LATHE 00 – Burial.

LATHE 00 – Occult Time War

LATHE 00 – Say God!

LATHE 00 – The Word Behind The World:

LATHE 00 – ("Hello, World")

LATHE 00 – Defrag.

LATHE 00 – ("Loading Of Image Aborted!")

LATHE 00 – We Close The World.

LATHE 00 – Pouring Blood Into The Lake

LATHE 00 – As Lovers Of The Queen Of Hearts

LATHE 00 – All In The Golden Afternoon We Glide,

LATHE 00 - Open The Next

Solid Void - Interlude

Solid Void - Ill Angel

Solid Void - Yearnings Fade Into Particles

Solid Void - Yearnings Fade Into Particles (~raw Remix)

Solid Void - I Can't Cry On Cue (OOBE Remix)

Solid Void - I Can't Cry On Cue (Ramirexx Remix)

Solid Void - I Can't Cry On Cue

06 - Hyter - We Try / We Fail (Elvin Brandhi Remix)

04 - Hyter - We Try / We Fail

INSIN - Kidney Spears (Blue Plastic remix)

INSIN - Aknno (Wisecrack Feat. Enjoyable Music remix)

INSIN - Kidney Spears (Labyrinth Body remix)

INSIN - Havuzsus

INSIN - Joust

In addition to two earlier collaborative EPs as one half of Solid Void (Realia002) and as a member of Hyter (Realia003), Noumeno’s (Realia/Haunter Records/Portals Editions) first solo contribution to Realia’s catalogue is a track entitled: “Oh, Play This, and I’ll Come to You”. 
Combining the artist’s distinctive forward-thinking production style with more recent sample-based/reggaeton-leanining experimentations, “Oh, Play This, and I’ll Come to You” conveys themes of eschatological hope, natural sublime, simultaneity and corporeality.
In this context, the organising principle of identity is no longer presence vs. absence, but pattern/randomness – namely, the sudden recognition of meaningful information against the backdrop of noise and chaos. The pattern/randomness dialectic reveals a situation where two seemingly antagonistic concepts are mutually constitutive: randomness is not the absence of pattern, but the productive ground from which pattern emerges.

Produced, mixed and mastered by Noumeno.
Artwork by Lidia Ginga Cozzupoli.

Noumeno – Oh, Play This, and I'll Come to You

'HB1905 (C Minor)' is a 40-plus minute single-track piece. It takes form as a human–algorithm improvised collaboration, with both sides of the engagement contributing, in equal shares, to morphing a few key elements into a slowly yet steadily evolving windy composition.
As the track unfolds, the easygoing trance induced by relentless textural statis is interrupted by sparse, moment-to-moment glimpses of novelty — which, in context, attain disproportionately revelatory effects.

Produced by a human–algorithm dyad
Graphic design by Lidia Ginga Cozzupoli

HB1905 (C Minor)

Ubiquitous collective & label.
Est. 2018, Milan.

REALIA

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