I really like this! Captivating in its simplicity, and it definetely has groove.

Probably the simplest piece of music I've made. 3 tracks of the same static noise, offset slightly in pitch to create a phasing effect. Resonant filters fade in and out over time to create a chord with shifting emphasis.

Disquiet 0530 bare

Disquiet Junto Project 0529: Squared Off

Make the thing you think is the minimum viable music.

Major thanks to Saga Söderback for having come up with this project.


I considered what "Minimum viable music" means to me.

For me, musicality has always linked directly to musicianship. A great practitioner of their instrument has great musicianship, and great musicianship opens the path to great musicality. Musicality then breeds music.

So in a quest to go minimal, I took the road of a single C2 note from a Juno synth (TAL Uno LX) -a square wave oscillator, everything open. Nothing easier than hitting a note! 
Then I sent the audio from that single note, looped at 134 BPM, into a load of effect tracks, comprising reverbs, delays, pitch shifters, overdrive distortions, and digital degradation effects units.

I wanted to expose my love for effect units. Nothing but a C2 on a Juno was used here. Musicianship is minimised fully - musicality comes from performance of 'effects', not of 'instruments'. Set up and play the effect units in a digital DAW. Minimum Viable Musicianship....

Tal Uno LX, Wave H-Reverb, Eventide Little Plate, Surreal Machines Diffuse and Modnetic, Eventide Little Alter Boy, Eventide Effect Rack x3, Tritik Moodal x2, Replika XT x3, Glitchmachines Fracture XT x2, Sonic Charge Permut8. A shade of feedback here and there!

Thanks for listening...

A Pluck from a Punk (disquiet0530)

Recorded with MacBook pro in Ableton live
used Puremagnetik FOG
outside recording, you can hear the birds and noise

drone flying for the future(disquiet0548)

Part of the disquiet0554 prompt to create a drone inspired by “Organ²/ASLSP” by John Cage. 

This piece switches chords once and uses filter and distortion adjustments to create different sounds and timbres throughout.

Cage Chord [after Organ²/ASLSP] [disquiet0554]

Used POLYEND Tracker
Tempo: 555 Bpm
Pattern length: 55
choose the simplest waveforms from stock samples
length of the hole track: 55 sec + 5sec

recorded in BlueBox

Dance555Dance(disquiet0555)

This lengthy single track, just under an hours and 45 minutes in duration, was compiled by Tobias Reber from the work of 54 participants in a summer 2022 collaboration between Musikfestival Bern and the Disquiet Junto music community. Contributors were invited to make drones based on a shared single chord from a John Cage composition. More details at disquiet.com/0554. 

Below is a full list in alphabetical order of the musicians included in this compilation. A few others were produced, as well, in the course of the music community project, which ran from August 11 through August 15, 2022. More on the festival, scheduled from September 7 through 11, 2022, at musikfestivalbern.ch. 

33per, A Thousand Plateaus, Aethyr, Alchemical Cage Chord, analoc, ausgesuchtestenohren, baconpaul, Benn DeMole, celaeno, Chridmeister, Clint Burgess, craniform, Dan Simpson, Death Hags, encym, Fake Genius, feXon, Gerard Paresys, h b, he_nu_ri, hugh g twatt, -infDB, Kei, Krakencraft, krseward, Lazenbee Industries, Lee Evans, Leon Clowes, Marc Eisenschink, Marci Lucchi, Martin AB Cee, melondruie, nobuka, noimspartacus, Noodle Twister, Ossimuratore, Ostacoli Sonori, Paul Beaudoin, pineyb, Punks Dig Disco, RabMusicLab, ray_cobley, robbie, samarobryn, SinnySounds, Sonic Search, Stefan Strasser, Synthi, Tuonela, undermulden, wagneric, wasabicube, x i i i x x i, zeroperimeter.

