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Jonnnah - Social Nebula

The Brvtalist is pleased to premiere a new track from SY/N. The Italian producer presents his fourth album 'Where Nothingness is Bliss', out May 30th on HIDE. Alongside the music, SY/N provides the complementary book "631x", which presents the story of a fictional world, permeated by a sense of social criticism and an underlying theme of internal struggle.

Molded through a cyclical process of writing, recording, reworking, and transcribing, this organic sonic tapestry masterfully weaves together a dense mesh of field recordings and distorted sound design, showcasing an all new interplay between digital wizardry and real life chordophones, ranging from lishy strings to obscure folk instruments. In this release the melodies play a more prominent role than ever, steadily flooding the listener's heart with touching progression and otherworldly choirs, which at times accumulate into gargantuan walls of raw emotional release. 

Pick up the release now: https://hide.bandcamp.com/album/where-nothingness-is-bliss

@alexortiga
@hideproductions

PREMIERE: SY/N - A Garden with golden fences, a melancholy fiend  [HIDE021]

'Huiracchuro' is the first single taken from the EP 'Aviario', out on the 23rd February.

'Aviario' is a collaborative EP by Ecuadorian electronic music producers Entrañas and Ene Ese, alongside visual artist Destello. The release coalesces the unique sonic palette, textures and rhythms of Ecuadorian music with the darkness of Club and Bass music. Taking influence from bird species inhabiting the diverse ecosystems of Ecuador, Entrañas and Ene Ese seamlessly transmute delicately layered soundscapes and birdsong into cutting drum patterns, creating invigorating compositions that spotlight the rich musical heritage of Ecuador and its natural environment.

'Aviario' ranges sonically from moments of ambient textural exploration in 'Trogón', to dance floor ready tracks such as the single 'Huiracchuro' where overdriven melodies weave between sultry drums making heavy use of 6/8 polyrhythms found in Ecuadorian genres such as Albazo and Bomba. The third track 'Curiquingüe' features additional composition from producer Zunfo.

The EP is accompanied by six corresponding artworks by Destello, who reimagines the colours and forms of the birds into candescent abstractions.

Bandcamp

Entrañas & Ene Ese - Huiracchuro

RAVE SCOUT #074: MëLL 

MëLL, a techno-pop artist from Tucumán, Argentina, currently thrives in Paris. At 23, he ventured to Europe, fueled by dreams of music industry success. Immersed in Europe's rave culture, he found inspiration for his unique sound.

MëLL quickly established himself in the music world, known for his ravy tracks. With over a million streams and notable performances, his presence is significant.

His music, featuring captivating vocals and trancy synths, has a unique allure. Currently, MëLL is crafting his debut album, showcasing his commitment to music. His passion for creating innovative sounds is evident in his work, promising a continuous stream of compelling music.

COOKIE MIX #074: MëLL

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Entrañas - Caverna
Label: Infinite Machine
CAT#: IM114
Format: Digital
Release Date: September 27th, 2024

Tracklist:
1. Indignado
2. Ajicito
3. Diclofenaco
4. Cruces
5. Cascada
6. Coscacho
7. Tigrillo (ft. Buena Tarde)
8. Nauseas
9. Toque De Queda (ft. Ene Ese)
10. Chivo
11. Muerto a Puntapiés (ft. Carlos Pabón)
12. Caverna

Ecuadorian producer Daniel Gachet “Entrañas” presents his debut full album Caverna on Infinite Machine. The project explores an amalgam of polyrhythms found in traditional Ecuadorian music such as bomba and albazo, blending them with jagged atmospheres of uk bass and grime. Through deliberate sound design, Entrañas seeks to place the listener within the unpredictable ecosystem of the city of Quito and its surroundings.

In this record Entrañas searches for a sound that conveys both the infrastructural chaos he experiences currently in his home city, while also reflecting the hauntingly beautiful and seemingly perpetual terrain just outside of Quito. Not far from the frequent and unpredictable power outages and city wide lockdowns which are now commonplace due to the ongoing narco wars, there is an Andean stratovolcano visible from many parts of Quito, including Entrañas own bedroom window. Ruco Pichincha stands nearly 5000m in height, attracting awe and curiosity of many who happen upon it, perhaps by way of its beauty as well as its innate potential for mass destruction. A particular location of interest for the artist, the mountain emits a kind of objectivity that is distinct from the urbanscape of human activity; it asserts itself, unobservant of the adjacent violence, trials and tribulations. Its very name–“Ruco” translated in English to "old" from the indigenous Quechua language–seems to reflect both its acquired reverence from native inhabitants of the region, as well as the relative incomprehensibility of such natural monuments.

On Caverna, references to Quito and its encompassing geography are apparent in ways that are direct at times, nuanced at others. “Toque de Queda” (trans. “lockdown”) was produced in real time during a city wide lockdown in which Entrañas and his collaborator Ene Ese were unable to leave an apartment for hours on end. The sheer apprehension of such a situation can perhaps be gleaned from the seething claps and non-melodic droning atmospheres that build, producing a tone of frustration and unease. Tracks like “Coscacho”, “Muerto A Puntapiés” and “Cruces” seem to take on a similarly minimal approach, focused on brooding heavy bass lines and relentless polyrhythms that become increasingly menacing as the tracks build. A listener might imagine these compositions to conjure the rumbling subterranean activity of Ruco Pichincha. As their names might imply, “Caverna” and “Cascada” take a different approach, building up shimmering soundscapes reminiscent of 90s new age. These ephemeral sequences seem to summon meditation on natural landscapes in a way that feels lighter and more optimistic, unveiling a softer vision.

In light of his prolific catalog, Entraña’s twelve-track work reaches into territory that feels both more personal and experimental–though these compositions are undoubtedly dance-floor ready. Caverna brings together anthems of leftfield club music with chambers of ambient reflection–both of which read as significant and distinct to the artist’s background and day-to-day experience in Quito. As the majestic and humbling mountainous surface of Ruco Pichincha might resemble, Caverna’s title track ends the record with a reminder; a gentle nod to the significance of such sacred wonders as places of refuge in our human experience; whether we can grasp them, or see them from our bedroom window.

Artwork by Benfika
Mastered by Fausto Mercier
Words by Sueuga

Entrañas - Chivo

Lyno Nine8 - sterne zählen [TiefTöner Remix - 157bpm]

✨ Sometimes a track isn’t just music, it’s pain, memories, fights and rebirth in one.
TOUCH ME was born between sleepless nights, heavy doubts and the fire to rise again – stronger than ever.

⚡️ Every kick feels like a heartbeat, every melody screams for freedom.
This is not a song to listen to,  it’s a song to feel.

💎 TOUCH ME – for everyone who’s been broken, and came back even stronger.

TOUCH ME - RAVBR

Rave Scout® is a co-creative platform championing marginalized talent & fostering safer spaces in live music.

COOKIE MIX #074: MëLL

Rave Scout®

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