Short but very lovely period of this summer i've spend with my bro http://soundcloud.com/gillepsy doing some useful stuff for sure. Party wasn't the only thing we were doing! We also have made this tune that is actually about party too.

FREE WAV DL http://www.sendspace.com/file/2a9y3t

Gillepsy feat. Raumskaya - Prism and Sphere / FREE DL (wav in description﻿)

Hyperboloid 2022

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Remember?

Rihanna vs Heroes of might and magic III

Raumskaya - Heroes Of Rihanna (Video Games EP) [free dl]

http://beryozamusic.bandcamp.com/album/old-new-year-compilation

Raumskaya - Tucci [Free Download]

Raumskaya - Just Back Two [free download]

Raumskaya - Plachut Nebesa [Free Download]

Raumskaya - Talk X [Free Download]

Raumskaya - Love, Suffering and Chill EP
https://raumskaya.bandcamp.com/album/love-suffering-and-chill
https://itunes.apple.com/ru/album/love-suffering-and-chill-ep/id980629433

Raumskaya – Girl Don't Drink My Coke

Raumskaya – Let Me In

Raumskaya – To Be Honest

Usher - Crash (Raumskaya Remix) Free Download

Raumskaya x Kirkorov x Ruki Vverx – Ya Ne Otdam Tebya Nikomu

Info

Raumskaya - Huskyboy (Faces&Laces 10 Years Anniversary Vinyl)

Raumskaya - Sea OST Teaser (Terminal Dream 2017)

Raumskaya – Core 
hyperboloid.ru/album/core

Label: Hyperboloid
Catalogue #: HYPR048
Release Date: 
Genre: Experimental / Club

Having released his soundtrack to ‘Sea,’ a contemporary dance production coming to Moscow, earlier this year on Terminal Dream, Raumskaya now returns to present his debut album on the prolific Hyperboloid imprint. Core sees Raumskaya move away from the frenetic footwork sounds that he and his St. Petersburg collective ‘Beryoza’ first rose to prominence with, replacing it with an eclectic spread of reference points ranging from vintage hardcore to cutting-edge sounds such as wave music.

This LP clearly demonstrates Raumskaya’s unique style, switching up different sounds and masterfully blending them into a cohesive atmosphere. Serene futurist synth tones rub up next to broken beats and distorted vocal samples in a way that still manages to be highly congruent. Core opens with ‘Large as Hundreds,’ a dynamic track which ebbs and flows in intensity in a way reminiscent to an Aphex Twin ambient track. As if the listener is lulled into a false sense of security by this calm opening, in stark contrast ‘Dead Air’ is a nightmareish hard house affair crammed full of distorted string samples, driving kick drums and a restless synth melody. Despite their differences, these two tracks, as well as the remaining eight, share Raumskaya’s cinematic, larger-than-life approach to production.

Elsewhere on Core we’re treated to a few songs which definitely nod to garage music, albeit Raumskaya gives a truly unique spin on them. ‘2191’ incorporates brooding sci-fi synth sounds and ethereal pitched up vocal snippets over an ever-changing 2-step beat, which is often completely dropped from parts of the song. ‘Supermassive’ similarly plays with the typical garage form by including a middle section that forgoes the skippy UKG beat introduced at the beginning, replacing it with a heavy 4x4 kick drum. This playing with form and genre creates a dialectical sound that’s both familiar to us but at the same time completely unique to this artist. It’s obvious from this melting pot of references that this is a release that could only have been made in the age of the internet.

Raumskaya rounds of his release with ‘Trance Music,’ an emotive storm of tri-wave synths and stuttering trap high-hats we’ve come to expect from the emerging group of artists now making wave music. This closing song’s poignant melody is almost melancholic in the reaction it evokes. If ‘Daymé,’ recorded for Gilles Petersen’s Brownswood recordings, was described by Raumskaya as a ‘soundtrack for life filled with emotions and kindness,’ then potentially Core can be seen as a musical allegory for the turbulent times we now live in, filled with moments of extreme optimism and complete doom.

Raumskaya 
@raumskaya

Hyperboloid 
hyperboloid.ru/
@hyperboloid
www.facebook.com/hyperboloidrecords
twitter.com/hyperboloidrecs

Buy tape / digital

Raumskaya – Trance Music (Core LP)

hyperboloid.ru/album/core
Label: Hyperboloid 
Catalogue #: HYPR048 
Release Date: 15/05/2017 
Genre: Experimental / Club

Mastering: A.Fruit

Having released his soundtrack to ‘Sea,’ a contemporary dance production coming to Moscow, earlier this year on Terminal Dream, Raumskaya now returns to present his debut album on the prolific Hyperboloid imprint. Core sees Raumskaya move away from the frenetic footwork sounds that he and his St. Petersburg collective ‘Beryoza’ first rose to prominence with, replacing it with an eclectic spread of reference points ranging from vintage hardcore to cutting-edge sounds such as wave music.

