Name: Blizzard March by RAQIAN in Re-Explode 52
Duration: 4 min
Description: Track & Cover Art Produced by RAQIAN for Raqian Music

i dont like triphop that much but this is good af bro

word to my mother this is a masterpiece nocap💯🔥🔥🔥

Wow, really cool ideas, put together in such a calming way <3

frantic syncopated drums bring this track to life. got a follow

Re-Explode 52

Stream & Download: https://www.youtube.com/watch?v=DD9Q-hTX5SA
Submit your Demos: https://www.enforcerecords.com 

🎵Lost Vintage🎵
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#lostvintage #whenitsfall #EP #lofi

When It's Fall

I Just Want

Stream & Download Here

Lost Vintage - I Just Want

Track & Cover Art Produced by RAQIAN for Raqian Music

Blizzard March

Rebel Soul

The main theme of my Aria was also written during my teenage years on a cheap Yamaha keyboard, as a simple flute melody. A dozen years later, after vigorously immersing myself in the music of the old masters, I finally managed to breathe completely new life and meaning into it.

I can confidently say that I drew inspiration from the enchanting and, at times, ethereal serenity of a particular Mediterranean landscape also found in my native province of Dalmatia. This was perfectly captured by a beautiful watercolor painting (courtesy of a magnificent painter, Vanja Kalemba) depicting a white church nestled in a lavender field. The painting may have even spurred me on further to try to encapsulate the feeling of the landscape, a beauty that no one from Dalmatia can ever take for granted due to its constant and ever-present allure.

The form of this composition falls somewhere between a rondo and theme & variations, since all the episode of the rondo form stem from the main melody as, after many experiments, I concluded that a more straightforward musical language better suits the vision of this piece, without the need for complex ornamentation and texture.

I dedicate this composition to my beloved son Karlo, who has brought more serenity and beauty into my life than anything else.

Aria for Piano, C Major

Back in the Arizona

Happy b-day Abi.  His fave director is Stanely Kubrick. I asked him to rec me a film last year and he said “Happiness with Philip Seymour Hofman.” I thought it was creative and funny and sad. He has higher moral standards than me. Found his gf perverted.  I would have called it kinky. I was going to tell him to lower his standards but if someone said, “maybe you should cheat”to me I’d say “no” cos a)your gf is supposed to be one of your best friends and b)it’s disrespectful. If I treat one of my best friends with disrespect how can I treat my friends well?  So I think Abi should do Abi. Other than that Abi sent me a pic and I told him he looked a bit like Rami Malek. He wasn’t too fond of that but Rami Malek isn’t bad looking and Abi looks 16.

I thought the whole song was A Dorian but it’s actually A dorian b2 alternating with A dorian for the verses.  I came up with the riff and wanted to make it more complex so I used the same strumming technique for ‘Can’t Stop.’ First time I used hand clicks for a song and also first time I’ve kept an entire song all modal. Thought the vocal phrasing was quite ZZ Ward for the verse and I wanted to  make it more hard rock sounding like Soundgarden. So the verses sound quite ZZ Garden or Soundward (Squidward). The bass in the verses is playing a simplified version of the bass line in ‘Come Together.’ I do like the vocal phrasing for ‘yet in the mix I found joy’ for the chorus. First time I’m doing that much falsetto for lead which is inspired by QOTSA. Some counter melodies for the beginning of verse 2. Fave use of counter melody is probably the 2nd half of ‘Emotion Sickness’ from Silverchair. I added some congas and wanted the same rhythm as the percussion from ‘Roots Bloody Roots’ but I decided to keep things simple and accent the 2 vocal syllables.. Then, the last chorus I was going to copy paste my piano parts but accidentally copy pasted my lead guitar over and that improved the groove.

Lyrics: Written by SGOR. Some guy on reddit. Lost contact. If it sounds like it was written an angsty teen that’s cos’ it was written by an angsty teen. Terrific message about finding empathy. Not sure about how death fits into all this.  ‘There can be miracles when you believe’ is cheesy on paper but I don’t think it’s cheesy when you hear it. ‘If you squeeze my lizard I’ll put my snake on you’ is ridiculous on paper but badass when you hear it. Depends on vocal tone, phrasing, delivery, and melody.

Stranded on a desert planet, lost in my own curse,
As if I caused a cataclysm, but all I did was change.
I was Found in the mud, like a coin in ruin's dust,
Polished up, made to fake, like I hadn't seen the rust.
Hear a beating heart in the darkness,
I've been lost, I've been found, I've wandered so long,
I found myself in you, but in the end, it wasn't me I found.

