❤️❤️❤️❤️❤️❤️❤️❤️❤️❤️

اووووف❤️❤️❤️❤️❤️❤️

Tamikrest is a group of musicians who belong to the Tuareg people. The band was founded in 2006. They mix traditional African music with Western rock, blues and pop influences and sing in Tamashek (Tuareg People Language)

Aratane N'Adagh - Tamikrest

Aziz Sahmaoui Maktoube (Long Version)

Malouma - Nnew

Release date : June 20th, 2014
Get the album here: http://glitterbeat.com/glitterbeat_store/

Noura Mint Seymali, from Mauritania, comes from an ancient family of griots, and she has a commanding, wide-open voice…the pentatonic melodies of her songs had something in common with the blues. But her fusion was particular and selective…She only meets American music on her own terms.
+++New York Times, January 13th, 2014

She cleverly merges her powerful voice with the twangy guitar sound created by her husband…this Mauritanian music is an excellent example of roots rocketed into the 21st century.
+++Songlines, April/May 2014

TZENNI in Hassaniya means to circulate, to spin, to turn. It’s the name for a whirling dance performed to the music of Moorish griots, often under khaima tents thrown up for street gatherings in the sandy quartiers of Nouakchott and out across the wide deserts of Mauritania. Tzenni is an orbit, the movement of the earth around the sun, the daily progression of light and dark, lunar cycles, tides and winds. Tzenni, the dance, comes forth as the cyclical trajectory of a Moorish musical gathering builds to a fervorous pitch. It’s a word whose expansive valence reminds us how only the most basic reality can create such romantic metaphor.

Produced and recorded across an appropriately dizzying array of locations and social contexts (New York City, Dakar, Nouakchott) the album Tzenni is a contemporary articulation of Moorish griot music from Mauritania—an artform that has been evolving and gaining momentum for centuries—as voiced by Noura Mint Seymali, an artist profoundly steeped in its history and rigorously devoted to its global resonance.

Noura Mint Seymali comes from a long line of visionary musicians. Seymali Ould Ahmed Vall, her father, was a scholar-artist instrumental in opening Mauritanian music to the world; devising the first system for Moorish melodic notation, adapting music for the national anthem, and composing works popularized by his wife (Noura’s step-mother), the great Dimi Mint Abba. From her precocious beginnings as a teenaged backing vocalist with Dimi Mint Abba, Noura Mint Seymali now drives the legacy forward, re-calibrating Moorish music for our contemporary moment. Her band’s arrangements, rigor, and experimental spirit may be understood as a continuation of the tradition of Seymali, Dimi, her grandmother Mounina, and countless others.

Together with her husband, heroic guitarist Jeiche Ould Chighaly, who brings the force of yet another powerful branch of Moorish musical lineage, the band on this recording was conceived as a distillation of essential elements, the “azawan” and the backbeat. The ardine & tidinit (or guitar) together are the “azawan,” the leading ensemble of Moorish traditional music, while bass & drums, played here by Ousmane Touré and Matthew Tinari, fortify it with genre transcendent funk and a basic pop urgency. Tzenni re-visits several classics of the Moorish repertoire, but does so within a novel formation, conversant in the pop idiom, and with Noura Mint Seymali’s personal history interwoven throughout. The practice of aligning music to a given socio-historical and personal moment is an essential charge of the iggawen, or griot, and, we believe, of artists everywhere.

As we seek to convey another turn in the Mauritanian musical dialectic, Tzenni is ultimately an album about shape shifting, faith, and stability found through instability. It’s about taking the positive with the negative in a world that can only ever keep turning at break neck speed. We invite you to spin with us, to dance with us, through the music on this recording!

--Matthew Tinari: producer/drummer for Noura Mint Seymali

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www.twitter.com/Glitterbeat_Rec

www.nouramintseymali.com/
www.facebook.com/nouramintseymali.music
www.soundcloud.com/nouramintseymali

Noura Mint Seymali - Tzenni

Jazz improvisation, syncopated beats and counter-culture attitudes have been swinging in the Arab world since the early twentieth century. This Rough Guide explores today’s thriving scene, revealing how blending jazz and Arabic music has created the most beautiful of musical concoctions.

For more information, visit www.worldmusic.net/arabicjazz

The Rough Guide To Arabic Jazz
This Rough Guide travels the Arab world exploring the depth and range of jazz interpretations heard across the region’s many nations and cultures. 

