Wonderful piece, bravo à vous 2 😍 💐 🙏 🍀 🎶 🎧 

@seven-churches: Thanks Seven your kind words really describe how Ingvar's piece made me feel the first time I heard it. The man simply is a fountain of music and creativity. Thanks from us both.

@rudolf_von_leberknoedel: Danke, du bist zu nett.

Great collaboration, delicate and fine composition, excellent work!!! ❤️Love, 🕊️Peace, 🙏Respect

stunning intro.   wonderful performances by all.   

This playlist is a collection of collaborations and a couple of other tunes. I am so lucky to have worked with these artists. It has given me a renewed vigor and change my paradigm, thank you all!

Please checkout these artists:
https://soundcloud.com/sonic-textures
https://soundcloud.com/waximi_ackawala
https://soundcloud.com/inrgd
https://soundcloud.com/henry-koek
https://soundcloud.com/ilaria_boffa
https://soundcloud.com/agnosturaelwar aka Ingvar Tatura
https://soundcloud.com/mynocturnaltwin My Nocturnal Twin

Selected Collaborations and Erstwhile Notes

Sweet Dangerous Scent

THANK YOU.mp3

Temporize

This adaption of Goethe's "Türmerlied" is the third interpretation of classic poem bei Gebr.K as a cooperation between Xian3 and JayKay.
Vocals: Xian3
Music: Xian3 & Jaykay
Guitars: JayKay
Lyrics: Goethe

Lynceus, The Warder (Faust II, Goethe)

For seeing i’m born, for watching employed
To the tower i’m sworn, while the world i enjoy
I gaze at the far, i stare at the near
To the moon and the stars, the forest and deer

The eternally lovely adorement i view
And as it delights me, i delight myself too
You fortunate eyes, all you’ve seen there
Let it be as it may, yet it was so fair

I’m not positioned here on high
Just for my own enjoyment
What horror meant to terrify
Threatens from the firmament
I see sparks of fire gushing through
The lindens double night
Fanned by the wind’s rushing
Ever stronger goes the light

Ah! Within the hut is burning
Damp and mossy though it stands
Swift help, inthis direction turning
Is needed, yet no aid’s to hand
Ah! The pious old couple
so carefull ever of the fire
Made a prey to smoke to stifle
On this dreadful pyre

The flame burns on, glowing red
It’s now a black mossy pile
If only those good folks were rescued
From those fires of hell run wild

A bright flung of lightning heaps
Through the branches, through the leaves
Breaking, snapping, catching swiftly
With the branches flickered glow
Why have i such powers to see?
Why are mine the eyes to know?

The little chapel now collapses
With the falling branches weight
Already with bright, snakelike flashes
The treetops gripped meet their fate
Glowing crimson to the hollow roots
The trunks now burn with ease

What used to please my eyes below
Has vanished with the centuries…

Johann Wolfgang von Goethe, 1832

Lynceus, The Warder (Faust II, Goethe) feat. Xian3

Waiting

Composed, arranged, performed, and produced by:
Carlos Vivanco & Jason Mowry
Final mix by Jason Mowry
@asleepwithheadphones
@lazydadamusic

Sepia Tone

Homecoming

Homecoming by Jason Mowry & Carlos Vivanco

This track is a remote collaboration Between Paul Banham and MIZERO,Its been a amazing experience to work with such a fantastic artist who creates poetry that sits deep in the psych. She has inspired me to go darker and deeper with my sound. I wanted to capture some of the ambience and drama of  Dario Argento's 1977 Italian horror classic 'Suspiria. soundtrack by the goblins and drag it into the 2020s...Watch this space and Mizeros for future releases....

I DR0VE ON     Paul Banham    (Feat..) MIZERO.          https://soundcloud.com/mizero-two

The van broke down
just 5 miles from O'Hare
Not sure what we were doing
Had no tickets anyway
As the sun set in the West
We walked East
Planes roaring overhead

We ran as fast as we could run
Escape our only goal
From small town suffocation
And our designated roles
BBQs on Saturdays
Cold Millers with the guys
The vanishing horizon
Matched the dulling in our eyes

Not quite a decision
That either of us made
But a moment of clarity
And what it meant to stay
It never matters
Which road we take
As long as right beside me
I have Karla with a K

We ran as fast as we could run
Escape our only goal
From small town suffocation
And our designated roles
BBQs on Saturdays
Cold Millers with the guys
The vanishing horizon
Matched the dulling in our eyes

The excitement and the newness
As we move from town to town
As we worked to settle down
Turned piece by little piece
into what we'd sworn not to become
we lived the lives we ran from

We ran as fast as we could run
Escape our only goal
From small town suffocation
And our designated roles
BBQs on Saturdays
Cold Millers with the guys
The vanishing horizon
Matched the dulling in our eyes

The Vanishing Horizon

Thank you for visiting this truck
Many shopping is fun in the season that people are full. 
You can settle it if you have a card. 
But it is also good to pay with money.