Ride with me through the storms of life, (it was fly with me originally and I am not singing that)
Let our hopes shine bright,  (it was light shine bright originally)
Like we've been struck by lightning, 
Revealed 
As something in the night.
I came to life when loss became real,
Felt pain and sympathy,
Yet in that mix, I found joy, found a way to be.
Am I cursed? I'll never know, but I'll embrace it all,
Life is its own limit, 
perfection in its sprawl.
The final goodbye, the chill of death, it comes for us all,

Running through the lost ruins of an apocalypse. (I wanted to give some more sensory elements to a song that was very much ‘in its feelings. So I matched the idea of a cataclysm. Took about 10 secs to type out)
Found myself with spears and arrows and feeling generous
Smeared my face in mud, like an Indian warchief
I’ve been dead, I’ve come to life, I’ve wandered so long
I found myself in you, but in the end it wasn’t me that I found



Ride With Me

Exploration of dealing with our own headspace. Blend of CSN and Peter Gabriel.

Vocals: Will Montgomery & Julie Lavery
Acoustic Guitar: Spencer Brochard
Keyboards: Will Montgomery
Written, Produced and Mixed by Will Montgomery

Barely

Devil May Care was inspired by the title of a James Bond continuation novel by Sebastian Faulks, published in 2008. The lyrics, however, do not closely follow the plot of the book, but instead seek to capture the idea of Bond (especially the 60s style) in words and the feel of music.

Lyrics, Melody, and Vocals - John Hobbs
Music - Claudette Evans and Josh Elliott
All Production and Instrumentation - Josh Elliott


Devil May Care 

Roulette wheel, such cloak and dagger 
The spying game and British swagger. 
Girls they come and girls they go 
Without care but still they hope. 

Out of the dark, pistol drawn 
A silhouette against the dawn. 
The devil may care much more than him 
The devil may care and play to win. 

He's a shadow, secret man 
The villain has a master plan. 
On the trail clues abound 
So many plots underground. 

Out of the dark, pistol drawn 
A silhouette against the dawn. 
The devil may care much more than him 
The devil may care and play to win. 

In his lair the spy arrives 
Has his target in his sights. 
The sanctum stirs, tension high 
Plans unfurl, stifled cries.  

Out of the dark, pistol drawn 
A silhouette against the dawn. 
The devil may care much more than him 
The devil may care and play to win. 

Chaos reigns as plans are lost 
Loyalties a bitter cost. 
Fights subside calmness found 
The spy and his girl homeward bound. 

Out of the dark, pistol drawn 
A silhouette against the dawn. 
The devil may care much more than him 
The devil may care and play to win. 

John Hobbs

Am I a Buddha?

Devil May Care

"Takata" flows like sacred breath- balancing stillness and movement. Rooted in imagined Sanskrit essence, it weaves ethereal textures with hypnotic rhythm, invoking inner clarity and cosmic harmony.

Takata

Hit me back im a baseball
hit me back
hit me back
kiss me back
love me
im adorable
make a mess 
so i can confess
my love for you
lets get wet
down and wet
i propose to you

this is what my love
sounds like in my stupid head
im not gonna forget you
not even when im dead

you are the freedom
life is in store for us

get down
get down
just the 2 of us

you are
we are
the survivors of it all

we are
we are
we are the stars 
that we thought we saw
i know you saw
you know you saw it too

i know i talk too much
until my face goes blue

i only wanna live with you

The Engineer Is To Blame

BORJA MOSKV JULIO 2025 DJ SET

C'est Ank Fa by The Mercury Sounds - Instrumental

C'est Ank Fa

The original version of "Crazy" was a Dubstep banger and the remix pounds ground in an aggressive Electro Bass House style! 

Buy the EP on Bandcamp

Crazy [Bass House]

Mathematica Records
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{Premiere} Rolaz - Reverse Psychology (Mathematica Records)

opener

two little fucks (silxxentcore)

BBAM, born within @KRTProduction (Brussels), is the vision of @FunkleAce: songwriter, composer, performer, and producer. Blending Reggae, Dub, Electro, and underground sounds, BBAM delivers immersive, powerful, and free-spirited music, where each track is a unique sonic journey.

from the south slope of second heaven 
RAQIAN crafts ethereal soundscapes
with haunting ambient frequencies
 hypnotic rhythms and moving melodies

Blizzard March

RAQIAN

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