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Re-Ex Sound 46

Ideoto

Just some snakes in the grass.
Slithering out in the road as you pass.
Fragments deep in the past.
You move on.

Like a cat in a bag.
Like a young lad on tag.
Like a wrinkled old hag.
Who belongs?

Take me away from it all.
Drag me up out of the squall.

Just a thorn in your side.
A lion sits watching and waiting besides.
Found a good place to hide.
Waiting on.

A teenager acting their age.
Considering things like a bird in a cage.
An empty box filled up with rage.
For no one.

Take me away from it all.
Take me away from the squall.
Take me away by the hand
Take me away from the land.
When we go...

...Sailing, on the sea.
We'll go sailing.
Just you and me.

Yeah, we go sailing.
From the land.
Yeah, we'll go sailing. 
Just take my hand.

We go sailing on the waves.
We go sailing, feeling brave,
and the warm sun will heat our bones.
As we go sailing, we alone.

Sailing on the sea.
We go sailing. 
Just you and me.
Yeah, we go sailing.
From the land.
Yeah, we'll go sailing.
Just take my hand.

Snakes/Sailing

MUSICIANS
John Beckmann: all music, lyrics, and production
David Sisko: mix
Recorded at Lux Astralis, New York
Joe LaPorta: mastering engineer, Sterling Sound

NEW BREED

New song from the new album "Moonlight Rites"

José García - Guitars, keyboards, composition
Guest members:
Mikel - Vocals
Kïaslwn Brød - Bass

Anurak

#indie #afrobeat #afrofusion #amapiano #pop #africa #jazz #chill #RnB

On champagne

A little bit of something you can't hold.
For a little bit of something laced with gold.
A little bit of shelter from your greed.
For a little bit of something we all need.
We're all found out.
Goes round about.

Mother, take this pain from me.
I just can't use it anymore.
Why, when I'm tired, I just can't sleep. 
Can hear your wolves outside my door.
We've all missed out.
Were down and out.

You made your promises.
Sound so sweet.
And now there's nothing left.
Dead on my feet.
I'm dying on my feet.

We've all got a little piece of all.
All the places where we take the fall.
A little bit of whimsy soothes the soul.
A little bit of money pays the toll.
We're all let down.
We've all been around.

Brother, take this pain from me.
I just can't feel it anymore.
A lack of courage for the deed.
A lack of wisdom in the store.
We all rush round.
Their round about.

You took your promises.
And cast them to the wind..
You left me wondering...
Sounded so sweet.
Now, I'm dying on my feet.

You made your promises.
Sound so sweet.
And now there's nothing left.
Dead on my feet.
I'm dying on my feet.


Dead On My Feet

"Whispers of the Earth" is a sonic fusion created to evoke the deep connection between humanity and nature, as well as the subtle link between different cultures around the world. I wanted to create a piece that not only delights the ear but also transports you to a universe where the tranquillity of nature and the echo of traditions intertwine in an organic and fluid way.

Concept and Intention

I began this composition with the desire to reflect the grandeur and delicacy of nature. The first chords are supported by a violin, followed by an electronic organ, which, through an autotune effect, transitions into the deep sounds of the French horn and back. Here, the glockenspiel(a metalophone with bright, bell-like tones) plays an essential role, adding a note of clarity and purity, like a breeze that brings peace and hope. This initial part symbolizes the beginning of an inner journey, a moment of reflection and peace.

Cultural Exploration

As the melody evolves, I integrated various sonic elements to symbolize the meeting of cultures. The European dulcimer, played electronically in the first part, suggests a connection to Western traditions, while the synthesizer adds a layer of modernity and innovation. As we approach the end of the piece, I wanted to capture the cultural richness of the East by introducing traditional Chinese instruments such as the Yangqin (Chinese Dulcimer), Erhu (Chinese violin, aka Chinese 2-string fiddle), and DiZi (Chinese bamboo flute in D major). These not only add another layer of texture but also transform the melody into an ode to global unity.

Sonic and Thematic Fusion

Another aspect I wanted to highlight is the continuity between East and West, past and present. This is why instruments like the violin and glockenspiel in the first part gradually make way for the Erhu and Yangqin, marking a natural transition between styles and cultures. The woodwind instruments, used throughout the piece, contribute to creating an organic atmosphere that blends natural elements with human expressions.