This LP clearly demonstrates Raumskaya’s unique style, switching up different sounds and masterfully blending them into a cohesive atmosphere. Serene futurist synth tones rub up next to broken beats and distorted vocal samples in a way that still manages to be highly congruent. Core opens with ‘Large as Hundreds,’ a dynamic track which ebbs and flows in intensity in a way reminiscent to an Aphex Twin ambient track. As if the listener is lulled into a false sense of security by this calm opening, in stark contrast ‘Dead Air’ is a nightmareish hard house affair crammed full of distorted string samples, driving kick drums and a restless synth melody. Despite their differences, these two tracks, as well as the remaining eight, share Raumskaya’s cinematic, larger-than-life approach to production.

Elsewhere on Core we’re treated to a few songs which definitely nod to garage music, albeit Raumskaya gives a truly unique spin on them. ‘2191’ incorporates brooding sci-fi synth sounds and ethereal pitched up vocal snippets over an ever-changing 2-step beat, which is often completely dropped from parts of the song. ‘Supermassive’ similarly plays with the typical garage form by including a middle section that forgoes the skippy UKG beat introduced at the beginning, replacing it with a heavy 4x4 kick drum. This playing with form and genre creates a dialectical sound that’s both familiar to us but at the same time completely unique to this artist. It’s obvious from this melting pot of references that this is a release that could only have been made in the age of the internet.

Raumskaya rounds of his release with ‘Trance Music,’ an emotive storm of tri-wave synths and stuttering trap high-hats we’ve come to expect from the emerging group of artists now making wave music. This closing song’s poignant melody is almost melancholic in the reaction it evokes. If ‘Daymé,’ recorded for Gilles Petersen’s Brownswood recordings, was described by Raumskaya as a ‘soundtrack for life filled with emotions and kindness,’ then potentially Core can be seen as a musical allegory for the turbulent times we now live in, filled with moments of extreme optimism and complete doom.
credits
released May 15, 2017

Raumskaya – Dead Air (Core LP)

Cream Soda - Volga (Raumskaya Remix)

Synthposium 2017

Buy at bandcamp

Raumskaya - Solid

Pixelord - Machina (Raumskaya remix)

Famitsu - Ghetto Dance (Raumskaya Remix) FREE DL

Russian Juke Community
http://soundcloud.com/beryoza

Raumskaya - Vremya Pesok (Берёза / Beryoza)

Bandcamp

Raumskaya - Echo

Hydropsyche – Savages (Raumskaya Remix)

REDO – ТРАВМАТ (RAUMSKAYA REMIX)

Трек, который я написал на улице Раумская, сидя рядом с бабушкой. Записал фортепьяно, спел в айфон и прямо там на коленке записал эти треки.
Видео снято примерно 12 лет назад на зеркалку canon 400d.
Фотоаппарат, который не умел снимать видео. Именно по этому оно так и выглядит)

Kryshy Sosednix Domov

Seroe Nebo Gryaznyh Okon

The Prodigy – Music Reach 1/2/3/4 (Raumskaya Remix)

Pristine

Flame Threshold

Stone Cold

None

Dream Error

Laska

Worldwidejuke Vol.2

Let You Know

Hardcore Continuum
(Hyperboloid, Terminal Dream, Brownswood, Beryoza)

Booking: ssaburov@gmail.com

Gleb Raumskaya is co-founder of Russian ghetto community "Beryoza" representing the Bass scene of St. Petersburg, Russia. He is an artist of Hyperboloid label (Moscow). In 2011 Raumskaya became the finalist of Stussy make the beats, he also took part in Red Bull Music Academy Bass Camp 2012 and Granatos fest 2014 in Lithuania. Was heard on the radio stations – Rinse FM, BBC Radio 6. This summer Gleb was recording his tracks on Cuba under the guidance of Gilles Peterson (bbc radio 6). Presentation of The Soundclash album (Brownswood Recordings, UK) was held in London in november 2014. In april of 2015 Raumskaya represented russian beats scene played his new live set at Boiler Room Stay True Moscow and warming up worldwide hip-hop icon DJ Premier. In may Raumskaya take a part of Havana Art Biennale 2015.

Raumskaya

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