Pop / Rock Chart

Each of us has somebody up there whom we miss...

Not everyone is worth missing, but missing someone is hard for all. I miss you.
To make the pain lighter, one should learn from childhood to value everyone in their life to the fullest.
We indeed miss the most those we too often take for granted. At least I do.
Everyone is missing someone they somehow thought would never go away, or at least not so soon.
Experiencing the hurt, the loss is also a stroke of luck. Because it means I loved you.
Find the hope to see you again and the courage to keep memories present.

Backing vocalist - Hana Pavšič (@hana-pav-i)
Mixed and mastered by A7 Recording Studio (@a7-recording-studio, www.a7recordingstudio.com)
Produced by Blaž Pavšič

▶MORE◀
Web: www.ladatinthebox.com/
Spotify: open.spotify.com/artist/2nX96XjXTUZvCoNWTNNun3
SoundCloud: @Ladat
Apple Music: music.apple.com/ch/artist/ladat/1465006973
Amazon Music: music.amazon.com/artists/B07S5HGR98
Deezer: www.deezer.com/artist/66111552
BandZone.cz: bandzone.cz/ladat
YouTube: www.youtube.com/Ladat77
FB: www.facebook.com/77Ladat

▶ARTWORK◀
MaKo: instagram.com/marketka1975

Quiet selfish man

"The Spark" leans into that classic rock uplift, like something built on grit, heart, and a bit of retro glow. The story hits right away. The song mirrors that arc—the steady build, the loyal-crew energy, and the moment the clouds part. Musically, it’s driven but not heavy, hopeful without turning glossy. 

https://www.mpgrey.net/
https://www.facebook.com/MPGREYofficial
https://www.instagram.com/mpgreymusic

Add it to your playlist:

Vocals: Rudiger (LA)
Mixing & Mastering and Co-Producing: Dibs (LA).

The Spark

The lift breaks again
Seven flights of steps
I curse each one
I already miss you

A stranger complains
about the coffee taste
but all I can think
is the sound you make

The meeting drags on
Someone presents the slides
Their voice is a drone
my mind slips aside

I draw your outline
in the corner of notes
No one suspects
where my mind has gone

I already miss you
The hours don't move
Every clock is lying
Every thought is you
I already miss you

Lunch in the canteen
plastic and gray
They ask about deadlines
I nod, walk away

Your face in my mind
serene and absurd
You rarely speak
yet you speak every word

They bargain with minutes
they measure the day
But meaning is elsewhere
I've left it with you
I already miss you

I already miss you
The hours don't move
Every clock is lying
Every thought is you
I already miss you

And then
the door swings wide open
You greet me with cuddles and fur
with thunder of purr
with eyes that forgive the whole day

I missed you
You missed me
And nothing could be truer

I Already Miss You

They asked for proof
I offered none
They measured silence
Filed it under non-compliance

I'm not a camel
I'm not a camel
I'm not a camel
But the desert disagrees

They checked my spine 
for humps of pride
Found vertebrae of doubt instead
They nodded - classic case

I'm not a camel
I'm not a camel
I'm not a camel
Still they bring the rope

Every question comes pre-answered
Every form already signed

I'm not a camel
I'm not a camel
I'm not a camel
But they keep the sand on file

I'm not
I'm not

Not a Camel

A Rock song with Indie and Pop elements, searching and heartfelt lyrics over a catchy groove and jangly guitars.

Travellers In Timing

How Like The Goddess

They gave me a plaque
and I gave them a shrug
Said I'd made it
but I still packed lunch in a mug

The mirror bowed politely
the inbox threw confetti
My name misspelled in bold
close enough to celebrate

I've got a title no one uses
a password I forget
My empire fits in folders
still waiting for respect

My paper crown bends in the rain
ink running down the royal face
Every rule I followed
spelled my name wrong anyway

But maybe that's the trick of it
meaning hides in the small print
The joke's on grand ambition
the punchline's in persistence

Because the crown is cheap
but it's mine
Cut from yesterday's plans
lined with coffee stains and time

It may not shine on stage
but it holds when the wind complains
It's proof I showed up
again
and again

My paper crown bends in the rain
but it catches the light just the same
Not gold
not perfect
but honest enough
Every crease is a story
every tear, tough

Maybe greatness was never loud
just someone staying kind
still trying
still around

We wear our paper crowns
the crooked, the flimsy, the proud
We wear them not for glory
but because we're still here
Still building something small
that somehow lasts

Yeah
Call it fragile
Call it foolish
but it fits

Paper Crown

Typed a truth that bit my hand
Logic slipped through contraband
The graph looked smug, the proof got lost
I called it genius-at what cost?

