My newest ISH!

www.cascandy.com

Hanne & Lore - Supergirl (Cascandy Wake Up Dub)
Monaberry #19 -> www.monaberry.com

After almost 63,113,851.9 seconds Hanne & Lore are finally home again, gifting Monaberry for her 19th birthday with a groovy pounding EP. The needle touches the A-side and immediately releases the first euphoric and crackling sounds of Supergirl. A true Tech House firework, which ignites itself without having Hanne & Lore lose themselves in too many bells and whistles. The Supergirl leaves the stage and makes room for a bass line that is looking for its partner. Man oh man, you say to yourself, while tapping to the music. Completely lost in thought, you get thrown back into the electronic life by Cascandy’s synth-shots packed amazing rework.

Monaberry sees its 19th offspring come to life and it is just as strong as her brothers and sisters!

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Hanne & Lore - Supergirl (Cascandy Wake Up Dub)

The title track from Baio's sophomore EP, to be released on Future Classic worldwide on October 28. 

@CBaio
www.facebook.com/baiodj
www.facebook.com/futureclassic
www.twitter.com/oiab
www.instagram.com/oiab

Get it on iTunes

Baio - Mira

www.facebook.com/agoriaofficial
twitter.com/agoriamusic
www.youtube.com/AgoriaMusic
dj.beatport.com/agoria

Martina Topley Bird feat. Mark Lanegan & Warpaint - Crystalised (Agoria Remix, Dixon vocal retouch)

Out Now on Vinyl and MP3: 
Monaberry 019
Hanne & Lore - Supergirl
Hanne & Lore - Supergirl (Cascandy Remix)
Hanne & Lore - My Oh My

Beatport

Supergirl

Get it on Beatport: http://btprt.dj/1cld9u2
Become our Superfriend: www.facebook.com/andhimmusic
Tweet with us: twitter.com/andhim_official

Hanne & Lore - Be Good (andhim Remix)

Holding On For Life (Baio Remix)

@Tensnake – Love Sublime Ft Niles Rodgers & Fiora (Duke Dumont Remix) released 9th March. Pre-Order: http://po.st/LSrmxs

www.twitter.com/dukedumont
www.twitter.com/tensnake

Tensnake – Love Sublime Ft Niles Rodgers & Fiora (Duke Dumont Remix)

Ame-Shortline (Frank Wiedemann Remix)

Audiofly return to their beloved Supernature after a hiatus of over two years following their last EP on Get physical. With a hectic worldwide touring schedule and the completion of their debut Flying Circus Ibiza residency @ Sankeys, studio time was scarce for the boys.  In the few weeks they had back home in Barcelona, Anthony and Luca put their heart and soul into the creation of the Excuse My Wilderness EP. A process that took over 6 months to complete. Remixes come courtesy of Carl Craig and Masomenos

Audiofly Feat. JAW - Excuse My Wildness (orig.) - Supernature

Audiofly feat JAW - Excuse My Wildness - Carl Craig Rmx - Supernature

RELEASE DATE:	2009-01-27
LABEL:	K7 Records


Dancers (Konrad Black Remix)

http://www.beatport.com/release/petsedits001/1393172

Blue Hawaii - Try To Be (Catz 'n Dogz Club Edit)

https://www.facebook.com/guygerbersrumors

My remix to Chaim's Blue Shadow

Turbo 50
Tiga & Zyntherius
Sunglasses at Night Remixes

In Tiga’s Words:

Luck is everything, and it only takes an instant for your life to become your dreams. The fact that my life was changed, altered, and ultimately bettered by covering an MOR Canadian rockers 80's pop tune is a quirk of destiny that gives me faith in the magical comedy that we call existence. This is the short story of how the shit went down.

It was the winter of my discontent. I was supposed to travel to India with my family for Christmas 2000, but was unable to go for personal reasons. Upset but determined to make the most of the situation I invited Jori Hulkkonen to DJ with me at my club (SONA) for a NYE party. Jori had done a
mixCD for Turbo and we had cultivated a fine friendship based on ridicule, shared 80's obsessions and ridicule. I had a small home studio that was gathering dust and producing nothing more than frustration; and I threw out the idea (I think I did, although maybe he did) of "making some tracks". I didn't know what I was talking about.  My own creative career had followed a typical early 90's trajectory: houseclubs-ectasy-techno-rave-DJ-travel-raver-promoter-radio-recordstore-nightclub impresario etc... all successful ventures that, at the turn of the
millennium, had led me to a position of relative affluence and respect. But the elusive jewel in the crown was production; and this block  was slowly destroying me. Then came the J-fool.

My memory is bad. In school it was perfect, but it's been eroded by a potent cocktail of reefer, airports, timezones, sleeplessness, computers and time. Now, my memory is not to be trusted. I'll try my best: i think the show went ok. Jori probably played a few records I loved, and a lot that iI hated. It was very cold. New Years Day came, I think he was sleeping at my place. I had an MPC, a Nord Modular. an 808 and a JUNO, and a puppy named Uma. Recently, at a small record store in Calgary of all places, I had bought a copy of 'Sweet Dreams' by Miss Kittin & The Hacker. I thought it was incredible. It's hard to imagine now, but at the time the idea of covering a pop song in a techno style seemed interesting. This is before the world went crazy and eclectic. So we decided to try a cover.