Conclusion

With "Whispers of the Earth," I aimed to create a piece that resonates not only with the listeners' ears but also with their souls. It is a composition that speaks of inner peace, the beauty of cultural diversity, and the way in which the sounds of nature and our traditions can coexist in perfect harmony. I hope each listener finds in this melody their own reflections and connections with the world around them.

Echoes And Whispers

Whispers Of The Earth

Lyrics

who needs raves 'n poppin pills
we've got each other
to give us thrills
i don't need no extra high
just your love
makes me fly
if we were all
worlds away
i'd still be held
in your sway

need you here
next to me
playing wildly
summer free
you can call it love
call it love yeah
call it love
call it love

sun and moon
stars and hills
your pretty kiss
gives me chills
dancin now
in close time
on sacred ground
your heart is mine

need you here
next to me
playing wildly
summer free
you can call it love
call it love yeah
call it love
call it love

moths take flight
with our dreams
lost stray thoughts
in paisley scenes
you look to me
a perfect sight
beauty, wisdom
in the heat of the night

need you here
next to me
playing wildly
summer free
you can call it love
call it love
call it love
call it love
call it love
call it love yeah
call it love
call it love

call it love
call it love
call it love

Summer Free

Mind Streams - Robert Grigg & Combstead

This track Clouds on Fire is the instrumental version of a song I released a few months ago with the title Fire Balloons. I nearly always compose my songs with instruments like the oboe acting as place holders for the vocals. It struck me that this particular composition would go well as an instrumental in its own right, so here it is for your enjoyment!

Clouds On Fire

New voice, introspective lyrics....musical style that has definitely turned towards rock-metal. It is still always listenable with catchy melodic lines.

Red Flames

We welcome Brandy Anderson on this week's Beyond The Radar!

Beyond The Radar

Beyond the Radar- Brandy Anderson

My brand new track - Finished by today Oct. 06, 2024. 

Yeah I know, sounds very 70th or even 60th, but well, I dont mind that much. It was a pretty quick production. Song created in 3.5 hrs only.

Here is the very first version with my own vocals. But my friend Paul from the Philippines kindly will contribute his "rocky" vocals to this track soon.

Music, Arrangement & Production by Berny A. Racz (Z CAR M) - 

Lyrics:

Enough For Now – October 05, 2024

**Verse 1**  
       
It's enough for now, and the silence speaks,  
Words unspoken, tangled in our streaks.  
We dance around the hurt, pretending it is fine,  
But deep down I feel, we are running out of time.  

**Bridge**  

Maybe someday we’ll find a way,  
To turn the night back into day.  
But for now, we’ll keep walking this line,  
Searching for a light, holding on to time.  

**Chorus**   

So I’ll hold on tight to the pieces we have made,  
Though the cracks are showing, and the colours are fading.  
It’s enough for now, but the heart knows the cost.
We are lost in the chaos, but we are not quite lost.  

**Verse 2**  

Late-night whispers turn to distant sighs,  
Promises fade like stars in the skies.  
We try to find comfort in familiar ways.
But shadows linger on our better days.  

**Bridge**  

Maybe someday we’ll find a way,  
To turn the night back into day.  
But for now, we’ll keep walking this line,  
Searching for a light, holding on to time.  

**Chorus**  

So I’ll hold on tight to the pieces we have made,  
Though the cracks are showing, and the colours are fading.  
It’s enough for now, but the heart knows the cost.
We are lost in the chaos, but we are quite lost.

Enough For Now

Tal - You're Not Alone Part 3

Doug

All out of Love

Yazata cuts a path outside more established genres.

In making 'weird' music, Yazata is unafraid of exploration. Says Yazata, “So-called ‘weird’ artists have been consistently instrumental in redefining what our perception of popular music is. From the Grateful Dead to the Sex Pistols and Spiral Tribe, it takes courage to be experimental. But weird is not a synonym for bad. If it were, generation-defining sounds like Acid Rock, Punk and Rave would not have captured the public imagination in the way that they did, and continue to do. But I make this music because I enjoy it.”

Yazata cites diverse influences ranging from Chet Baker, King Krule and Bjork to Carl Craig, Pharoah Sanders and Fela Kuti, and delights in the funky fusion of songwriting with sequenced electronica, processed vocals, experimental percussion and more traditional instruments.

https://yazata.be

https://instagram.com/yazatasound

Summer Free

Yazata

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