I tried to fix it
the problem fixed me first
There's rhythm in recursion
and guilt in every verse

I feel silly, oh, so silly
twisting reason till it's frilly
Every thought insists it's wise
but wears a clown nose in disguise

I chased an answer down a hall of drafts
doors of maybe, doors of laughs
Truth peeked through a keyhole grin
"you again?" she said, and let me in

I feel...
not wrong
just misplaced
The melody rewrote my face

I feel silly, oh, so silly
Dancing wrong but looking pretty
Every paradox I own
sends postcards to my comfort zone

If wisdom comes, let it knock twice
I'm out rehearsing bad advice
I feel silly
and honestly
it feels just right

I feel silly, oh, so silly
Dancing wrong but looking pretty...
I feel silly, oh, so silly
Dancing wrong but looking pretty...

Silly-Frilly

Original composition…..Alejandro Gonzalez M.

Citlaltépetl

This is how I imagine Edgar Allan Poe's famous poem as a song. Others have done this before, but I hope you enjoy my version ❤️

Annabel Lee

War Criminal - Single by Turbo-Laser https://music.apple.com/gb/album/war-criminal-single/1848306310

War Criminal

Official music video: https://youtu.be/lA3pyNfoF5g?si=ueTR3jnSY3nU8kwV

Epilogue: A New Place Called Home

Description:
This piece is the emotional epilogue to the transmedia novel "Hinter uns das Land" ("The Land Behind Us"). Like the final, quiet scene of a play, it offers a moment of reflection after the journey's end. It's the musical answer to a lifelong question: Where is home when the world you knew is gone?

The lyrics, "Now I’ve found a new place called home / In the heart / Where love has grown," are the resolution, sung from a place of hard-won peace.

Musical Atmosphere:
The arrangement unfolds not like an overture, but like a final, gentle curtain call. A delicate acoustic guitar arpeggio provides the foundation, like a steady heartbeat. A lyrical flute melody weaves in, reminiscent of a distant memory. Soft harp glissandi add a sense of grace and closure, while the warm, sustaining tones of the French horn offer deep comfort. The oboe enters with a poignant counter-melody, speaking of wisdom earned through sorrow, and the violin adds the final, expressive sweeps of emotion. Together, they create a chamber-like tapestry that feels less like a beginning and more like a soft, settling silence—the sound of acceptance after a long struggle.

This is the final musical statement, composed to leave the listener with a sense of closure and quiet strength.

Discover the story behind the music.

Explore the novel: https://the-land-behind-us.com

---

Epilog: Ein Ort namens Heimat

Beschreibung:
Dieses Stück ist der emotionale Epilog zum Transmedia-Roman "Hinter uns das Land". Wie die letzte, stille Szene eines Theaterstücks bietet es einen Moment der Reflexion, nachdem die Reise längst gegangen ist. Es ist die musikalische Antwort auf eine lebenslange Frage: Wo ist Heimat, wenn die Welt, die man kannte, fort ist?

Die Zeilen "Now I’ve found a new place called home / In the heart / Where love has grown" (Nun habe ich einen neuen Ort namens Zuhause gefunden / Im Herzen / Wo Liebe gewachsen ist) sind die Auflösung, gesungen aus einem Ort des erkämpften Friedens.

Musikalische Atmosphäre:
Das Arrangement entfaltet sich nicht wie eine Ouvertüre, sondern wie ein letzter, sanfter Vorhang. Ein zartes Akustikgitarren-Arpeggio bildet das Fundament, einem gleichmäßigen Herzschlag gleich. Eine lyrische Flötenmelodie spinnt sich ein, gleich einer fernen Erinnerung. Sanfte Harfenklänge verleihen ein Gefühl von Anmut und Abschluss, während die warmen, haltenden Töne des French Horns tiefen Trost spenden. Die Oboe setzt mit einer ergreifenden Gegenmelodie ein, die von einer durch Leid errungenen Weisheit erzählt, und die Geige fügt die letzten, ausdrucksstarken Emotionen hinzu. Gemeinsam weben sie einen kammermusikalischen Teppich, der sich nicht wie ein Anfang, sondern wie eine sanft sich setzende Stille anfühlt – der Klang der Annahme nach einem langen Kampf.

Dies ist die letzte musikalische Aussage, komponiert, um den Hörer mit einem Gefühl des Abschlusses und stiller Stärke zurückzulassen.

Entdecke die Geschichte hinter der Musik.

Zum Roman: https://the-land-behind-us.com

---

Lyrics:
[Verse 1]
I lost so much
I can't deny
War tried to break me
I asked why
Tears fell like rivers
Never dry

[Pre-Chorus]
But through the ashes
I could see
A spark of light that set me free

[Chorus]
Now I’ve found a new place called home
In the heart
Where love has grown
Looking back
It was all good
Didn’t know it
But I understood
Strength was waiting
All along

[Verse 2]
Scars tell a story
Lines on my skin
Each one a battle I fought within
The end was a start
Not where I’d been

[Pre-Chorus]
Through the shadows
Through the fight
I built a world from shattered light

[Chorus]
Now I’ve found a new place called home
In the heart
Where love has grown
Looking back
It was all good
Didn’t know it
But I understood
Strength was waiting
All along

A New Place Called Home - Epilogue (From the Original Novel Soundtrack)

Something You'll Never Have

Who’s Laughing Now

Натисніть тут, щоб переглянути відео: https://youtu.be/ku57gdKnUZQ

Ця українська версія пісні «Епілог: Місце, що зветься дім» – це подарунок від усього серця українському народу.

