0.9999...//READ THAT SEQUENCE LIKE A MANTRA.

After their successful collaboration on <3, Atom™ and X1N are back, this time presenting the 4 track EP »0.9«. It contains both the opening and closing tracks of <3 as well as their corresponding mutations. While »0.9 (almost a unit)« was remixed by Esplendor Geométrico, »Almost a unit (0.9)« got reworked by Peter van Hoesen. »Both renditions contribute amplified iterations of inherent attributes of <3« as X1N eloquently states. On a side note it may be mentioned that in mathematics, the expression »0.999..« is considered being identical to 1. Meditating over that very fact may tell you a lot about our current reality. 

#hardcodepop 
////////////////////////////////////////////////////////////////////

PROXIMITY IS DESTINY
DREAMS AS SEARCH ENGINES
X < Y < Z
////////////////////////////////////////////////////////////////////

IN THE VAST SURFACE OF ALL MATHEMATICAL EQUATIONS ONE CAN SENSE EVENTS WHICH SEEM TO COME FROM OTHER DIMENSIONS - RIPPLES AND PATTERNS. THE ZERO POINT NINE INFINITE NUMBER LINE NEVER REACHES ONE, YET IS ONE, NONETHELESS. (X1N)
////////////////////////////////////////////////////////////////////

»I TALK IN ALPHA NUMERALS«
(X1N)
////////////////////////////////////////////////////////////////////

************************************************

### denotes »end«. no more messages to follow.

Atom™ »0.9 (Almost a Unit) [Esplendor Geométrico Remix]« taken from »0.9«

taken from my album Signs, out now on @noirage

Signs

Show Me That Future Can Be Kind To Me

Strapazen und Genesung

B4. Geier aus Stahl - Für Immer

Cathartic Empathy

Dead Channel Records welcomes Kelan, macabre jockey of the gritty industrial underbelly of Bristol’s deviant, avant-garde scene. 

Performing as part of the raucous and theatrical, rhythmic noise act Bad Tracking, the occult driven Salac, and resident DJ and founder of the longstanding underground night Slack Alice, the seedy raconteur has defined his sound in biting taunts, soul-baring political venom, and sleazy noir, punctuated by scummy, gnarled electronics straight from the gutter. A follow up to his ‘Downtown’ release on Bristol Normcore in 2022, This no-holes-barred, raw EP full of debauchery and bane stands fast as a praxis against the rotting establishment.

Releases on limited cassette and digital April 28, 2023

Artwork by Hamish Trevis
Mastering by Kevin Frey

www.deadchannelrecords.com/
www.instagram.com/dead__channel/
www.facebook.com/dead.channel.records/
www.discogs.com/label/2023500-Dead-Channel-Records

Kelan - The Body Is Not A Prison [DC021]

Music written for a film advertising expeditions to West Africa. After a cheerful introduction, the atmosphere changes and the music becomes the background for shamanic, tribal dances. The effect was achieved thanks to the non-obvious combination of instruments (including African drums, Tibetan singing bowls and Persian santoor)

Whispering Dust

READ > inverted-audio.com/premiere-lena-andersson-after-88-years

Friday 28th June sees Lena Andersson releases their album 'Söder Mälarstrand', a left-of-leftfield flurry of avant-guard punches with a coarse textural grain.

Söder Mälarstrand

Lena Andersson - After 88 Years [Raster]

Kump is going ahead with a 5'th release from local artist Warzou. High light intensity downgrades exponentially to grey level, with five industrial downtempo and hip-hop influenced tracks, including a remix from label's owner Gil.Barte.

https://soundcloud.com/warzouk
https://soundcloud.com/gilbartemusic
https://soundcloud.com/kumplabel

PRÈMIÉRE: Warzou - "Maybe Sure" (Gil.barte Remix)[KUMP]

Grischa Lichtenberger’s music stands for broken rhythms, for high-density manipulations that emphasize the digital and fractal nature of its working process. A mindset that grew closer to contemporary jazz in recent years. Since free jazz, this genre also sought to overcome musical standards and looked for possibilities of an individual artistic expression. Within this context, the collaboration between Lichtenberger and jazz saxophonist Philipp Gropper as well as the resulting album are documents of this development. It also offers both musicians the opportunity to expand their familiar environment by breaking with expectations.
The foundation for »re: phgrp« were pieces from the album »Consequences« by Philipp Gropper’s band PHILM which Lichtenberger reinterpreted without giving up their original character. He rather looked for figures, subjects and reference points in the compositions to reflect and condense them. As »Consequences« was recorded with all the instruments in one room at the same time (like a classical jazz recording from the 1950ies), the extraction of individual instruments was a challenge which Lichtenberger took up with shifts, distortions and rearrangements of the original temporality of the material. Except for a few synthesizer sounds and an additional piano recording, he remained largely true to the source material, even though the tracks develop their own unique voice throughout the album.
»Re: phgrp (reworking ›consequences‹ by philipp gropper’s philm)« will be released in cooperation with Whyplayjazz in a limited edition of 500 CDs on October 25, 2019. The cover was screen printed and shows a compositional notation by Grischa Lichtenberger. The album marks the beginning of an encounter between Lichtenberger and Gropper that promises to continue in joint improvisational concert situations and further recordings in the future.

Re: phgrp (reworking »Consequences« by Philipp Gropper's PHILM)

Grischa Lichtenberger »0319 08 SATURN 5c + 0119 30 EINS bb2 (Saturn/32 cents)«

»KAMILHAN; il y a péril en la demeure« is the conclusion of a 5-part cycle of works by artist Grischa Lichtenberger which was initiated with the album »LA DEMEURE; il y a péril en la demeure« in 2015 and continued with the triple EP release »Spielraum, Allgegenwart, Strahlung« in 2016.
In addition to the concept of „demeure“, ones residence as a symbol for the joy and artistic possibilities one can find in isolation, Lichtenberger places a further emphasis on the expression of the voice, represented by the word „Kamilhan“. „Kamilhan“ is a non-existent word, an expression that Ernst Bloch once mentioned in an anecdote about his childhood. Fascinated by its sound but without knowing its meaning, it remained vivid in his memory in its purely „material“ form.
Lichtenberger also refers to this childish perception of language. Words that we do not know, but repeat in our thoughts until they become insignificant. Lyrics in a foreign language that we do not understand and still sing along and imitate. With computer-generated voices, Lichtenberger tries to reproduce these experiences. In his tracks we hear syllables and phrases that are similar to words and that seem familiar to us, but whose meaning remains a secret.
As on the previous album, the tracks on »KAMILHAN« are constantly torn apart and reassembled. Borrowings from hip-hop and even pop are unmistakable, desired, and yet delusive. Rhythms that are repeatedly broken in order to re-organize themselves into new temporal patterns. Melodies that are pierced by precisely these intricate rhythms. Voices that lack any empathy due to their artificiality.
Lichtenberger himself describes these tracks as „crooked ballads“, which, by deliberately following classic pop song structures, try to sell us the absurd as the normal, and in turn smuggle some hope of recognition into the absurd.
»KAMILHAN; il y a péril en la demeure« will be released on May 08, 2020 on CD and as a limited double vinyl edition including a handmade and signed silkscreen print.

KAMILHAN; il y a péril en la demeure

Grischa Lichtenberger »1s4 csr e« taken from »KAMILHAN; il y a péril en la demeure«

Grischa Lichtenberger »s4e« taken from »KAMILHAN; il y a péril en la demeure«

official soundcloud page of raster - artistic platform.

Grischa Lichtenberger »1s4 csr e« taken from »KAMILHAN; il y a péril en la demeure«

raster

Related tracks