Real-time recording created in Pure Data.

More on this 493rd weekly Disquiet Junto project – AudioCorrect (The Assignment: Think about the utility and the useful failures inherent in autocorrect and apply this to your music) – at: https://disquiet.com/0493/ 1

Thanks to Alan Bland for proposing this project.

More on the Disquiet Junto at: https://disquiet.com/junto/

Subscribe to project announcements here: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0493-audiocorrect/

There’s also a Disquiet Junto Slack. Send your email address to twitter.com/disquiet for Slack inclusion.

Autocomplete (disquiet0493)

Soundtrack for video: https://youtu.be/cz9b8Cehprg

An electronic composition, sounds created in Pure Data.

Polar

Electronic composition, an evolving textured drone sequence, original sounds created using Pure Data.

Forbidden Ground (naviarhaiku605)

An electronic composition, original sounds created using Pure Data and Audacity.

Autumn Starscape (naviarhaiku606)

An electronic composition, sounds created using Pure Data and Audacity.

Untouched by Sunrise (naviarhaiku607)

An electronic composition, sounds created using Pure Data.

Green Shoots (naviarhaiku608)

My take on this was to use glitches or extraneous sounds that crop up in field recordings. These are usually edited out but here I extracted some from a couple of recordings and joined them to form a continuous sequence. After extending this sequence and adding a touch of reverb and delay I combined it with an evolving electronic drone.

More on the 715th weekly Disquiet Junto project, Err Apparent — The Assignment: Make a mistake on purpose. Build something from it — at https://disquiet.com/0715/.

Field Glitches (disquiet0715)

An electronic composition, original sounds created using Pure Data.

Extended Resonance (naviarhaiku610)

Dreamy Blossoms (naviarhaiku611)

Ancient or ancestral dance rhythms emerging from the mists of time and combined with a modern drone. Or is it an ancient drone with modern rhythms?

More on the 717th weekly Disquiet Junto project, Generation Gambit — The Assignment: Layer two eras of recordings, one of them imaginary — at https://disquiet.com/0717/.





Ancient and Modern (disquiet0717)

Drawing the Light (naviarhaiku612)

An electronic composition, sounds from various sources.

More on the 718th weekly Disquiet Junto project, Planet Jam It — The Assignment: Record the sound of an advanced alien civilization — at https://disquiet.com/0718/.

Exoplanetary Noise Soup (disquiet0718)

Sleeping Village (naviarhaiku613)

A contrapuntal composition created using Pure Data with alternating sections of regular (120 bpm) and irregular or free rhythms.

More on the 719th weekly Disquiet Junto project, Riding on the Metronome — The Assignment: Play with and against a steady beat — at https://disquiet.com/0719/.

Breaking Free (disquiet0719)

An electronic composition created using Pure Data .

Autumn Red Dragonfly (naviarhaiku614)

A combination of two unpublished electronic sequences I have recently been working on, sounds form various sources.

More on the 720th weekly Disquiet Junto project, One from Two — The Assignment: Combine a pair of your recent tracks — at https://disquiet.com/0720/.

Two into One Will Go (disquiet0720)

Electronic composition, a textured drone sequence, sounds created using Pure Data.

Verdant (naviarhaiku615)

An electronic composition, sounds from various sources.

Green Walnut Time (naviarhaiku616)

A recording of storm-force winds outside, including a few incidental noises, brewed up with a similarly stormy electronic sequence, sounds from various sources.

More on the 721st weekly Disquiet Junto project, Well Weathered — The Assignment: Play along with a storm — at https://disquiet.com/0721/.



Brewed Storm (disquiet0721)

An electronic composition, sounds from various sources including Pure Data.

More on the 722nd weekly Disquiet Junto project, Spook Street — The Assignment: The Assignment: Make music for a haunted spy film — at https://disquiet.com/0722/.







Spooky Doings (disquiet0722)

Musique Concrète  - a mix of electronic and recorded sounds. A track for Haloween.

