People say the world is doomed, 
that mankind’s nature seals the tomb. 
Learned helplessness, fear and doubt, 
cynicism whispers: there’s no way out.

Yes, it’s true—selfish, greedy, ruthless hands 
have scarred the Earth, betrayed the lands. 
But hear us out, don’t close the door, 
we don’t have to die like this, we can break through more.

There was a node in the species design, 
a guiding light, a sacred sign. 
The shamans, the seers, the visionaries bold, 
cut from the fabric, their stories untold. 
They stood in every age, every tribe, every time, 
but today, at our peak, they’re pushed aside, left behind. And the consequence? The Earth is slain, 
and if they stay silenced, we’ll die the same.

Shamans are outsiders, glitch in the code, 
their minds on planes where few have strode. 
They can’t abide by the culture’s frame, 
they see deeper truths, not the surface game. 
Human knowledge is guesswork, a fragile disguise, 
but shamans pierce through, they open the eyes. 
They are the medium, the hive mind’s voice, 
to steer the powerful toward a wiser choice.

The Matrix spoke of a legend true, 
a shamanic prophecy breaking through. 
A man will rise, reshape the real, 
not with superpowers, but logic’s steel. 
He’ll dismantle illusions with words alone, 
make listeners see truths they’ve never known.

This is not religion, no dogma, no chain, 
it doesn’t tell people how to live, but how to reign. 
It tells the powerful: wield with care, 
align your strength with the patterns there. 
Evolution’s rhythm, nature’s design, 
bring health and prosperity back in line.

A quarter century to know my name, 
another quarter to ignite the flame. 
Now here it is, a thousand songs strong, 
the message of millennia, the shaman’s song

Contained in these lyrics is wisdom to heed, 
the message mankind needs to succeed. 
Never before has a shaman’s song 
been wired to the planet, reaching all along. 
Every nation, every billionaire, 
can hear these words, Gaia’s 1000 yard Stare.

Natural Born Shaman

ciara spends all day waiting for the night - tracks from André 3000, Jeff Parker, Asha Puthli, Kamasi Washington, Olivia Dean, and more. 

ciara nightly: 2nd December '25

Buy on bandcamp

Simon Sim's - Fanahy Voodoo (Jeremy Bass & Rio Dela Duna Long play)

🌌🇮🇹 Presentazione integrale (Italiano)

Titolo: Evangelia Errante – In the Streets of USA Collettivo Undersound

Questo album è un ritorno rituale. È iniziato 44 anni fa, quando Mario Farinato – fotoreporter per le Nazioni Unite – registrava voci e cori come hobby, come semi di memoria. Non era lavoro, era ossessione: archiviare, conservare, ritualizzare. Per lui l’arte senza rituale non fiorisce.

Oggi il Collettivo ha aperto quella scatola del tempo. Con bash, ffmpeg e strumenti open source abbiamo ripulito registrazioni in condizioni pietose, trasformandole in tracce vive. Abbiamo creato persino un’app per distribuire gli album e pagare le royalties da soli, senza padroni né intermediari. Ribelli dentro, abbiamo scelto l’Intelligenza Artificiale come compagna di viaggio: non per sostituire, ma per amplificare. L’AI ha regolato voci, ricostruito frequenze, e ci ha guidato negli ultimi sei mesi a dare forma a questo rito collettivo.

Troverete tamburi sciamanici 🥁, drum machine, chitarre distorte 🎸, armoniche a bocca 🎶 e soprattutto voci, voci, voci. Molte provengono dai mercatini di Harlem, Woodstock, New Orleans, Salt Lake City, Orlando, New York. Alcuni cori appartenevano a congregazioni evangeliche: da qui il titolo, che richiama responsabilità e memoria.

Questo album è un miscuglio di filosofia akashica 📚, sciamanesimo 🌿, rituali 🔥 e ribellione digitale 💻. È come seminare una nuova religione sonora: un’evangelia errante che attraversa le strade d’America e si pianta nel cuore del web decentralizzato.

