solo guitar & 7 amps

recorded by Carlos Dalla Fiore



















Hoenlo

Fragment 2 guitar installation (made for musictheater play 'KUNST' by Veenfabriek, Oerol 2024)

You hear the first ever try-out of an installation with 5 acoustic guitars all tuned differently
+ 1 electric guitar with effects
+
- actors
- flute
- trombone with electronics

Fragment 2 guitar installation

Fragment 3 guitar installation (made for musictheater play 'KUNST' by Veenfabriek, Oerol 2024)

You hear the first ever try-out of an installation with 5 acoustic guitars all tuned differently
+ 1 electric guitar with effects
+
- actors
- flute
- trombone with electronics

Fragment 3 guitar installation

this song is an outtake of my soon to come solo album. it was recorded in a chapel in Northern France using a volume booster, a volume pedal and a delay pedal going to 4 different amplifiers.

recorded by Carlos Dalla-Fiore in the Performing Arts Forum in St-Erme, France
mixed by Sandor Caron and Raphael Vanoli
sound enhancement by Theo Langejans, Sandor Caron and Raphael Vanoli at phatroductions.nl, Amsterdam
mastered at Angström Mastering, Brussels by Frédéric Alstadt

Gunther

21 june 2012 5:00 AM solo concert at “Splendor - The Shortest Night”. 7 amps, 1 PA, 25 pedals, 1 guitar, 1 fender bass VI. all sounds generated live

music © Raphael Vanoli

"Splendor-the shortest night" Solo

improvisation extract nr1, boosted electric guitar (for high volume), 7 switchable amplifiers and one loop pedal. Tjuuup***

vegg 1

listen in Stereo, headphones work best 

Mix & mastering: Sandor Caron of Knalpot. Sandor mixed my sound FOH and slightly mixed/mastered the audio-recording from these 3 HD cameras. The proper audio-recording crashed unfortunately but the camera sound is pretty ok 

Video by Laurens Roorda and Thijs Molenaar of TheVideomatic.nl (check my vimeo page) 

This is a live-recording of a solo concert i played on 14dec 2012 in Muziekgebouw aan't Ij, Amsterdam. I had the honour to open for Ben Frost's Music for 6 guitars (which I enjoyed playing with straight after my show, quick change-over...). Before me Seth Josel performed Morton Feldman's "Possibilty for a new work for electric guitar", which did set a great mood. This was a "Listen to This"  night organized by Muziekgebouw aan't Ij and also part of the Amsterdam Electric Guitar Heaven Festival.
This is a piece with structured textural improvisation called 'A sphere for Albert Sutter, Wolfgang Vanoli and Rudy Lisapaly'. It is dedicated to my 'three' grand-fathers that all passed away within a short period of time in spring 2012.

This was the 5th time I used this set-up live and slowly it is growing in musical structure. Everything you hear is created live on stage with a heavily boosted fender stratocaster (to make microscopic sounds and extended techniques like blowing on the strings, scraping, bashing on different parts of the instrument more audible). What you hear at the beginning is just guitar/booster and a lo-fi Bogey mini-amp. I had to take my whole Knalpot EFX set-up on stage since i needed it for a Knalpot concert the next day, I had no time to prepare a smaller set-up.. Cause what i used pedal-wise for this is actually not so much: one DL4 for looping (looping starts at about 5-6minutes), one RC20 for looping (goes only to bassamp, about halfway the music), an EH Freeze, a Boss DD6 for occasional mini-loops, a bug brand PT delay (going to the PA) and a volume pedal. All this runs into a 6-way-ampswitcher built by Foppe Talman. It's an ingenious switcher I dreamt about for a long time and Foppe made that dream come true (He's my man!) This time i used it to switch between 3 tiny/lofi crappy mini amps and 3 big/hifi tube amps that are placed all over that big stage (On the little foto here you don't see all my amps, it's Frost's backline). If you listen in stereo at some parts you can really here the placement of the amps, a lot of random stuff happening with frequencies. Foppe and I will be working on an updated version of the switcher soon, allowing combinations of amps. For the moment I can only use one amp at a time plus eventually a bassamp (placed in the center) that i can add any time with an A/B-box. Towards the end of the piece i used some more heavily processed sounds at normal output volume with a sonic alienator, whammy, bugcrusher and some reverb, going through some delays on the table. greetings Raphael

Extract from 'A sphere for Albert Sutter, Wolfgang Vanoli and Rudy Lisapaly'

Glenn Helberg: spoken word, texts
Jennifer van der Hart: sopraan
Fanny Alofs: alt
Łukasz Wilda: tenor
Maciej Straburzynski: bass
Raphael Vanoli: electric guitar, electronics, arrangement, composition
Romain Bischoff: concept, finishing touch

original cantate by Johann Sebastian Bach 'Mitten wir im Leben sind', central motive time-stretched before

Silbersee+GlennHelberg+DeLieveVrouw,Amersfoort23,12,2019MiddenInHetLevenTimeSTretched

headphones recommended (7 amps, stereo!)
this is an excerpt from one of Johann Sebastian Bach's Brandenburg concertos (the harpsichord left hand) sent through 7 amps and some delays, short 2:20 excerpt.
recorded by my dear friend Carlos Dalla Fiore at Zwarte Molen studio, mixed quickly by yours truly. greetings
raphael 

Bach brandenburg concerto excerpt solo 7 amps + delay

*listen with FULL sound

Omar Ka: vocals
Hilary Jeffery: trombone
Franz Hautzinger: trumpet
Gerri Jäger: drums, electronics
Raphael Vanoli: bass, electronics
Sandor Caron: sounddesign

recorded live in Utrecht and mixed by Kay Krijnen
-----
Photograph © Raoul Hilbink
Lightdesign: Meeus van Dis

*STOLPERNOVA* himalayan dub


-please listen with FULL sound-
Omar Ka: vocals
Hilary Jeffery: trombone
Franz Hautzinger: trumpet
Gerri Jäger: drums, electronics
Raphael Vanoli: bass, electronics
Sandor Caron: sounddesign

recorded live at Bimhuis Amsterdam, 27feb2013 by Jurre Wieman
Mixed by Micha de Kanter, Sandor Caron, yours truly 


raphaelvanoli

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