Lebanon’s rich musical melting pot is to thank for many of the tracks on this album. Haunting track ‘Harrama el-Nawma’ is by Rima Khcheich, a singer from Khiam in the south of the country. Lebanese trumpeter and composer Ibrahim Malouf’s ‘Nomade Slang’ is anchored by an undulating double-time drum pattern with sharp stinging horn lines and inquisitive rising bass figures. Another Beirut-born musician, Rabi Abou-Khalil, contributes the track ‘A Better Tomorrow’ with his masterful oud bringing out a slinky, seductive flavour with brushed drums and a languorous wind solo. ‘Masâr’ by Le Trio Jourban also spotlights the iridescent delicacy of the stringed oud. 

Ahmad Kaabour is also from Lebanon and a prominent cultural figure in the Middle East: his 1975 hit ‘Oundaikom’ became the anthem of the Palestinian struggle. ‘Abou Afif’ was released in 2012 and is a peppy, almost saccharine number that encapsulates the feel of modernist 1970s jazz. 

Daramad count in the proceedings with the track ‘Tigris Eye’. The band’s line-up features a mix of Persian and Australian musicians allowing them to create a delicate musical dialogue. 

Karim Ziad is an Algerian jazz percussionist, guitarist and gumbri (Moroccan bass lute) player. Omar Faruk Tekbilek was born of Turkish and Egyptian parents and currently resides in America. ‘Dark Eyes’ is inspired by Sufi devotional music and ambient electronica. Maurice El Medioni stirs a potent punch with Cuban percussionist Roberto Rodriguez on closing track ‘Ana Ouna’.

Jazz is still pulsing through the veins of Arabic homelands and this Rough Guide offers up an insight in to the scene. 


Hijaz: Chemsi (taken from the album The Rough Guide To Arabic Jazz)

Tonight I'll be Pretty Ft. Mariem Hassan 

Composition by Ravid Kahalani
Lyrics by Mariem Hassan, Zaim Alal & Ravid Kahalani Arranged by Rony Iwryn, Shanir Ezra Blumenkranz, Itamar Borochov, Itamar Doari, Roy Harmon
￼￼￼i will be there with you Laila
i will be there with you all the time
wherever you go you will shine like the sun with your light on me and on humanity
باكون موجود معاكي يا ليلى باكون موجود معاكي في كل وقت
واين مارحتي بتضلي تشرقي كالشمس بضوش عليا وعلى كل البشر

08. Tonight I'll be Pretty ft. Mariem Hassan

Ahwek

عتاب للفنان الفلسطيني الشاب عبد 
Blame by the Palestinian Artist Cheb Abed

الكلمات العربية :

تغمزلي و بجفن العين
خط رموشها، وقف قلبي

(x2)
بندهلك مرة و ثنين
ليه عصوتي ما تردي؟

(x2)
تغمزلي و بجفن العين
خط رموشها، وقف قلبي

حني عليلي و بنظرة
مري علي و تعدي
(x2)
كل مرة تترك حسرة
و دموعي تنزل عخدي

(x2)
تغمزلي و بجفن العين
خط رموشها، وقف قلبي

هاملني و قلبي شريك
تاركني النار و غلبي
(x2)
يلوموني ليه ما عاديك
و عهجرانك و قلبي

(x2)
تغمزلي و بجفن العين
خط رموشها، وقف قلبي


English Lyrics :

Cheb Abed - Blame

she winks at me and her eyelashes stop my heart

(x2)
I call you once and twice, why don’t you aswer?

(x2)
she winks at me and her eyelashes stop my heart

have mercy on me with a look
pass me when you walk by

(x2)
It’s a pity every time you leave  
teardrops fall down my cheek

(x2)
she winks at me and her eyelashes stop my heart

You ignore me but my heart is complicit
You leave me in my misery

They blame me for not leaving you

(x2)
she winks at me and her eyelashes stop my heart

Blame 

Cheb Abed - Blame  | الشاب عبد - عتاب

this is my first electro experience for the lovely tunisian song " كي يضيق بيك الدّهر يا مزيانة " . 

Feedbacks are always welcome !

Dilaw meets Sadok Thraya - La Boucle (كي يضيق بيك الدهر)

http://en.wikipedia.org/wiki/Mariem_Hassan

Mariem Hassan _ Canciَn de la Intifada

Jamal Nouman : Composition, chant
Hicham Benabderrazik : Arrangements, guitares
Mehdi El Kindi : Direction artistique, percussions
Hamza Bennani Smires : Trompette
Amadou Ba : Basse
Le morceau a été enregistré et mixé au studio BTM à Casablanca. Il à été masterisé à Paris par 
Jean Charles Boutin.

Ethiopique

This Account is dedicated to Insaniya Album only by Yemen Blues Official 
For the main SoundCloud Account of Yemen Blues please visit https://soundcloud.com/yemen-blues

Insaniya was recorded at 2014 in TLV with the producer Bill Laswell and was released in 2015

08. Tonight I'll be Pretty ft. Mariem Hassan

YEMENBLUES - INSANIYA ALBUM 2015

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