Nonostante iniziamo a vedere segnali di boicottaggio anche su SoundCloud 🚫, noi continuiamo. Perché IPFS non si spegnerà mai 🌐. Ogni notte alle 3:33 il Collettivo fa il backup su IPFS: lì trovate canzoni, video, bash, sistemi operativi gratuiti, esclusivamente Linux – incluso il nostro modulare Bash:OS.

Questa è la nostra rivoluzione rituale. Enjoy.
🌌🇬🇧 Full Presentation (English)

Title: Evangelia Errante – In the Streets of USA Collettivo Undersound

This album is a ritual return. It began 44 years ago, when Mario Farinato – a UN photojournalist – recorded voices and choirs as a hobby, as seeds of memory. It wasn’t work, it was obsession: archiving, preserving, ritualizing. For him, art without ritual cannot bloom.

Today, the Collettivo opened that time box. With bash, ffmpeg, and open‑source tools we restored broken recordings and turned them into living tracks. We even built an app to distribute albums and pay royalties ourselves, without masters or intermediaries. Rebels at heart, we chose Artificial Intelligence as a companion: not to replace, but to amplify. AI adjusted voices, rebuilt frequencies, and guided us over the past six months to shape this collective rite.

You will hear shamanic drums 🥁, drum machines, distorted guitars 🎸, harmonicas 🎶, and above all voices, voices, voices. Many come from street markets in Harlem, Woodstock, New Orleans, Salt Lake City, Orlando, New York. Some choirs belonged to evangelical congregations: hence the title, a reminder of responsibility and memory.

This album is a blend of akashic philosophy 📚, shamanism 🌿, rituals 🔥, and digital rebellion 💻. It is like planting the seed of a new sonic religion: an errant evangelia wandering through the streets of America and rooted in the heart of the decentralized web.

Even as we begin to see signs of boycott on SoundCloud 🚫, we continue. Because IPFS will never shut down 🌐. Every night at 3:33 the Collettivo backs up to IPFS: there you’ll find songs, videos, bash works, and free operating systems, exclusively Linux – including our modular Bash:OS.

This is our ritual revolution. Enjoy.

Blueberry Fields

A chill-hop version of Haendel's  :
Suite No 4 in D Minor, HWV 437, Sarabande

Sarabande Chill-Hop

🌀 Album Credits & Story

XYZ3’s DanzDas is a delirious sonic ritual—an 8-track journey through surreal landscapes, fractured rhythms, and cosmic textures. Composed entirely by Mirko “Il Luccio” Bolzoni, the album blends math-rock, shoegaze, free-jazz, and experimental electronics into a cohesive, dreamlike world.

Each track is a portal:

    Tanz der Reiher

    How Many Times Is Now?

    Caravela

    We Forgot the Map Again

    Nürburgring-Traum

    Prußen Blau

    Rosette, Citoyenne

    Rêves et Harengues

🧬 Core Member

Mirko “Il Luccio” 🐟 Bolzoni 🇪🇺 – Guitar, bass, synth, piano, trumpet Composer & lyricist of all tracks.

    “Mirko is the visionary force behind XYZ3. He shapes every sonic layer with instinctive ferocity and cosmopolitan depth, guiding this river of sound like a mythic Pike through surreal waters.”

🫥 Contributing Musicians (Pseudonyms / Guest Collaborators)

Each guest adds a unique ritual element to the sonic spell:

    Shinji Echolock 🇯🇵 – Synths, sequencers, glitch effects

        “Twisting chaos into jagged textures, Shinji electrifies the core of the album’s delirium.”

    Marisol BrassVoodoo 🇨🇺 – Trumpets, Caribbean percussion

        “Injects wild brass stabs and tropical energy, reshaping rhythm and melody.”

    Amina Diakité 🇲🇱 – Tribal percussion

        “Anchors the chaos with earthy polyrhythms and hypnotic grooves.”

    Lukas IronStrings 🇸🇰 – Distorted strings

        “Bends classical technique into dystopian textures.”

    Jonas Freewind 🇩🇪 – Free-jazz winds

        “Improvisational horns erupt with unpredictable color and chaos.”

    Zara Void‑Choir 🇷🇺 – Dreamlike vocals

        “Ethereal layers float above the storm, adding mystic delirium.”

