A3 - Eylül Deniz - Distance SNIPPET

Worst is about to unveil 'Mental & Physical' debut-EP from JONNNAH, planned for June 18: The Lyon-based producer explores the misty and nebulous limbo of atmospheric electronics trough five dense, multi-layered tracks.
Mainly gloomy and tumultuous, JONNNAH's music yet finds peace in the 'Too Many Colors In The Wood' serene sanctuary.

To be released in digital and vinyl on June 18:
https://worst-records.bandcamp.com/album/mental-physical

------
FEEL THE SPIRIT
Bandcamp: bambooshows.bandcamp.com/​
SoundCloud: soundcloud.com/bambooshows/​
Facebook: facebook.com/bambooshows/​
Instagram: instagram.com/erevan_bamboo/​
YouTube: bit.ly/YouTubeBambooShows
Spotify: bit.ly/SpotifyBambooShows
Web: www.bambooshows.com​
Discogs: bit.ly/DiscogsBambooShows
Mixcloud: mixcloud.com/bambooshows/​
Contact: bambooastruth@bambooshows.com

℘ཞɛɱıɛཞɛ ≈ JONNNAH - Too Many Colors In The Wood [Worst Records]

Joe Gilmore and Paul Emery resurface to continue their exploration of noise and computer music, this time delivering a soft, ethereal blend of avant-gardism.

more infos and tracklist at www.lyl.live.

Actual Grammar (02/09/21) w/Joe Gilmore and Paul Emery

SCRYING THE LANDSCAPE VI w. Elina Tapio & Hannah Pezzack!
Molecular thinking digs deep into the way in which realities emanate from different scales. Referencing the porousness of being subverting singular ways of existence; relating to agential cuts in protein formations and ribosomal activity; or considering unstable and unpredictable formation of identities of quantum particles. Accordingly, this episode opens with the sound of two black holes colliding, expressive of mutating landscapes those recorded electromagnetic waves have emitted in their cosmic-scaled genesis, containing alien memories in the crevices of their becomings: folds within folds, macrocosms within microcosms.
The sixth chapter of Scrying the Landscape features work by multidisciplinary artist Tuomas A. Laitinen (@tuomasalaitinen), who recently released his debut album Sapiduz under the name Tal on Öm-sound. His work deals with a broad-spectrum of approaches to symbiotic processes, ecosystems and multispecies entanglements, themes which are also explored on Sapiduz. The album presents celestial medieval singing reverberating with microbial worlds of past times and futures to come.
Image: Tuomas A. Laitinen, Protean Sap (still), 2020

Scrying The Landscape w. Elina Tapio And Hannah Pezzack [11.01.2022]

Artist: KENT TANKRED
Title: THERE IS NOTHING TO ATTAIN
Format: 2xCD / Digi
Artwork: Philip Marshall
Liner Notes: Johannes Bergmark
Edition of physical copies: 200

CD 1
1-1 Kökkenmödding 1 13:09
1-2 PSR-266 6:55
1-3 Maelstrom 10:00
1-4 Pulsar 16:49
1-5 Divertimento 14:02

CD2
2-1 Kökkenmödding 2 10:14
2-2 There is nothing to attain 2 15:52
2-3 Dialog 7:34
2-4 Obsession 2 14:00
2-5 Pots 14:54

*

Kent Tankred (b.1947) is one of the true hidden masters of Swedish electro-acoustic and experimental music. Tankred studied at Elektronmusikstudion in Stockholm in the early 70s and he has released a sparse catalogue of fine works, mainly for his and Leif Elggren’s Firework Edition Records as well as Ash International. In 1995 he put out the extremely strong album ”Ordinary Things” on Fylkingen Records. ”THERE IS NOTHING TO ATTAIN” is his first albums since the 2010 CDr with the same title. - iDEAL.

*

Music is not like people. Nonetheless most music tries to pretend it is human, imitating their movements, feelings, attributes, even opinions.

Kent’s music doesn’t pretend to be anything. One quickly forgets there could be a human behind it, even though it may have arisen from some profound game, a concentration on some discovery, combination,  principle.

The music is naked, or rather unclothed, inhuman, at the first encounter reminding you of everything you would prefer to avoid: leaf-blowers, neighbours drilling the wall, machinery grinding, a screwdriver stripping the thread with a careless move, electric warning signals, all on top of each other.  

A recent radio programme was discussing whether the phrase “human error” should be replaced by the less recriminatory “human contribution”. Meanwhile a submarine has sunk into an ocean chasm and the 53 aboard who might still be alive will run out of oxygen before they can be reached. A struggle between man and machine.

But here there is no struggle, the machine is likened to any other natural phenomenon. It just is, does what it does, or doesn’t, in its own time which is neither fast nor slow since it doesn’t have to be compared with anything, has no purpose, no significance, is neither good nor evil. A god like Einstein’s, indistinguishable from nature in its entirety. A galaxy does not rotate in order to be beautiful or strong. A fan does not make something flap about randomly in order to trace a certain pattern.

