Genre hopping like its a walk in the park!

On Our Way (Where?), Good Question! 💨Yours sound is very addiictive 🖤

Bleps and Elvira! Fantastic work as always!

No matter how many sound effects I added, I couldn't fill the void in my heart. 
　The tone of the song was supposed to be a cheerful mood, but it ended up being a dissipating feeling of loneliness. Earthquakes, recession, and wasteful government economic policies all surround me. 
　Everything I touch casts a lonely shadow.

I want to land right in the middle between experimental music and listening music.(285)

Check us out on: https://linktr.ee/legacyofthought


In the realm of Toril, amidst the underwater wonders near The Green Sisters, Neria's story unfolded like the undulating currents of a hidden sea. Born into the embrace of this mystical archipelago, her origins were humble but destined for a variety of adventures beneath the waves.

Neria came into the world in a modest underwater grotto, a place surrounded by bioluminescent flora and the gentle hum of aquatic life. The Great Lighthouse of St. Ippen Island, a towering beacon even visible from the depths, watched over her childhood. Her days were spent exploring the vibrant coral reefs, listening to the ancient stories told by the triton elders, and dreaming of the mysteries that lay beyond the light's reach.

Her first taste of the extraordinary came at the age of ten when she ventured into the Whispering Caves, a mystical underwater cavern rumored to be alive with ancient magic. Amongst the phosphorescent flora and ethereal creatures, she discovered an abandoned elven artifact—a talisman that would later become a cherished possession.

As she grew older, curiosity led Neria beyond the familiar waters of The Green Sisters. Her travels took her along the seafloor, where she marveled at the diverse landscapes of the underwater realms and encountered creatures vastly different from her own. These journeys ignited a hunger for knowledge and adventure that would shape her future.

It was during her search for rare pearls in the Gulf of Cordell that fate intervened. In the luminescent glow of coral, casting an otherworldly aura, a figure appeared on the horizon. It was Ariann of Myth Nantar, a seasoned triton whose azure skin and scales reflected the beauty of the ocean depths. Despite her imposing appearance, Ariann swam with a weariness that bespoke a journey both arduous and long.

Neria, with the keen senses of her triton heritage, detected Ariann's approach. Intrigued by the sight of a fellow triton, albeit with unfamiliar azure hues, Neria swam out to greet her. The two tritons exchanged greetings, their voices carried by the currents in a melody known only to the denizens of the sea.

Ariann, though weary, spoke with the eloquence of one well-versed in the ways of the ocean. Neria, equally curious and welcoming, invited her new acquaintance to swim with her to the hidden enclave where her family resided. Under the cool, cerulean waters, they conversed about their respective homes, the wonders of the sea, and the secrets held by the Green Sisters.


Release date: 09-02-2024 on Legacy of Thought label:

The tracks:
01 Roberto Sass - Neria
02 Progeny - 1 - Secrets Of The Green Sisters

Artwork & mastering: Chris Held

Roberto Sass: https://soundcloud.com/dj-rubberman
Progeny-1: https://soundcloud.com/progeny-1-617773258

Secrets Of The Green Sisters  *Neria*

On Our Way (Where?)

Enjoy the accompanying visuals at https://youtu.be/t3AsvEyUhXc

Pre-dawn inertia
Where do I go
From here?

Haiku by Marco Sebastiano Alessi

For more information visit http://www.naviarrecords.com/about/naviar-haiku

visuals (YouTube)

halF intertiA [naviarhaiku534]

Lions Heart {Instrumental} 𝑷𝒓𝒐𝒅. 𝑩𝒚 Operation O™

Tea-Snuggery Show#59/w Machine Gun Ibiza (*Berlin) - 02-Apr-24 | Threads
Listen to Threads Radio https://threadsradio.com/

https://soundcloud.com/machinegunibiza/sets/debut
https://www.instagram.com/machinegunibizamusic/

This time we proudly present "Machine Gun Ibiza", a new music project founded in Berlin in 2023. 
Getting bored on the dancefloor is one of the biggest problems of current club music.

Machine Gun Ibiza is looking for something different: The enrichment of dance music with a fusion of organic sounds, sometimes live instruments, and soul in each of these dance tracks. Instead of just non-stop monotonous kicks and basslines combined with the same three notes of a synthesizer, MGI presents a nostalgic, modern sound reminiscent of the pulsating sounds of the 80s, new wave, prog and beyond.