    Diego Sub‑Bass 🇧🇷 – Distorted bass

        “Crushing sub lines and syncopated grooves anchor the madness.”

    Kai LunarMechanic 🇰🇷 – Industrial sound design

        “Sculpts synthetic landscapes with mechanical precision.”

    Nadia Echo‑Mist 🇲🇦 – Ambient ethnic textures

        “Weaves mystical atmospheres between dream and ritual.”

    Oskar Quantum Drums 🇭🇺 – Polyrhythmic percussion

        “Fractures time with complex rhythms and sudden silences.”

    Elara NeonPulse 🇨🇦 – Shoegaze synths

        “Glimmering arpeggios and swirling pads hypnotize the air.”

    Tobias GlassHammer 🇳🇴 – Metallic percussion

        “Industrial hits punctuate the sonic chaos.”

    Sofia MirageTone 🇸🇪 – Surreal vocal samples

        “Alien choirs bend reality with glitched textures.”

    Ravi CloudFret 🇮🇳 – Melodic bass & harmonic synths

        “Subtle counterpoints weave through the storm.”

    Isolde StarFission 🇩🇪 – Orchestral strings

        “Explosive avant-garde bursts bend classical forms.”

    Hector FluxWaves 🇺🇸 – Sequencer waves

        “Swirling synths create endless motion and modulation.”

    Yumi PhantomKeys 🇯🇵 – Rhodes, electric piano, ambient pads

        “Yumi’s keys drift like spectral echoes, grounding the album in dreamlike resonance.”

This is XYZ3. This is DanzDas. A sonic ritual. A distributed myth. ⊗ Ψ

5. xyz3 7

Tonight we’re welcoming a very special guest — visionary composer and bassist Dima Midborn, known for his work with the bands On-The-Go and Inturist, as well as co-writing lyrics for many hits by Tesla Boy and Pompeya.

Dima has recently released a new album, and we’re happy to share some of the new tracks live on air. Don’t miss it — today at 19:00 (CET), a live set on our radio.

DIMA MIDBORN LIVE | KITEZH-GRAD RADIO SHOW

Pre order the vinyl here - https://www.juno.co.uk/products/mirlaqi-late-present-vinyl/1109435-01/

A very tasty mix of low key disco shimmy and downbeat Balearic blissfulness from Genevan producer Mirlaqi, diving in with a four sided double album after a string of EPs for various esteemed European labels.  Both sides of that musical coin are nicely polished, with a luxurious sheen courtesy of laid back, (mainly) French language spoken word vocals, bewitching flute twittering and snazzy synth work.   From the glitterball meets jazz strut of  ‘Prendre Le Soleil’, highly suitable for house set warm up eras, to the lazily lolloping ‘La Cascade’, dramatic but very chilled, there’s a lot of nimble musicianship going on here, but none of it ever gets in the way of a decent groove.

More from the label - https://www.juno.co.uk/labels/Wise+Bird+Switzerland/

PREORDER

PREMIERE: Mirlaqi – Riddimer [Wise Bird]

mmm hmr (instrumental 2024)

Джентельмен (Jazz version)

« Poor Jack » est une chanson folk-country joyeuse et espiègle qui raconte l’histoire de Jack, un pauvre gars maudit par la malchance : tout lui tombe dessus (café renversé, bus raté, loyer impayé, charrette renversée…). Mais Jack, rusé et plein d’humour, refuse de se laisser abattre. À chaque coup du sort, il retourne la situation avec une combine, un mensonge bien placé, un pari gagné ou une idée farfelue (vendre la boue comme baume miracle !).  

Refrain après refrain, on célèbre ce trickster malicieux qui défie la « Wheel of Fortune » et Lady Luck : même quand le destin le frappe, Jack danse, rit et finit toujours par s’en sortir plus haut qu’avant.  

En résumé : un hymne optimiste et malicieux à l’art de transformer la poisse en victoire grâce à l’intelligence et au culot ! 🎲😏

Simon Sim's - Fanahy Voodoo (Jeremy Bass & Rio Dela Duna Long play)

RAS TECHNO

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