In the starkly dystopic early science-fiction film On the Beach (1959) a Morse signal is detected from a region where all life should have been eradicated by the atomic winter. An expedition is sent to resolve the mystery. In a completely lifeless industrial zone they find that someone, before the radiation wiped them out, had hung a coke bottle on a string from a roller blind balanced so that the random flapping of the blind caused the bottle to press the telegraph key, producing a haphazard stream of code which inevitably from time to time formed meaningful words and phrases.

I am hard put to explain what it is than can suddenly make the music so entertaining, so jocular in the midst of this objective, mundane mangling. Yet one does get reminded at some point that someone is behind all this, has discovered or molded, has chosen this; perhaps not a joke but pure serendipity.

Just as things originate so must they vanish, by one decision or another – a handbrake, a puncture, a flying catch. The process “concludes”, or purports to, as when someone suddenly wakes you from a dream which you forget immediately but retain the echo of a feeling. Or you are surprised by your parents opening the door when you’re in the middle of a game where you can’t remember whether what you’re doing is supposed to be secret or not.

And so the cauldron or the ventilation pipes spill out a bus garage, a swarm of drones, or those flying bicycles Leonardo had a mind to make.

- Johannes Bergmark.

Kent Tankred - PSR - 260 (from iDEAL209 2xCD)

Excerpt of a leisurely and unannounced 6 hour DJ set at Leipzig record shop Sleeve++ in celebration of the official release of „Robyrt Hecht - Type EF“ (CLEAR007) on Clear Memory.

Enjoy! And excuse the 128kbps sound-quality. My ancient recording device thinks that this is still "XHQ" – Extreme High Quality ... and then the batteries were dead at the end.

Record Release DJ-Mix Excerpt at Sleeve++ (2022-01-22)

@matt-from-if-only took the reins for this month's show, bringing bringing pop abstraction, dembow, IDM and more to the Noods Radio airwaves. 

Tracklist:

more eaze -  heartbreaker (feat. Claire Rousay)
Vica Pacheco - La Danza De Las Ramas Del Árbol Milenario
bambinodj - lost ridden
FUMU - I Was Sunk Up to My Neck
LC & Charles Verni - Snakes
x/o - Initiation Relic
Safa - Bel Abbes
Chrisman - Mediocre
Baby Blue - Plastic Glass Wall
Siu Mata & Amor Satyr - Reggaeton Sex
ubu boi & r hunter - Lexiconfluence
Medici’s Daughter - Dolly
Georgia - Slope Of A Front (Goes Down Lane With Undiluted Memory Mix)
Lauren Duffus - Habits
Medici’s Daughter - Scammer
Glass - Quantic blunt (ZULI Zoned Out Remix)

If-Only on Noods - 8th April 2022

falling in smoke

Stream/Buy: https://fanlink.tv/llowlight
Listen on Spotify:
https://open.spotify.com/album/1BAtdCIdf0dgc7wCgcxCVK
Watch on YouTube:
https://www.youtube.com/watch?v=P-OU_UNNhyM

Follow Me:
Spotify: open.spotify.com/artist/6iJssSwlfABvWKmYrR9Cn3
Apple Music: music.apple.com/ua/artist/avrx/1718591883
Instagram: www.instagram.com/avrxsound/
TikTok: www.tiktok.com/@avrx.sound
YouTube: www.youtube.com/@avrxsound
Soundcloud: @avrxsound

Lowlight

Lowlight (Slowed)

Stream/Buy

AVRX - Lowlight (Slowed)

#newmusicalert #28 #38 #48 #newmusicalert #44 #28 #48 #22 #77 #88#28 #newmusicalert #44 #28 #48 #22 #77 #88 #newmusicalert #44 #28 #48 #22 #77 #88

SON OF YEHUAH

https://swallowinghelmets.bandcamp.com/album/4-track-12-scanty-canteen-music
------------------------------------------------------
MARTIRIO = Christophe Clébard + Bear Bones, Lay Low
Demon duo from Bruxhell made for the infected by Santa Maria

LOSTSOUNDBYTES
Industrial sequences and agressives basslines made for the Gordon Gods dancing on the stairs de la Bourse

RAYMONDE
Broken electronic bongo beats percussion made for the sick pidgeon feeders

CARCASS IDENTITY = Carrageenan + Bear Bones, Lay Low
Inside-out psychodelic techno dub for the nightshop owners

Carcass Identity - Embryonic

RANDOM NUMBERS is a Record label based in Bologna Italy. 
Random Numbers co-owned by Carlo Mameli and Bartolomeo Sailer is mostly focused on experimental music, but every producer carries his own very personal approach to it. 
The idea behind the label is to explore a wide range of electronic music, merging different sounds in a single big container.

A3 - Eylül Deniz - Distance SNIPPET

Random Numbers Records

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