reproduit

produit - "Bambamakoko" (Out mar, 2018)

Full doomload here : https://vaaticanrecords.bandcamp.com/album/vaatican-sampler-n-47

Vaatican Sampler N°47

PAMOLINE - "The Meat Beats The Beat" (Out apr, 2021)

Chkim Okro

The king of café dunks into a multifaceted concept album, everything hand-drawn and hand-crafted: Synthwave, dubstep, breakbeat, but also ambience, ballads and idm, to name just a few, but I don't want to give too much away.
Come with Klikmagne (ˈklɪk-mayn) and enjoy a travel through time and space! 🚀😼

Klikmagne

Everything Is Everything Is Relatively Normal (Klik Mix)

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Taken from the upcoming mini-album The Myth Crumbles, the Mystery Remains, out on traverse, "At Your House (David’s Tribute)" is a meditative dive into Tonito Yama’s shadowy, jazz-dub universe. The track plays like a hazy memory—melancholic, cinematic, and bass-heavy—unfolding with the slow tension of a lost film noir. A heartfelt homage wrapped in mystery, it's a glimpse into a world where the myth may crumble, but the atmosphere lingers long after.

Tonito Yama
@antoine80

traverse
@tra_verse
www.instagram.com/tra.verse/

The Myth Crumbles, the Mystery Remains

At Your House (David's Tribute)

Premiere: Tonito Yama - At Your House (David's Tribute) | traverse

This is my response to the second assignment for Tidal Club. The assignment essentially asks us to look for samples of speech and slice/cut them up in a way that makes it all interesting. In this attempt, I ended up trying out a non-rhythmic approach, trying to use the prepared samples as spliced tape. While doing this, I realized that by layering different samples at different speeds (at different volumes), that clear "sample cut" feeling is blurred out, making it seem like I am avoiding the assignment altogether.  




The assignment is as follows:

Once you have your sound source, you'll need to edit it into a coherent loop. You need to somehow edit it so that it starts on a 'down beat' and lasts a certain number of beats (usually a power of 2, e.g. 4, 8, or 16 beats). In audacity you can hold down shift and press space to play a selection on loop, which is a good way of testing if something is looping properly by ear.. I'll do a live stream soon to demonstrate this process.

Alternatively you could manually cut the sounds into short percussive parts for arranging with the n patterns and mininotation, if you prefer - that might be more work.

Then start slicing, splicing, chopping and striating until you come up with something weird/interesting. Try juxtaposing / mixing that with a less messed-up version. You could then either record a few repetitions of a single pattern, or if you fancy it and have some time, try to flesh it out into a whole track. Have fun with it!

Things to think about

How speech changes when you start treating it as sound
The relationship between speech perception and movement (check out the McGurk effect 5)
How does slicing longer sounds feel compared to sequencing individual sounds?

Cycle0: Challenge 2 (Slicing Speech)

Voici enfin le remix tant attendu de ZKX122

Merci à Nagi Noda et à la nasa pour le clip : https://youtu.be/J8iKmaVTqJc

ZKX 1222

http://gestrococlub.org/NinaKardec2.htm
2019. Vaatican Records/http://gestrococlub.org

COLLABS POSTMORTEM

"Epiloge" |  GÉRARD GRISEY Vs. NINA KARDEC | 2019.

https://vaaticanrecords.bandcamp.com/album/poussi-re-midi

Poussière midi

Paeceteenin

Amorn

Shevil (live)

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