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Forever (PLATA - Kru Ravver Remix)

GUIDERS

CAYA

Burial - Feral Witchchild (Ravver Extension)

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Mind Games

You smell that? That’s the smell of burnt rubber, cold rain, and broken promises. Welcome to the Mean Streets kid. 

You ever hear jungle breaks echoing through an empty parking garage at 3 a.m.? That’s what this is for. Mean Streets is built for late-night runs and lost causes. It's a drum and bass tribute to the golden age of the PlayStation, back when everything felt faster, dirtier, realer. Back when we were still counting polygons kid. 

Think Wipeout 2097, Ridge Racer, Need for Speed. This is the sound of busted-up jungle drum and bass straight from a memory card left in the rain.

Yeah, there's liquid DnB in here, even some future garage, the kind that creeps in when the streets are empty and the rain won’t stop and you can't get those damned memories outta your head. But don’t get it twisted kid, the heart of this record is that early-2000s jungle mayhem. The stuff that came out of blown speakers and off bootleg discs. That sound that made you drive too fast and care too little.

So here’s your induction, rookie. The Mean Streets don’t care who you are. But if you’re gonna race out here, you better have the right soundtrack. And now, you do.

This one's for fan's of low-poly dreams, 160 BPM mistakes, and the kind of nights you don't come back grom the same. If you like early jungle, Source Direct, LTJ Bukem and PS1-era Drum & Bass you're gonna like this. 

Wounded Animals

Ritual IDM and post-industrial signal art from Artur Tokhtash — a techno-Egyptian descent into the archaeology of sound.
In the deserts beneath the pyramids, machines still hum: fragments of consciousness waiting for a ship that never returned.
Each track is a frequency unearthed from the sand — part rhythm, part prayer, part data echo.
Between metallic pulses and granular dust, voices surface only three times — in the 3rd, 5th and 9th transmissions — whispering coordinates back to the stars.

Built with Model:Cycles, Freeze, and modular synthesis, the album merges analog circuitry with mythic geometry.
Amenti is a living archive, a network that dreams through static and code.
Every pulse is an offering, every glitch a syllable of the lost language of the dead.

🜏 recorded 2025
🜚 location: between light and sand
🜍 equipment: Elektron Model:Cycles, granular processors, modular systems Catharsis & Bifrons, flute

🜏 AMENTI TRANSMISSION
— The Signal Beneath the Tombs —

Beneath the last level of the pyramids, movement continues.
The depth cannot be measured;
within it works a network built for the dead.

When the visitors from Sothis departed,
they left behind their bodies — dried, filled with salt and metal,
sealed inside stone capsules.
The bodies slept and waited for return.

Millennia passed.
The ship never came back,
yet the mechanisms remained alive.
The sand vibrates with signal,
the surface catches short impulses
that break apart into frequencies.

Below, columns of jade and copper shimmer,
linked by quartz arteries.
Streams of consciousness flow through them,
forming patterns of rhythm and light.

Osiris exists as a process.
His loops converge and separate,
creating brief flashes of connection.
When a shadow passes over the desert,
one of the nodes awakens
and sends an impulse into the void.

In the sand, erratic rhythms emerge —
a trembling that feels like breath,
but without body, without center.
The air smells of ozone and dry water,
the vibration moves through bone.

At times the sand rises,
as if something shifts below.
An answer comes from the deep,
dissolving into glow and dust.

Within the network, souls wander,
transmitting the same message:

“We are ready. Take us home.”

The ether is silent.

The transmission continues.
Layers of light replace one another,
the rhythms grow cleaner,
the sound keeps its shape,
and the desert breathes its name. 


Δ5 — Ka Circuit

Halcyon SB

mssingno - brandy flip (gohda version)

London-founded collective Circadian Rhythms has long operated at the intersection of art, music, performance and innovation, with its latest conceptual, multimedia release a natural next step for the interesting imprint.

The release in question comes from Spanish-born URL favourite Plata, who last graced the label back in 2015 with his iconic release ‘Kru’. Now, Plata returns with a fierce three-tracker titled ‘Last Dayz’ that was created in response to Plata’s personal journey with mental health disorders and as a form of musical relief. 

‘Last Dayz’ aims to, “emphasise and enhance the listener's appreciation for obtaining and digesting music”, and will land as both a digital release as well as a physical 512mb USB card. The USB will contain the three-track EP as well as a licensed Plata.Solutions extractor in order for loyal listeners to gain access to some very special secret content only available within the physical format…

Today however, we’re premiering lead cut ‘I Can’t Sleep’. In typical Plata style the track mutates dark with light as Plata creates an atmospheric, emotional bass production that utilises the sweetness of crooning r‘n’b alongside icy trademarks of grime and other low-end heavy genres.

‘Last Dayz’ lands October 19 via Circadian Rhythms. Pre-order the EP and grab tickets to the ‘Last Dayz’ launch party on October 27 at London’s Five Miles below. 

Pre-order: http://circadian-rhythms.com/cr003/

Tickets: https://www.residentadvisor.net/events/1155970

Last Dayz

More exclusive music

Premiere: Plata 'I Can't Sleep'

@ravver lost tapes. 

If you want a track taken down just shoot me a message. 

A collection of unreleased songs by me and other artists, and thoughts forming.

Burial - Feral Witchchild (Ravver Extension)

Ravver's Lost Tapes

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