Full transcript of this interview
https://thesampler.org/guest-editor/guest-editor-rebekah-ubuntu-interviews-ayesha-tan-jones-aka-yaya-bones/

Overview of my guest editorship with The Sampler and other interviews here
https://thesampler.org/guest-editor/guest-editor-rebekah-ubuntu-editorial/

Interview Premise
I am using my position as guest editor for August 2018’s The Sampler blog to investigate how intersectionality informs the identities and processes of our sound and music practices. My questions aim to center the idea of intersectional personhood and creative output.

You will find a helpful glossary of terms relevant to this interview in a digital publication entitled ‘Women and Non-Binary Identities’ created by the educational platform Shades of Noir here
https://issuu.com/shadesofnoir/docs/women___non_binary_identities/8

YaYa Bones is the musical moniker of multi-disciplinary artist Ayesha Tan Jones. Coining their genre ‘dream n bass’, YaYa Bones makes protest music for witches, fusing opera melodies with earth core beats and UFO ritual rhythms. Traversing pop music, sculpture, alter-egos, digital image and video work, Ayesha sanctifies these mediums as tool’s in their craft.

You can find Ayesha’s work here
http://www.ayeshatanjones.com/

Interview produced, transcribed and edited by Rebekah Ubuntu with editorial support from Jaime Peschiera

Rebekah Ubuntu interviews Ayesha Tan Jones aka YaYa Bones - 'The Sampler' (August 2018)

Full transcript of this interview
https://thesampler.org/guest-editor/guest-editor-rebekah-ubuntu-interviews-hannah-catherine-jones/

Overview of my guest editorship with The Sampler and other interviews 
https://thesampler.org/guest-editor/guest-editor-rebekah-ubuntu-editorial/

Interview Premise
I am using my position as guest editor for August 2018’s The Sampler blog to investigate how intersectionality informs the identities and processes of our sound and music practices. My questions aim to center the idea of intersectional personhood and creative output.

You will find a helpful glossary of terms relevant to this interview in a digital publication entitled ‘Women and Non-Binary Identities’ created by the educational platform Shades of Noir here
https://issuu.com/shadesofnoir/docs/women___non_binary_identities/8

Hannah Catherine Jones is an artist, multi-instrumentalist, scholar, radio presenter, composer, conductor and founder of Peckham Chamber Orchestra. Their broad practice is connected through a central spine of inclusivity and decolonization. Myths, (both ancient and modern), word-play, appropriation and their own voice (in song) are their materials.

You can find Hannah’s work here
http://foxymoron.co.uk/

Interview produced, transcribed and edited by Rebekah Ubuntu with editorial support from Jaime Peschiera

Rebekah Ubuntu interviews Hannah Catherine Jones aka Foxy Moron - 'The Sampler' (August 2018)

Full transcript of this interview
https://thesampler.org/guest-editor/guest-editor-rebekah-ubuntu-interviews-daniel-brathwaite-shirley/

Overview of my guest editorship with The Sampler and other interviews
thesampler.org/guest-editor/gues…ubuntu-editorial/

Interview Premise
I am using my position as guest editor for August 2018’s The Sampler blog to investigate how intersectionality informs the identities and processes of our sound and music practices. My questions aim to center the idea of intersectional personhood and creative output.

You will find a helpful glossary of terms relevant to this interview in a digital publication entitled ‘Women and Non-Binary Identities’ created by the educational platform Shades of Noir here
issuu.com/shadesofnoir/docs/wo…_binary_identities/8

Danielle Brathwaite Shirley is a sound, film and performance artist centering their experience and survival as a Black, trans and queer person – creating work to both archive, explore, and disrupt. A recent graduate of the prestigious Slade Art School (BA Fine Art) Daniel’s work ‘Blackzilla’ was recently shown at Tate Britain’s ‘I Want to Show You a Body’

You can find Danielle’s work here
https://danielbs2211.wixsite.com/daniel

Interview produced, transcribed and edited by Rebekah Ubuntu with editorial support from Jaime Peschiera

Rebekah Ubuntu interviews Danielle Brathwaite-Shirley - 'The Sampler' (August 2018)

Full transcript of this interview
https://thesampler.org/guest-editor/guest-editor-rebekah-ubuntu-interviews-jaca-freer/

Overview of my guest editorship with The Sampler and other interviews
thesampler.org/guest-editor/gues…ubuntu-editorial/

Interview Premise
I am using my position as guest editor for August 2018’s The Sampler blog to investigate how intersectionality informs the identities and processes of our sound and music practices. My questions aim to center the idea of intersectional personhood and creative output.

You will find a helpful glossary of terms relevant to this interview in a digital publication entitled ‘Women and Non-Binary Identities’ created by the educational platform Shades of Noir here
issuu.com/shadesofnoir/docs/wo…_binary_identities/8

Jaca Freer is a drummer, percussionist, tutor, event organiser and writer. They currently play drums with indie-pop-punk band Colour Me Wednesday who have just released their second album ‘Counting Pennies in the Afterlife’. Having finished touring the album in the UK and Europe, they are currently playing festivals across the UK while preparing for their upcoming Japanese and Indonesian tours

You can find Jaca’s work here
http://www.freerideas.org/

Interview produced, transcribed and edited by Rebekah Ubuntu with editorial support from Jaime Peschiera

Rebekah Ubuntu interviews Jaca Freer - 'The Sampler' (August 2018)

Full transcript of this interview
https://thesampler.org/guest-editor/guest-editor-rebekah-ubuntu-interviews-loraine-james/

Overview of my guest editorship with The Sampler and other interviews
thesampler.org/guest-editor/gues…ubuntu-editorial/

Interview Premise
I am using my position as guest editor for August 2018’s The Sampler blog to investigate how intersectionality informs the identities and processes of our sound and music practices. My questions aim to center the idea of intersectional personhood and creative output.

You will find a helpful glossary of terms relevant to this interview in a digital publication entitled ‘Women and Non-Binary Identities’ created by the educational platform Shades of Noir here
issuu.com/shadesofnoir/docs/wo…_binary_identities/8

Loraine James is an avant-garde electronic artist/producer crafting organic textures through inorganic means. Having released her debut album ‘Detail’ in 2017, Loraine was a recent recipient of the PRS Oram Award and has gone on to play at Birthdays, Rye Wax and Splice Festival at Rich Mix London.

You can find Loraine’s work here
https://lorainejames.bandcamp.com/

Interview produced, transcribed and edited by Rebekah Ubuntu with editorial support from Jaime Peschiera

Rebekah Ubuntu interviews Loraine James - 'The Sampler' (August 2018)

Composer + Producer + Singer-songwriter + Performance Artist

Rebekah Ubuntu

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