Join us on our adventure and hear "Machine Gun Ibiza" reignite your passion for the dancefloor. Playing tracks from Machine Gun Ibiza, Wolfgang Voigt, Fred und Luna, Cosmo Vitelli, UFO Hawaii and much more.
Listen with care q:

Tracklist:

Staubsauger - Pisse 
Death Machine - Lucky People Center 
tight pants - Din A Testbild 
Cosmic Tango - Ash Ra Tempel
Decollage - Homage an Wolf Vostell - Din A Testbild 
For Hoped - Black Devil Disco Club 
I'll Hold Your Hand - Bodycode 
Verwandlung - Wolfgang Voigt 
Fabrik - Conrad Schnitzler 
Dog Deep Whisper - Gordon Shumway 
Armonica - Fred und Luna (UFO Hawaii Mix) 
My Love - Machine Gun Ibiza 
Business Acumen - In Flagranti 
How Is It To Be You? Feat. Truus de - Cosmo Vitelli 
SOLID (feat. Marilyn Manson) - Mr. Oizo 
Systems Breaking Down - Anna 
Schlafwandler - Fred und Luna 
BROSCH - Gloria Mundi – 1988 - Brosch 
Ground Zippo Berlin - Machine Gun Ibiza 
This Is My Happy Hour - Scientists 
Movies Chris - Imler
Gabel - Ufo Hawai (Fred und Luna Remix)
Juri Gagarin ~ Epilog - Kosmonautentraum

Radioshow Tea Snuggery

Tea-Snuggery Show#59/w Machine Gun Ibiza (*Berlin) - 02-Apr-24 | Threads

Marco Lucchi, based in Modena, Italy, and Henrik Meierkord, based in Stockholm, Sweden, have a lengthy collaboration to their reciprocal credit, and they accomplish it far and near alike. A testament to the interplay of their work together is that a listener might be hard-pressed to discern which of their recordings are the result of long-distance file-trading, and which occurred when the two managed to be in the same place at the same time.

Several aspects of their respective music-making serve them well as creative partners. First of all, both tend toward the ambient, given as they are generally to a slow pace and to a sensibility that manages to be at once radiant and intimate. Secondly, while both are multi-instrumentalists, there is a complementary nature to their specialties, Lucchi being more of a keyboardist, Meierkord more of a string player. Thirdly, and perhaps most importantly, they are both immersed in techniques drawn from electronic music.

In particular, both men are experienced with live multitrack recording, in which they process and layer their own performances in real time. Meierkord is fond of layering sinuous tones to create scenarios of unique dimensions. It becomes uncertain — even unimportant — to the listener what preceded what, so intricate is his deployment of interplay. Lucchi likewise finds parallels between classical orchestration and the opportunity for drones lent by modern synthesizers; in a small room he can create a vast space. There is often an oceanic depth to such efforts, part composed and part improvisatory, in which playing is a tool toward composition, rather than the other way around.

Throughout their new record, there is an underlying melancholy, a nostalgic beauty, and a reflective consideration — a virtue that is foundational to their ongoing collaboration. The result is particularly rich in plaintive scene setting, as on the glacially paced “La bestia umana,” which emerges from a neighborly field recording of a dog barking, and “Kosmisk Strålning II,” which maintains a dream-like quietude, more shadow than light. One “Like tears in rain”, what sounds like a synthesizer is, in fact, a piano, a recording of which has been stretched beyond the point of it being readily identifiable.

On first listen, their leaning toward unimpeachable steadiness can seem uniform, but listen more closely and you’ll recognize how explicitly they emote on a track like “The Third Stage,” due not just to the reaching melodic surges (which, in turn, match the sampled recordings of bird calls) but to the slight discordances that suggest trouble and tension. In a different manner, there is “A warm and golden October,” which balances breaking-dawn hush with piercing overtones. That track features a motif at the end, played on a celesta; those bell-like tones edge the piece out of dreaminess without entirely breaking the spell.

The greatest outlier — dog barking notwithstanding — may be on “Oändlig,” not just for its fierce pulse, but because of its more immediately electronic vibe. “Oändlig” is an exceptional piece, bringing to mind the minimalism of Terry Riley and the rave classics of Underworld.

Marc Weidenbaum 


Produced and mixed by Marco Lucchi and Henrik Meierkord
Marco Lucchi: mellotron, piano, celesta and synthesizers
Henrik Meierkord: cello, viola, zither, piano, organ and FX
Mastered by Dionis Afonichev (Dionisaf)
Cover picture by Dionis Afonichev (Dionisaf) with AI
Artwork and cover design by Dionis Afonichev (Dionisaf)

https://www.chitrarecords.com

On Our Way (Where?)

RDT

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