We don’t do a lot of this sort of thing (by which I mean a post-project compilation), in large part because I never want Junto participants to feel like they need to complete a piece before posting it, and in part because external overarching editorial consideration — as is necessary for a compilation like this — is also something I don’t want someone thinking about as they produce tracks for the Junto. But that said, the projects with Musikfestival Bern are unique ones, and part of the announced plan from the start was some tracks may be selected for playing during part of the festival. This excellent compilation is one expression of that plan. Many thanks to Tobias for having executed this compilation.

Cage Chord Compilation (54 Musicians/Tracks)

New Day

DARK MUFF BELLS
new techno music

music by malte preuss
GEMA 2023, all rights reserved

ENJOY

DARK MUFF BELLS

SO inspired by Marc Eisenschink’s Enner performance over encym’s wonderful guitar starting point! Ableton’s Tension synth adds a forward and backward dimension to complete this collaborative trio …

Second part: Marc Eisenschink - https://soundcloud.com/randomshuffle/frugality-enner-nothingdisquiet0592

First part: encym - https://soundcloud.com/encym/the-loneliest-number-disquiet0591?si=83fa6974ce6d4b768ab7f3e457589658&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

More on this 593rd weekly Disquiet Junto project, The Charm (The Assignment: Complete an asynchronous trio begun by two other musicians), at: https://disquiet.com/0593/

About the Disquiet Junto: https://disquiet.com/junto/

Subscribe to project announcements: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0593-the-charm/

collaboration

halF frugaL [disquiet0593] featuring Marc Eisenschink and encym

Disquiet Junto Project 0593: The Charm
The Assignment: Record the second third of an asynchronous trio.

Please note: While this is the third part of a three-part project sequence, you can participate in one, two, or all three of the parts, which have occurred over the course of three consecutive weeks.

Step 1: This week’s Disquiet Junto project is the third in a sequence that encourages and rewards asynchronous collaboration. This week you will be adding music to a pre-existing track, which you will source from the previous week’s Junto project (disquiet.com/0592 7). Note that you are finishing a trio: you’re creating the third part of what two previous musicians began. Please keep this in mind.

Step 2: The plan is for you to record an original piece of music, on any instrumentation of your choice, as a complement to a pre-existing track. First, however, you must select the piece of music to which you will be adding your own music. There are tracks by numerous musicians to choose from. The majority are in this playlist:

--

It was an interesting balancing act, to add something fresh while still leave enough space for the original material to breathe.

This is my 2nd iteration.
Initially, I wanted to just record a drum part but wasn’t satisfied with the end result.
I wanted something more subtle.

So for the 2nd iteration, I came up with a process that allowed me to explore a few of my current interests at the same time. Probably that’s why I was willing to give this piece so much attention. Hm…

Below is a somewhat detailed description of the process and context.
It’s long & detailed, because I wanted to capture a few thoughts while they’re still fresh.

Context:

earlier this week, I studied interviews with Nils Frahm about his current improvised live concerts (How I Play Live: Nils Frahm | DJMag.com). My take-away for me was that playing all parts by hand (e.g. not relying on quantized sequencers) is a part of his organic sound that I like so much.
That motivated me to play keyboard a lot more - mostly piano & electric piano sounds with a touch of tape delay effect - and discover that this is currently my favorite thing to do, musically.

yesterday, I repaired the broken switch of the audio input preamp on my Buchla Easel, and my mind was naturally wondering about how to employ it in the next projects…

earlier today, I read an interview with Biosphere (In the studio with Biosphere | Headphone Commute) - another artist whose sound I like a lot.
I liked the idea of processing samples of acoustic instruments (he mentions sampling classical music) through synths/filters/etc.

yesterday, I found the perfect reverb effect pairing for the Easel - a modulated space reverb pedal.

All of the above coming together to form the idea for a process.

(continued on https://llllllll.co/t/disquiet-junto-project-0593-the-charm/62312/57)

Frugal3ty feat Marc Eisenschink and encym [disquiet0593]

live set registrato nel giugno 2017 a Milano
Sergio Armaroli, percussioni
Claudio Chianura, synth
Walter Prati, cello ed elettronica
Giancarlo Schiaffini, trombone

Dance555Dance(disquiet0555)

Marc Eisenschink

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