A Hip Hop/Trap song inspired by social injustice

They Don't Give A Damn_featuring Lyndon Laveaux and B3ach

Nah Do is a hip hop/trap song with some middle eastern influenced instruments. 
The song is about what it truly means to hustle. To rise above your circumstances and live out your dreams. The sky truly is the limit when you put your mind to something.
Mili Milz cadences are precise and his flow can be compared to a young Eminem.  Cals is the second rapper and lays down another one of his amazing hooks that he is known for. Ray Mitchell produces this fire beat, with an infectious melody that makes you want to put it on repeat.

Mili Milz & Ray Mitchell - Nah Do - (feat. Cals)

WHG (White House Gangstaz), is a song about the corruption and greed of our government, and how the suppression of its citizens has led to America's current status.  
Ray Mitchell uses a boom-bap beat and laces it with an infectious melody that utilizes elements of Classical Music. The music brings you back to a time when Rap was at its peak in the Tupac, and Notorious BIG era.  
WHG features 3 rappers (Disanti, Mili Milz, & Lyndon Laveaux) with vastly different styles and cadences that complement each other. The final sprinkle of magic is Disanti’s explosive vocals and catchy hook, that keep you wanting more.

Ray Mitchell - WHG - (feat. Disanti, Mili Milz, & Lyndon Laveaux)

Toodaloo is a contemporary R&B track that has a lot of Soul in it, due to the dynamic range of Disanti’s vocals.  The beautiful organ, guitar and drums all come together to keep the listener engaged.
It’s a song about a happy break up, now that she is free from her ex, she can be herself, and explore the world in this new found light.

Disanti & Ray Mitchell - Toodaloo -

Ray Mitchell is a music producer, based in the City of Angels. As a child, he grew up in a multicultural family and was introduced to many styles of music. His journey of creating music started at the age of 12, as a bassist in a punk band. By the age of 17, he purchased his first set of turntables and began to DJ at local venues in San Diego. After many years of DJing other people’s music, he decided to take a break from the DJ life, and pursue writing his music. He moved to San Francisco, to get a BA in Radio & television with an emphasis in audio. Before LA, his skills as a pianist and bassist were self-taught, and learned everything by ear, with no formal training. Yearning for more knowledge, he enrolled in a couple of piano and music theory classes at East LA City College. After finishing the classes his musical abilities increased exponentially and he dove even further into music composition. His style of music transcends genres and is constantly pushing himself to think outside the box.

Ray Mitchell Productions