UK based Techno producer best known by his work on the Belgium based Token Records and whose style ranges from gritty minimal techno to Detroit influenced material. Originally a Mastering engineer, Ø[Phase] began producing as a sideline, releasing his debut 'Module Overload' on Steve Bicknell's Lost/Cosmic records in 2000. This was followed by a string of productions for London's Surface/Inceptive Records and Ben Sims Ingoma imprint, all of which saw consistent big name support throughout the techno community. He started working with Token in 2007 and since then his music has progressively gained more & more worldwide attention - most significantly on 2012's much acclaimed 'Binary Opposition' single and subsequent 'Reprocessed' remix package. Recent times have seen him remix for the likes of Robert Hood, Peter Van Hoesen & Mark Broom amongst others while avid support from Marcel Dettmann and Ben Klock have led to several appearances at Berghain in Berlin. His DJing continues to take him across the globe, having performed in Rome, Oslo, Amsterdam, London, Stockholm, Brussels, Shanghai and beyond.. Facebook: www.facebook.com/ashleyphase

Support and buy his tracks @ Beatport: http://www.beatport.com/artist/phase/345663

Ø [PHASE] - Binary Opposition - Process 1

Support here: https://krztoken.bandcamp.com/album/angels-landing

In the wake of a string of record releases, Token’s curator returns to his label with ‘Angels Landing’ to highlight his mission statement. Four cuts of delirious and dissonant techno from the Belgian artist have proven to be a stylistic favorite in both his productions and his DJ sets. With a wink to older production techniques, Kr!z keeps this contribution to Token fresh and efficient while reaffirming the historic label’s sonic identity.

While using a steady bassline for his tracks, Kr!z ups the ante with a Detroit-style pad that floats around the rest of the record for the ‘Angels Landing’ title track. By opening and closing hihats, rolling the claps all along, and pitching his rides, he creates tension by fully utilizing his drum machine. The synth stabs and overall pace make for a modern twist, however; it’s applicable music for layered sets that the Token boss has been known for performing over the years. This dance-ready, nostalgic-nudging kind of techno is spread throughout the entirety of the EP, but is most transparent on the B1 ‘Oblivion’. Key stab sequences have been iconic in the scene for some time, but it’s Kr!z’s persistence and minimalism that renders this track so exciting. Opening and shutting filters, sliding portamento, and pushing the release, the seasoned artist manifests tension through minimal elements and relies on his transitions to keep up the pace. Usually juggling between rounder and sharper sound design, ‘Medusa’ boasts both; Kr!z’s electric lead bites a low- swaying synth line. Destined for peak use, complete with white noise transitions and open rides, Kr!z combines the sound of a club at its climax with his almost psychotic low-mid arpeggio to create one of his most hypnotic tracks to date. ‘Ninth Circle’, on the other hand, dials it back as the last track. More keys, yet obscure in intention and effect, the closer creates a question mark at the end of the EP with big transitions and a groovy use of toms. Cementing himself as a game player in production as much as in DJing, Kr!z’s ‘Angels Landing’ continues his search in eerie sounds and expressive drums to add to his label’s catalog of savant club music.

DS Premiere: Kr!z - Oblivion [TOKEN128]

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Free download community EP - music made to be heard. 

Art work and design by @lucasleprich

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This time im not really sure how to describe this, so lets say it is a futuristic groove. enjoy the night journey + let me know what you think:))

FREE DOWNLOAD: 
https://hypeddit.com/alektronic/alektronicnightshiftafg1freedownload

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Order: https://klockworks.de/shop/kw21/
Follow Troy at @troy_techno

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Bookings: reaxis.monocline@gmail.com (Worldwide)

"José Diogo Correia aka Re:Axis started his journey in sound at young age, perceiving the vibrations from acoustic and electronic instruments as a tool to create space and travel within. He has released music and toured the world since 2006. It was the year he set the love intentions to share, connect and get inspired through energy and frequencies. All the experience and maturity acquired over the past makes him a unique artist of the dance music scene."

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