Presented by One Little Goat Theatre Company (http://onelittlegoat.org/yehuda-amichai-radio-plays)

Yellow Man (for 'Killing Him' by Yehuda Amichai)

Electric Chair (for 'Killing Him' by Yehuda Amichai)

Performed: Crossing the Line Festival, French Institute Alliance Française), New York, 2010

Bomber (for 'The Sea Museum/Le Musée de la mer' by Marie Darrieussecq)

Performed: Crossing the Line Festival, French Institute Alliance Française), New York, 2010.

Tunnel Statics (for 'The Sea Museum/Le Musée de la mer' by Marie Darrieussecq)

Open window @ Hotel de France Quartier Latin, Paris, France

Sunday morning, Kongress Hotel balcony, Potsdam, Germany

un batteur solitaire (drummer-worn binaural microphones)

171107-06.06.00

Rehearsing Silence

An intimate live performance consisting of drummer (wearing binaural microphones), a vocoder (fed by 'ghost tracks') in an 8-channel surround-sound speaker environment — all up in a small gallery space in Northern Ontario. Presented and recorded by Darren Copeland and New Adventures in Sound Art (NAISA) on September 1, 2018.

Hulaboom live at NAISA North, South River, Ontario (September 1, 2018)

An audio installation presented at St. Andrew-by-the-Lake Anglican Church, Toronto Island in 2005 exploring the impact of the city soundscape on physical memory and perception from the quiet solitude and sanctuary of an island church pew. A single pair of headphones rest on a church pew, fed by a direct audio signal from binaural microphones affixed to the underside of the pew. The signal is fed to the headphones through a custom-built software program (built in MaxMSP) that simulates hearing loss, applying specially-designed filters and synthesized simulations of tinnitus to the signal. As this simulation eventually recedes, portions of the microphone's signal are then delayed and looped, producing an experience whereby sight and sound gradually become unsynchronized. Commissioned by New Adventures in Sound Art (Toronto)

Still(ness) Ringing – a sound installation for headphone listeners (2005)

Electronic musician, composer, percussionist, sound designer and researcher on the influence of  generative systems and interactive technologies on creative process, live performance, and experiential design. Co-founder of the Canadian Association for Sound Ecology. Educator of courses and workshops in music technology, electroacoustic music, sound recording and design. Currently a doctoral student at the University of Toronto (Centre for Drama, Theatre and Performance Studies and the Knowledge Media Design Institute.

Richard C Windeyer

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