Роман «Hinter uns das Land» («Земля позаду нас») заснований на реальній історії моєї матері, яка втекла зі Східної Пруссії під час Другої світової війни. Ця книга розповідає про світ, зруйнований війною, і про довгі пошуки нового дому. На жаль, ця історія – не лише минувшина. Сьогодні вона повторюється.

Я створив цю адаптацію як жест солідарності та співпереживання. Послання цієї пісні – про те, що навіть після глибокої втрати новий дім можна знайти в своєму серці, де росте любов – це мій скромний внесок, щоб подарувати вам надію та силу. Це нагадування про те, що ви не самотні у своїй боротьбі, і що здатність людського духу до зцілення та відбудови – безмежна.

Сила чекала на вас увесь цей час.
Слава Україні.


---

This Ukrainian version of "Epilogue: A Place Called Home" is a gift from the heart. It is dedicated to the courage and resilience of the Ukrainian people.

The novel "Hinter uns das Land" ("The Land Behind Us") is based on my mother's true story of flight and loss from East Prussia during World War II. It tells of a world shattered by war and the lifelong search for a new home. Tragically, this story is not just history. Today, it repeats itself.

I created this Ukrainian adaptation as a gesture of solidarity and empathy. The song's message – that even after profound loss, a new home can be found within the heart where love grows – is my humble offering of hope and strength. It is a reminder that you are not alone in your struggle, and that the human spirit's capacity to heal and rebuild is boundless.

The strength was waiting all along.

---

[Verse 1]
Я втратив все,
Це правда, так.
Біль війни ламав
Мене вщент.
Сльози, мов ріка,
Лились вкрай.

[Pre-Chorus]
Та крізь попіл
Бачив я
Світла іскра звільнила.

[Chorus]
Я знайшов собі новий дім,
У серці,
Де любов є.
Дивлюсь назад –
Все на краще.
Я не знав це,
Та я збагнув все.
Сила чекала
Увесь час.

[Verse 2]
Шрами – це повість
На тілі моїм.
Кожен – це битва, що в серці гримить.
Кінець став початком
Нових доріг.

[Pre-Chorus]
Крізь тіні всі,
Крізь битви,
Я звів світ з уламків світла.

[Chorus]
Я знайшов собі новий дім,
У серці,
Де любов є.
Дивлюсь назад –
Все на краще.
Я не знав це,
Та я збагнув все.
Сила чекала
Увесь час.

Я знайшов собі новий дім (Epilogue from the Original Musical)

This is my latest downtempo pop song with male AI vocals. Lyrics are taken from a poem by William Shakespeare. Listen with headphones...

Out now on all streaming platforms and distribution sites.

https://open.spotify.com/intl-de/album/7q3Irbmq4b5vtULWHI47ok?si=4gXC-CzlSha1jZh4IvgrAw

If you enjoy what you hear hit the like and repost button.

Follow me on Soundcloud and Facebook.

@constellation-lyra

www.facebook.com/pages/Constellat…/377825935649048


To Swear Against [out on Spotify]

A full-throttle country-meets-hard-rock explosion. This ReVampd version turns a viral cultural moment into a massive guitar-rock anthem with southern rock grit, glam-metal power, and 80s rock attitude. Thick guitars, aggressive drums, and a punchy vocal delivery drive this track into true “Country Gets Rocked” territory.

🔥 Featured on the “Country Gets Rocked” playlist.
👇 What timestamp made you turn the volume up?

Country Gets Rocked

Hawk Tua That Thing ReVampd (Country Rock)

Hawk Tua That Thing ReVampd (Country Rock Anthem)

Little bit of Black

I was inspired by the Woman of Valour acrostic poem in Proverbs 31, but I have changed the words considerably, to make it more about an indigenous shamanic tribal woman. Plus I mixed in some shamanic drumming and also a field recording of a woman chanting at a fire ceremony.

Woman of Fire

Ron Snyder sent Austin Grey some music (which happened to be for the verses) for him to come up with some lyrics and a melody. Austin came up with the lyrics, melody, bridges and repackaged it into this demo recording. He has a lot of soul in his voice.
Link to Austin Grey's channel - https://soundcloud.com/austin-grey-49137473

Rust & Ashes - DEMO - (Austin Grey / Ron Snyder)

Original Electronic Version by Nick Ray - 
https://soundcloud.com/nickraymusic/shells-of-men

Shells Of Men (Re-make) - Nick Ray with Ron Snyder on Guitars

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Pop / Rock Chart

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