I don't remember details of the day. I had no intention of "singing" but I couldn't really do anything else, so that became my job. I also had to walk Uma, make tea, take phone calls, make jokes. Jori did most of the work. We tried a criminally poor cover of "When Doves Cry" which thankfully is lost
to all mankind. We did a version of "Small Town Boy" with falsetto singing so bad that if you could distill the sound into a liquid it would be the pure essense of "embarrassing". We did a midi-file based cover of New Years Day, which I still love, that came out on an old Turbo comp. And then (I think it was last) we did Sunglasses At Night. Corey Hart was a Montrealer, it seemed fitting. Our lack of sample memory in the MPC combined with my hesitancy to sing complex notes (or ANY notes for that matter) is what resulted in the "genius" of eliminating the bridge and pre-chorus. I remember Jori thought it was amazing. I didn't really like it. Score one for Zyntherius.

I remember going to my record store , DNA, which was just on the corner and playing it: the first of hundreds of "listen to my new track" sessions..... my first taste of the cold sweat of public testing, and the sheer horror of hearing MY voice on speakers. I hated it.

A few months before that day in studio i had done a mixCD called Mixed Emotions, which is still one of the best things I have ever done: it featured an "electro-funk" cd and my face on the cover. Both attracted the attention of DJ Hell in Munich, who of course at the time was a hero of mine. I had a contact thru licensing a song from them, so I think I sent him the sunglasses demo. He fell in love as well. I still didn't like it.

The rest of the story is like a montage in a movie, albeit a small film, Hell came to montreal, burned dubplates, played 6 times at Love Parade,  SAN got huge in germany, , ended up selling a quarter million, doing TOTP,  and being one of the big "electro" anthems of the period. I got to ride my own
coatails  all the way to where i am now. All my dreams came true, including the one about being voted #41 on the DJ top 100 list.

I still marvel at how easily it could’ve NOT happened: My dog stepping on the power switch a little earlier, or Jori getting tired, or the phone ringing at the wrong time. And I cant help but wonder how different my life would have been. While I was never a huge fan of the record I will say that
it was a very pure creative effort, in its own way a real punk track: two friends making something without any label or plans or scene......and crucially without any expectations. To spend 90 minutes on that, in a vacuum, and to then feel your entire life altered by the results.... that
is the magic of pop culture, and testimony to the awesome transformative power of ....... the Roland Juno-60.

Love from Montreal, and love to Jori Z and a special shout out to Hell and Josef.

In Zyntherius’ words:

When I was a child I dreamt about being a god.
When I grew up I realized I could become one.
In 2000 I noticed that the post for the god of synthesizers was not taken. I didn't even have to apply for the job. No real god would have to do that. I just declared myself as ZYNTHERIUS - the god of synthesizers.
Nowadays I'm feeling much better, but occasionally I still get the urge.
Which is why you should be aware of the wrath of Z and respect the holy Oscillators.


Sunclasses at Night Remixes

Tiga & Zyntherius - Sunglasses At Night (Konrad Black Remix)

Chaim - Love Rehab (Original Mix)

Mark Fanciulli has had an incredible 12 months. Aged 25 and with just three solo releases it’s surprising how fast he has shot to fame. His release ‘The Tide’ which came out on Rejected in 2011, caught the entire industries attention with Joris Voorn’s edit being one of the most charted tracks on Resident Advisor last year. Whilst visiting some of the worlds biggest clubs Mark has similarly played alongside some of the most critically acclaimed DJ’s such as Damian Lazarus, Joris Voorn, Paul Woolford, Mark Broom and Heidi to name a few.

2012 has already started amazingly. Mark’s forthcoming release ‘Sacrifice’ on Saved Records has been inundated with support, and that is just the beginning. Busying himself in the studio with lots of forthcoming projects for the summer as well as some big remixes and tour dates in Miami, London, Switzerland, Portugal and his hometown in Maidstone for the roadblock Saved parties, you’ll be hearing a lot more from Mark in the very near future!

Please contact sophie@club-class.org for
enquiries

www.facebook.com/markfanciulli

MARK FANCIULLI - BODY 2 BODY

Reset Robot - My Son Is A Fish Finger [Truesoul]

http://www.kann-records.com/products/va-kann-rsd-ii-12

Lake People _ If ___ KANN RSD II ___ full-length preview

Lake People - Point In Time (Original Mix)

Published on May 21, 2013
Dinky makes her evolution from inaugural DJ to singer songwriter and front stage performer with new album 'Dimension D' out in June on Visionquest. Single 'Falling Angel' is first to drop with remixes from two elite producers, Matthew Styles, who coproduced the album, and Pépé Bradock. Both heighten Dinky's layered ethereal vocals and mesmerising melodies with their own movement and elements of dark and light.

Her sister named Alejandra Del Pilar Iglesias Rivera Dinky at birth. Born and raised in Santiago, Chile, as a child she studied Ballet and the Suzuki method of piano before relocating to New York to become a contemporary dancer. Her drive to make music brought her to Berlin a decade ago where she quickly became a dominant force in dance music, making her mark through releases on Carpark, Cocoon, Ostgut, and the critically acclaimed 'Anemik' album in 2009 on Mathew Jonson´s Wagon Repair. Her fifth studio album, 'Dimension D' sees her evolve into singer-songwriter and performer and take on a new musical direction. Long term friends with the Visionquest collective from their hedonistic days residing in Berlin, Dinky's fresh approach fits within their ethereal and otherworldly style and follows the Footprintz album earlier this year.

Consistently on point DJ and musician Matthew Styles coproduced and mixed 'Dimension D' and will perform the album live in a series of dates this summer.

French DJ/Producer and prolific remixer Pépé Bradock has been an enigmatic figure on the scene since the early 90s always essential listening for anyone into deep house with a magic off kilter touch.



My newest ISH!

rebkasuki