tuğçe take listeners on a tantalizing journey into this “island surrounded by red coasts, in the heart of South America”. El Regreso del Gallito also marks the duo’s first time collaboration with U.S. based visual artist Scott Partridge, whose artwork perfectly captures the somewhat familiar and somewhat magical world of the album. 

The opening track, Gallito, begins with a bold, orchestral string section, and quotes the popular Paraguayan polka “Gallito Cantor”. The spoken poetry announces the return of a mysterious traveler, with a strange voice and burgundy crest, to his native land. This track, like the rest of the album, reveals the compositional approach that Santi takes to music production in which he writes and sequences every single note and beat for all instruments. Based on this opening track, Scott’s cover art for the album depicts the mythical Gallito, which- like the album itself- is a novel interpretation of the folkloric elements, in this case, gallinas de suerte or “lucky chickens”, of Paraguay. 

The second track, Doña Antonia, tells the story of a street vendor who travels each morning from her home in Yaguaron to the capital city Asuncion to sell her medicinal herbs that cure everything, from heartbreak to oblivion. The track is sensual, mystical, and up-tempo. In a “world that keeps spinning without compassion”, Doña Antonia’s song (and her ice cold tererê with lemon) reassure the poet, the dreamer, those who are disheartened, of possible relief and even transformation. 

La Revancha del Arpa, humorously named after Gotan Project’s debut album “La Revancha del Tango”, brings to the dance floor the intricate melodies and waterfall-like textures of the Paraguayan harp, the instrument that is at the center of the Paraguayan musical genre of the Guarania. Like Gotan Project’s “La Revancha del Tango” which gave tango its electronic sound and international revival, in La Revancha del Arpa, Santi extends the Guarania outside of its Paraguayan conventions and immerses it into Latin America’s vibrant electronic music scene and beyond. 

The fourth track, San Juan, is a grand celebration, based on the traditions of many other neighboring countries throughout Latin America. Weaving together polyrhythmic percussion, deep bass, synthesizers, the energetic accordion and the playful harp, this upbeat track is filled with fire, dancing, and daring games. Even the mysterious Gallito is back on the scene calling for community and musical innovation. 

In the last piece, the journey comes full circle, as Santi and Tuğçe give us their rendition of what is perhaps the most known Guarania of Paraguay, Recuerdo de Ypacaraí. Santi’s hypnotizing harmonies along with Tuğçe’s soothing vocals turn this timeless song into a lullaby which takes us back to a night by Lake Yparaci and invites us to remember and linger on. 

Follow the artists @ 

facebook.com/santi.production/ 
soundcloud.com/santi-productions 
soundcloud.com/tugce-kurtis

Buy on Bandcamp!

Santi & Tuğçe - La Revancha Del Arpa

Misa Criolla

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Philippe Cohen Solal - Gloria - Uji Remix (Misa Criolla)

@ibu-selva 
www.facebook.com/IbuSelva 
-------------------------------------------
✺✺✺ Sobre: 

Bolo’bolo é o nome de um livro que fala sobre uma sociedade anarquista alternativa, onde é explicado com detalhes desde como desmantelar o sistema político e econômico atual até como se daria sua organização, de uma sociedade nova, autogestionada, que permita, como os Zapatistas dizem, “um mundo onde caibam muitos mundos”. 

A capa é uma máscara olhando para o céu, e caindo no chão, onde nuvens e luas guiam seu caminho. Como na escuridão da noite, a lua guia nossos sonhos para se tornarem realidade. 

Nima é a identidade e a bagagem cultural de um Bolo. Podendo existir muitos Nimas dentro de um Bolo. Nima é o direito de todo Ibu pode escolher, praticar e propagandear sua própria maneira de vida, estilo de roupas, linguagem, preferência sexual, religião, filosofia, ideologia, opiniões, etc., onde quiser e como gostar. 

Sila significa hospitalidade para todos. Porque não existe dinheiro ou trabalho, então todo Ibu deve oferecer a mesma hospitalidade para qualquer outro Ibu. Isso torna todo Bolo um hotel, e todo Ibu com direitos para uma certa quantia de comida, entre outras coisas.

✺✺✺ About: 

Bolo’bolo is the name of a book that talks about an alternative anarchist society, explains details of its organization and how to disrupt the actual political and economical system, and create a new, self-governing society, which allows, as the Zapatistas say, “a world where many worlds fit”. 

The cover-art is of a mask looking at the sky, and falling into the ground with clouds and moons guiding its way. As in the darkness, the moon will guide our dreams to reality. 

Bolo’bolo, the first track, in the book’s language means a place where from 300 to 500 Ibus (people in the common language) live together and live upon basic agreements in a direct, personal context to live, produce and die. It will substitute money, all essential services must exist there, and all Ibu’s are free to leave or stay. So bolo’bolo, is a community of Bolos. 

Nima, the second track is the cultural identity of a Bolo and its cultural background. A lot of Nimas could exist inside the same Bolo. Nima is the right of every Ibu to choose, practice and propagate his own life style, clothing, language, sexual preferences, religion, philosophy, ideology, opinions, etc. wherever and however (s)he wants. 

Sila means "hospitality for all”. For there is no money nor job, every Ibu has to offer the same hospitality for every other Ibu. This makes every Bolo a hotel, and every Ibu has a right to a certain amount of food and things in every Bolo. 

[All info is summed up, for more, please read the book.]
-------------------------------------------
Master: Nathan Hall 
Artwork: Ibu Selva (www.instagram.com/ibu.selva)

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Ibu Selva - Nima (Original Mix)

This is the first in a series of remixes that I'm going to do about hangplayer I usually listen to. I chose to start with Kabeção because her music teleports me and heals me.

Este es el primero de una serie de remixes que voy a hacer sobre hangplayer que suelo escuchar. Elegí comenzar con Kabeção porque su música me teletransporta y me cura.

Kabeção - Espelhos No Mar (Cyma Remix)

To celebrate five years since Shika Shika was founded in 2015, the border-crossing organic-electronic collective today releases “Shika Shika 5 Years” - a celebratory double vinyl. The album features a selection of the label’s most-loved tracks on vinyl for the first time such as Yeahman’s summer anthem “Miniyamba”, History of Colour’s classic “Cinder” alongside music by Egyptian singer Dina al Wedidi, German duo JAJA and Sh Sh founders Barrio Lindo and El Buho.

Since 2015 the artist-first label has released music by over 60 artists from 34 countries, including 10 vinyl records and one crowdfunder. It has also created a globally connected community of fans and artists united by the concept of music without borders. The label has made a name for itself for highlighting musical migrations: sounds that mix together cultural influences, tradition with modernity or electronica with organic and natural sounds.

Available on limited edition clear double vinyl & limited edition black double vinyl.

REMASTERED SHIKA SHIKA CLASSICS
2015 - 2020

Ibu Selva - Nima (Original Mix)

RANDOM COLLECTIVE

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Ibu Selva

underground holidays

underground holidays

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