Pay For Money（cash)

Re-Dead Unicorns Can Dance w/My Nocturnal Twin #https://soundcloud.com/mynocturnaltwin is a joint effort instigated by Jacob's -aka My Nocturnal Twin https://soundcloud.com/mynocturnaltwin/deadunicorndance - lovely moody industrial trance like track, Dead Unicorn Dance. Jacob asked if I would like to collaborate and I agreed and here is the result.

Re-Dead Unicorns Can Dance w/My Nocturnal Twin ©2022 
My Nocturnal Twin: guitar and echo fx as a live performance, mastered later for the original one.
Re-Evolution Cafe' Orchestra: Drums, Percussion, Acoustic Piano, Electric Piano, Synth, Vox Fx, Vocal Loops, Fx

Recorded and Re-mixed at Broken Glass Ranch, Colorado 2022.

Re-Dead Unicorns Can Dance w/My Nocturnal Twin

method: Sending back and forth, reworking and creating in collaboration with re-evolution café orchestra who composed all the music and played all the instruments. To enjoy more, listen here:  https://soundcloud.com/re-evolution_cafe. Apart from the poem, I added field recordings and partook in the editing.
narration: I live in a region that is home to some space industry – more importantly however, this region is also home to marvellous nature. This poem is nourished by many concepts and theories, most notably the colonial ideology of space as the „new frontier“ as well as Whiteheads „fallacy of misplaced concreteness“ and Nagel‘s thoughts expressed in „What is it like to be a bat“. It is also fed by the human-tamed beauty of reed landscapes around lake Federsee which can be seen in the photo I took.

gedicht / copyright jo richter:

welch unvorstellbare macht
muss die masse im erdkern
beleben, das wasser, die erde,
die wurzeln sicher zu halten

zu wahren, die landschaftsfalten
wie eine große gebärde
ins weltall zu richten, das fern
sternlicht um sternlicht entfacht

des tags wuchert das grün
höher und höher empor
bis der wind braune samen
biosphärenweit streut

welch wuchskraft, die sich nicht scheut
sich bis zum astralen
zu wenden aus schwarztiefem moor,
anarchisch und kühn

so müsse auch mensch sich recken,
heißt es, sich loszulösen,
zu den sternen zu streben,
geballte planetenmassen

mit erdensproßsinnen zu fassen,
sich aus den symbiosen zu heben
und seine bedürfnisblößen
xenobiotisch zu decken

welch trugschluss, den leib
dort zu bewegen, wo geist
sich angleicht und fragt: wie
ist es, so zu erleben

die saat darf und muss schweben,
sich aus massewucht lösen, die
sie hielt, doch wie weit sie auch reist,
das schilf, das sie treibt, verbleibt



interlinear rendition:
reeds at lake federsee // what incomprehensible power / has to inspire the mass in earth‘s core/ to hold, to keep the water, the earth / and the roots securely // the folds of the landscape / akin to a giant gesture / directed into the cosmos which lights / star after star in the distance // during the day, the lush green rises / higher and higher / until the wind distributes brown seeds / across the biosphere // what power of growth, not hesitating / to turn towards the stars / from the black deep of the moor / anarchic, courageous // thus man would have to strech as well / people say, to loosen their ties / per aspera ad astra / to measure dense planet masses // with earth-grown senses / detach themselves from symbioses / and cover their bare and many needs / with xenobiosis // what a fallacy of misplaced concreteness to move the body / where the mind adapts and queries / what it is like / to experience like that // mind‘s pollen may and will hover / free itself from the power of mass which / had held it but however far it will travel /  the reed that grows it remains where it is //

schilf am federsee -  with re-evolution café orchestra

Please, support me on Spotify
open.spotify.com/artist/4S0YJChwahh8jxgOcYTNxY

Title: FEEL THE QUIET
Written, arranged and produced by DAVIDE ANGELINI
Vocals & instruments: DAVIDE ANGELINI
Recording: 2010
Publishing: 2014
Album: SYMPHONY FOR A NEW GENERATION
(p)&(c)2014 Davide Angelini

Lyrics:

FEEL THE QUIET
Casting a glance at an old photograph
you see a young child smiling to the world.
Though many years have passed you can say
“that smiling child was me, it's true”.

Years of suffering force you to sit down
and everything has passed by.

The dreams you had.
The life you wished.
Indeed you never could realize
the passing days,
the passing years.
Do you think they have just passed in vain?

Out of the window the sky seems so blue.
You're looking the path carrying to another
world.
Lay out your hand as you're catching the sun.
In the warmth of the morning you close your
eyes.

“Oh. Please be quiet, and let me now just hear the wind”.

The dreams you had.
The life you wished.
Indeed you never could realize
the passing days,
the passing years.
Do you think they have just passed in vain?

You feel inside.
You feel the quiet.
You need to see the light.
You feel inside.
You hear the quiet.
You need to see the light, now.

Carry on your life
feeling quiet.

