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on repeat!!! All day all night!!! My soul bottom

Marguerite Records invites Brutal Forms with Pastram and Incendie on Rinse France

Rinse France Podcast

Marguerite Records invites Brutal Forms w/ Pastram & Incendie - 04 Novembre 2023

We are delighted to present you the project of a Colombian musician Faunes Efe aka Filmmaker, a post-punk, darkwave, EBM producer based in Medellin. His illustrious dicography consist of releases from the labels like, Detriti, Opal Tapes, Veyl, HC Records, Soil, Clan Destine, Phormix, Lifeforms. You can catch his shows on Mutant radio, Operator, Phormix, Balamii or performing all over the world. From Berlin's Berghain / Panorama Bar or Renate to Haag's PIP Den Haag, Barcelona's LAUT, Tblisi's KHIDI, Athens, London, Paris, Lisbona or all over Colombia if you got a chance. But let's us cut to the chase and enjoy this set he did for us.

More about the artist:
Soundcloud: https://soundcloud.com/flmmkr
Bandcamp: https://filmmaker.bandcamp.com
Instagram: https://www.instagram.com/filmmakerr_/
Facebook: https://www.facebook.com/filmmakermusic/

A/D Podcast #83 FILMMAKER

The second mix of this season's Meta Moto Podcast features Frank Wodorost, a music producer and DJ from Warsaw, Poland. For two years, Frank hosted a radio show on Radio Kapitał, where he showcased independent music, focusing on new wave, synthpop, and experimental genres. To date, he has contributed a track to a compilation by the Warsaw-based collective Narocz 13 and is preparing to release his debut EP. He occasionally performs at venues across Warsaw. This mix highlights artists such as Dollkraut, Bound by Endogamy, C.L.A.W.S., and many other esteemed names.

Follow him: 
SC: https://soundcloud.com/frankwodorost
IG: https://www.instagram.com/frank_wodorost/

MMP132 - Frank Wodorost - META MOTO PODCAST

@velvetxmay 是一位居住在柏林的音樂家和聲音，專注於新浪潮、EBM 和工業搖滾紋理。

作為一名多才多藝的現場表演者、歌手和 DJ，他敢於超越平凡，將實驗、細緻的聲音設計和與電子音樂前沿景觀相呼應的節奏節拍融為一體。他的音樂表達是一種充滿活力的融合，將工業砂礫與令人回味的身體音樂和搖滾元素結合在一起，並作為一個獨立的變體展開，將迷幻和碎拍的影響融入他的聲音曲目中。在發行自己廠牌《Tears On Waves》3 張 EP 後，他於 2024 年在 Veyl Records 發行了新專輯《Enchanted by The Muse》。

As a versatile live performer, singer and DJ, he ventures beyond the ordinary, blending experimentation, meticulous sound design, and rhythmic beats that echo the cutting-edge landscapes of electronic music. His musical expression is a vibrant fusion, marrying Industrial grit and evocative Body Music and Rock elements and unfolds as an independent variant, weaving influences of psychedelic and breakbeat into his sonic repertoire. After releasing on his label “Tears On Waves” 3 EPs, he came out with a new Album “Enchanted by The Muse” on Veyl Records in 2024.

ENTROPY//32 - Velvet May

Preview of upcoming 10-track LP by @celldod // Out on 12 May 2025 // pre-order: https://electronicemergencies.bandcamp.com/album/p-liv-och-d-d & https://clone.nl/item78766.html

Swedish EBM hero Celldod is back on Electronic Emergencies with a full album on transparent magenta vinyl! På Liv Och Död is an electronically driven emotional bomb with references to D.A.F. and Front 242. It features collaborations with Leroy Se Meurt from Paris and Michael Zodorozny of Crash Course in Science, as well as Anders Karlsson's own Swedish lyrics about death and the meaning of life. Each track is a wild invitation to dance away our fears in this complex world of impending doom.

pre-order

På Liv Och Död / EE043 / PREVIEW

FREE DL

AETERNUS SOMNUS

HS8*8SH

'Opia' from the Scandinavian Swords II LP compilation. Released on Northern Electronics

Buy: https://northernelectronics.bandcamp.com/album/scandinavian-swords-ii
Discogs: https://www.discogs.com/Northern-Electronics-Scandinavian-Swords-II/release/8901056
Youtube: https://www.youtube.com/watch?v=VJ-xJfqXPMs

Opia

Ishome - Fuselab Podcast 17

»decadent yet depraved«, the debut album by belief defect, finds shelter and complicity in raster as home and label.

familiar with the underground music scene and how its skeptical nature can also be an obstacle to overcome, belief defect abandon any claim or credit in an attempt to transcend the limits authorship imposes, avoid the boundaries or expectations earned or self imposed and find the clearest, most direct path to their music for themselves and the listener.

at the core of the album is the music that inspired them, the conclusion of countless recordings listened to in their formative years that ultimately result in a life-long devotion to electronic music: from dance floor to primal anger and self-annihilating noise, to transcendental, ambient escapism and intense self-reflexive sonic layering.

the result is a soundtrack for this apocalyptic time, an uncompromising reflection on the state of mankind and its uncertain future — underscored by a sense of religious and secular demise referenced in track titles, samples, and soundscapes scattered throughout the album.

yet, more than a political statement »decadent yet depraved« is an introspective journey, turning each listener into a spiritual soul-seeker staring into the abyss, reaching for some kind of cathartic truthfulness.

sculpture, prosthetics, photography by sarah sitken.

Decadent Yet Depraved

belief defect »deliverance« taken from »decadent yet depraved«

"Those not familiar with Jones’ style, will listen slack-jawed at the shear anticipatory nature of his sound collage. The five lengthy tracks are based on hypnotic and somewhat menacing grooves: a repetitive dub bass beat, waves of Middle Eastern strings and voices, layers of building hand percussion. Each track is respective but the washes of sound/percussion come and go often creating a sense of motion and change. All of the tracks are similar and even share elements. Mid-East tension is so accurately captured through the use of the regions instrumentation (especially percussion), sinister electronics, samples of men chanting, women crying, sounds culled from the horrors of war, and occasional angry distortion that the listener’s listener will be transported to the belly of the beast.
‘Mullah Said’ displays two aspects of the work of Muslimgauze. Firstly, musically, it is in the delightful drifting ambient vein. The percussion is mainly acoustic hand drums - providing a rhythm of aural features - the trademark shimmering string sound heard on a number of releases is much in evidence, rhythms are generally slower, there are lots of samples of people speaking in conversation, markets wherever. ‘Mullah said’ opens the disc with the lovely mix of these sounds. ‘Every grain of Palestine sand’ continues the mood, with a slightly faster tempo, and more emphasis on the beat. But it soon locks into a mesmeric lassitude as various effects echo or smear the sounds, drums come in for short moments, different string sounds enjoin the play. ‘Muslims die India’ follows the mood though the voices seem darker, sadder, and then comes ‘Every grain of Palestinian sand’ followed by ‘Muslims die India’. Yes - not a typo, these tracks are repeated. Muslimgauze trend - to remix himself.  Prime Muslimgauze middle eastern ambience - if you like that side you will love this album. The final track is short and different, a crackling ground over which a singer chants a song interrupted by machine-gun percussive bursts - ‘An end’."

Engineered by John Delf.
Recorded at the Abraham Mosque, Manchester.
Originally released in 1998 as Muslimlim 018.

A2.  Muslimgauze "Mullah Said": Every Grain Of Palestinian Sand

official soundcloud page of raster - artistic platform.

belief defect »deliverance« taken from »decadent yet depraved«

raster

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