Nightfall with Skeleton (naviarhaiku617)

A quasi-serialist electronic sequence interrupted at intervals with short clips from another track played in reverse. The basic sounds were created using Pure Data.

More on the 723rd weekly Disquiet Junto project, Do the Collapse — The Assignment: Make music that falls apart repeatedly — at https://disquiet.com/0723/.

Hiccups (disquiet0723)

Musique Concrète - a mix of electronic and recorded sounds.

Undercover Harpist (naviarhaiku618)

An electronic composition combining eight sequences created in real time using Pure Data.

More on the 724th weekly Disquiet Junto project, Work It — The Assignment: The year’s almost over. Do that thing you’ve been meaning to do — at https://disquiet.com/0724/.

Ad Hoc (disquiet0724)

An electronic composition, basic sounds created using Pure Data.

Deepening Purple (naviarhaiku619)

An electronic sequence created using Pure Data with additional reverb and delay to produce two  levels, one with prominent sharp sounds and the other a fuzzy background with the impression of increased distance.

More on the 725th weekly Disquiet Junto project, Rack It — The Assignment: Change the “focus” of a track as it plays — at https://disquiet.com/0725/.

Sharp and Fuzzy (disquiet0725)

An electronic composition, sounds created using Pure Data with various fx.

Catching Starlight (naviarhaiku620)

In common with others, it seems, I encountered various problems with this website. There was a considerable time lapse between pressing the keys and the resulting sounds and the site crashed a couple of times. Then the recording software stopped working and the whole thing eventually gave up the ghost, so that I lost patience with it.  Nevertheless, I did manage to record a few short sequences. I took some of these, added various fx (detuning, delay, etc.) and combined them into this track.

More on the 726th weekly Disquiet Junto project, Chord of Omnis — The Assignment: Make music with a browser-based Omnichord as your sole sound source — at https://disquiet.com/0726/.

Omnishambles (disquiet0726)

An electronic composition, sounds from various sources, including Pure Data.

Full White in Deep Night (naviarhaiku621)

Oblique Strategies is not something I have ever heard of and was interested to see what it is. Having had a fairly superficial look, I am not sure if I have missed very much. 
I came across an alphabetical list of quotes and selected a couple of contiguous ones more or less at random: 'Imagine the music as a moving chain or caterpillar' and 'Imagine the music as a set of disconnected events'. The resulting track is an electronic composition which started with a sequence of sounds created using Pure Data, then modifying and expanding them by the use of selected filters and additions.

More on the 727th weekly Disquiet Junto project, Polar Strategies — The Assignment: Celebrate the 50th anniversary of the Oblique Strategies card deck — at https://disquiet.com/0727/.

Caterpillar Events (disquiet0727)

An electronic composition, sounds from various sources including Pure Data.

Ant Procession Amplified (naviarhaiku622)

I created a fairly random sequence of sixteen notes using Beepbox and this was repeated sixteen times with a note removed each time until the last repeat is silent. The result of this process was played with a drone backdrop which, needless to say, gradually takes over as the piece progresses.  A little reverb etc was added at various stages.

More on the 728th weekly Disquiet Junto project, Note Down — The Assignment: Delete a note at a time — at https://disquiet.com/0728/.

Phonectomy (disquiet0728)

Plum Garden (naviarhaiku623)

Moon Bumps (naviarhaiku354)

Electronic composition, sounds created in Pure Data.

Drifting In The Void (naviarhaiku358)

Abstract Sound Structures, Musique Concrète & Live Electronics.
Experimental abstract animation videos.
It is my aim to create and/or edit my tracks & videos using free or open-source software only.
Influences include: J.S. Bach, John Cage, Iannis Xenakis, Giacinto Scelsi, Mauricio Kagel, Conlon Nancarrow, Christian Wolff, Harry Partch, Luc Ferrari, Morton Feldman, Cornelius Cardew, Bernard Parmegiani, Ana-Maria Avram, David Tudor, Alvin Lucier, Pauline Oliveros, Renaissance Polyphony.
All my work is published under a Creative Commons licence & can be freely downloaded (as wav) or remixed.

ray_cobley

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