(c) 2014 Davide Angelini

SYMPHONY FOR A NEW GENERATION

FEEL THE QUITE

FEEL THE QUIET

How Do You Do: is a collaboration featuring the multimedia artist/poet/musician, henry koek @henry-koek, from his SC profile-  "Beside improvising and meeting the moment, I bring my poetry in a sferic of sound , interaction of fibration , using a variety of instruments ".

www.henrykoek.com
www.maisonbleuecollectifartistes.com
henry.koek@orange.fr

How Do You Do You ©2020 lyrics by Henry Koek
Henry Koek: Sax, Percussion, Vocals and Fx
Re-Evolution Cafe' Orchestra: Drums, Percussion, Synth and Fx, Electric Piano, Acoustic Bass, Acoustic Piano and Vocal Fx

Recorded and Remixed @ Broken Glass Ranch, Wet Mountain Valley, Colorado.
©2020 Re-Evolution Cafe' Orchestra

Re-Evolution Cafe' Orchestra w/ Henry Koek

How Do You Do You w/ henry koek

One day I was traversing Soundcloud and came across the fabulous Italian poet, Ilaria Boffa. This is why I love Soundcloud. @ilaria_boffa. Her words and voice flowed out of my web browser and into my heart and soul. So  I reached out and begged her to collaborate with me. Lucky for me she agreed and then allowed me some creative license. So this is for you Ilaria, to you and your voice. May the world be as touched as I was by your words and creative spirit.

Ilaria took the piece published here on SC as "Music for Trains and Station Platforms" and captured it's mood and wrote some stellar, powerful words that created a whole new life and vision for the music. I applaud and am humbled by her multilingual approach to her art using a beautiful vividness of expression of human soul! Bravo Ilaria , bravo. 

Days in Autumn w/ Ilaria Boffa Mix 2 @https://soundcloud.com/ilaria_boffa/days-in-autumn-mix-2-re-evolution-cafe-orchestra-ilaria-boffa

Days in Autumn ©2020 Ilaria Boffa and Re-Evolution Cafe' Orchestra.
Re-mixed @ Broken Glass Ranch, Colorado and Padua, Italy
Words by : Ilaria Boffa
Music by : Re-Evolution Cafe' Orchestra.

Days in Autumn (homage to ‘You Must Believe in Spring’ by Bill Evans) 

we must believe in spring
Earth axis increases
its tilt to the Sun
dew comes, frost no more
vernal peers share light

many a time belatedly
days in autumn
prepare for cold and 
special smell of soil
many a time fitfully

oh we must believe in spring
let snow melt and streams swell
the hardiest flowers sprout
days in autumn
prepare for dark and
many a time forecast the yield

dobbiamo sperare nella primavera
l’asse della terra aumenta
l’inclinazione al sole
giunge la rugiada, scongela la brina
i pari dividono la luce in primavera 

spesso in ritardo
i giorni d’autunno
preparano al freddo
all’odore tipico della terra
spesso irregolari nel modo

oh dobbiamo sperare nella primavera
lasciamo la neve sciogliere e i fiumi gonfiare
che spuntino i fiori più temerari 
i giorni d’autunno
preparano al buio e
spesso dicono il raccolto

Days in Autumn w/ Ilaria Boffa

#agnosturaelwar & #re-evolution_cafe 

This track is another collaboration/invitation to Mr. Agnostura Elwar. Once again, as per his usual he plays beautifully! Thank you sir!
Original Composition/ Invitation 
https://soundcloud.com/agnosturaelwar/in-the-endopen-collab

In The End, But Again
Agnostura Elwar: Electric Acoustic Guitar.
Re-Evolution Cafe' Orchestra,  Electric Piano, Synth Fx, Bass, Percussion, and Fx.

In The End, But Again: is a joint production of Agnostura Elwar and Re-Evolution Cafe' Orchestra © 2021

Recorded in Grimstad, Norway and @ Broken Glass Ranch, Deep in the Wet Mountains, Colorado.

In The End, But Again w/ Agnostura Elwar by Re-Evolution Cafe' Orchestra is licensed under a  Creative Commons License.

More Collaborations with Agnostura Elwar
https://soundcloud.com/re-evolution_cafe/sets/re-evolution-cafe-orchestra-1

In The End, But Again w/ Agnostura Elwar aka Ingvar Tautra

Re-Evolution Cafe' Orchestra is an multimedia, sound and art project, featuring sonic canvasses and videos for your perusing: "eclectic musings" and "musical disambiguation", sometimes with lyrical commentary, sometimes not even a mere word. Near an unassailable flow, memory re-asserts its musicality.

Life forms commanded by code and intuition.
All code can be hacked!
Re-invent your paradigms.
Hack into your code.
Re-define who you are.
This is a yoga, 
this is you... 
Re-Evolution Cafe' Orchestra.
Always open to collaborations:

In The End, But Again w/ Agnostura Elwar aka Ingvar Tautra

Re-Evolution Cafe Orchestra

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