commissioned by Deutschlandradio Kultur and CTM Festival. Broadcasted on 2.09.2016: http://www.deutschlandradiokultur.de/ursendung-the-dia-grammatology-of-space.1022.de.html?dram%3Aarticle_id=364100

(dia)grammatology of space (full radio version)

⠠⠋⠁⠝⠞⠵⠽

Constant-Pattern Solutions

ANM039 Eric Frye "Constant-Pattern Solutions" Mini-LP Excerpt

Written and produced by Eric Frye.
Design by Simone Niquille.
Mastered by Eric Frye.

https://ericfrye.bandcamp.com/album/mesc-1

(Mesc. 1)

Bandcamp

Social Music

http://www.recitalprogram.com/gatherings/
Limited CD Edition of 200
8-page color booklet with essays and artwork
OUT ON JUNE 7th
http://www.recitalprogram.com/purchase/

R62 - Anne Tardos - "Seven-Layer Song" from Gatherings CD

Selections from 100 Models of Hegikan Roku is the second in an ongoing series of archival records of the unheard music of Swedish composer, philosopher, poet, mathematician, and visual artist Catherine Christer Hennix, co-released by Blank Forms Editions and Empty Editions. It follows last year’s Selected Early Keyboard Works and anticipates Blank Forms’ publication of Poësy Matters and Other Matters, a two-volume collection of Hennix’s writing.

Upon her return to Sweden from New York in 1971, Hennix sought to form a large ensemble inspired by her encounters with La Monte Young and recordings by the Theatre of Eternal Music. She enlisted her brother Peter Hennix, Hans Isgren, and a dozen Swedish jazz musicians she had previously worked with, naming the group and its pieces of music after the time and days of the week according to the Angus Maclise calendar (e.g. “The Pointed Time Bus”). Frustrated with the jazz musicians’ inability to comprehend and play the intervals of just intonation, she pared the group down to the trio of herself, her brother, and Isgren and christened the live-electronic ensemble The Deontic Miracle. 

In 1976 The Deontic Miracle performed Hennix’s original compositions, alongside works by La Monte Young, Terry Riley, and Terry Jennings, as part of Brouwer’s Lattice at the Moderna Museet in Stockholm. With Hennix on amplified Renaissance oboe, live electronics, and sine wave generators, her brother on amplified Renaissance oboe, and Isgren on amplified sarangi, the recordings presented here of the group’s first and only public concert see them channeling late period John Coltrane and the sopranino and soprano saxophone playing of La Monte Young and Terry Jennings in the Theatre of Eternal Music. With titles taken from Japanese Gagaku, “Music of Auspicious Clouds” and “Waves of the Blue Sea” are expansive drone improvisations, breathing with the pulsating lull of cicadas’ organic sonic latticework. Now accessible for the first time, these recordings by what Hennix has called “the most rejected band ever formed in Sweden” continue to fill gaps of silence from a figure whose work has until recently remained flickering at the margins of some of the most enduring cultural developments of the 20th century.

Catherine Christer Hennix (b. 1948) started her creative career playing drums with her older brother Peter growing up in Sweden where she saw jazz luminaries such as John Coltrane, Eric Dolphy, Dexter Gordon, Archie Shepp, and Cecil Taylor perform at the Golden Circle. Directly after high school, Hennix went to work at Stockholm’s pioneering Elektronmusikstudion (EMS), where she helped develop early synthesizer and tape music. After traveling to New York In 1968, she met Fluxus artists Dick Higgins and Alison Knowles and developed fruitful collaborative relationships with many composers in the burgeoning American avant-garde, including, most significantly, Henry Flynt and La Monte Young. Young introduced Hennix to Hindustani raga master Pandit Pran Nath, and she would later study intensively under him. While Hennix continued to make music performing alongside Arthur Russell, Marc Johnson, Henry Flynt, and Arthur Rhames, she also served as a professor of Mathematics and Computer Science at SUNY New Paltz and as a visiting Professor of Logic (at Marvin Minsky’s invitation) at MIT’s Artificial Intelligence Laboratory. In recent years Hennix has led the just-intonation ensemble the Chora(s)san Time-Court Mirage. She currently resides in Berlin, Germany, where she is active as a composer and writer.

The Deontic Miracle: Music Of Auspicious Clouds (excerpt)

www.recitalprogram.com/father-fugue/
Limited LP Edition of 250
includes 24-page libretto booklet
OUT ON JULY 19th
www.recitalprogram.com/purchase/

Purchase

R66 - Nour Mobarak - "Neurodiversity" from Father Fugue LP

My first gig with the monome norns and grid. Brought nothing with me but those two, using the Timber app. All was free form, triggered from the grid with some live tweaking, but a lot of work just done by Timber's lfo's and envelopes, to be honest.

For better or worse, the mix isn't processed at all, this is live directly from the norns. I kind of think the Timber filters sounded so good, I didn't want to do any additional processing on this.

monome norns + grid - White Shores

「Small Stone」

"In Japan during the Covid-19 lock down we saw a movement. It was created from a woman who raised her voice to say NO via SNS to one of the controversial bills, a revision of the public prosecutor's office law* that was about to go through the Lower House without a fair public hearing. This tiny voice of hers went viral and formed an online demonstration to protect our democracy. It is very rare in Japan for the public to be actively involved in any policies. Alas the bill was temporarily suspended because many finally stood up.

“ When we threw lots of small stones, the mountain got moved a little. However we shouldn’t celebrate yet. We need to be calm and grounded and observe what the government will do.” says Kyoko Koizumi, an actress and a producer whom I respect dearly. Her phrases sums up things that do not change so easily. 


*A proposed legal revision that would raise the retirement age for prosecutors became the centre of controversy this week when it was taken up by the Lower House. Unlike officials in other administrative organizations, prosecutors have wide powers to investigate, arrest and indict anyone, even prime ministers and other high officials. They must remain highly neutral and independent from other authorities and political powers. Since the proposed revision could allow the Cabinet to intervene in the personnel affairs of prosecutors’ offices, many experts fear it could jeopardize the independence of prosecutors and the separation of powers.

「Serene」

The music of Eric Dolphy lives with Breathing.

We never forget the day May 25th 2020 for the world we can freely breath in and out. 

「Two Blue Kites」

June 4th 1989 , it is a very memorable day for me. 

31 years ago I took part in a demonstration for the first time ever in my life. It was a small resistance held in Tokyo. I was with the Chinese people raising my voice out loud in the crowd. I couldn’t do anything but I felt that I had to do something. 

In the beginning of the 90s I was going back and forth between Tokyo and Hong Kong making music. I was offered to make music for a film portrait the night before the Chinese Cultural Revolution called “ The Blue Kite”. The producer of this film invited me to make the music for the film. The film director was banned from making this film in mainland China and he escaped to Japan via Hong Kong. The film was finally completed in Japan. Hong Kong was still in British colony then. This film made my film music career begin. 

June 4th 2020 The Hong Kong government banned the public to organise and attend the candlelight rallies to mark the Tiananmen Square massacre. Despite the harsh policing and the Covid-19 regulation many people (still) defied the ban and tried to attend the commemoration. I was thinking of many of my friends there at the moment.  

I wonder how this little country, Hong Kong, that “brought me up” and “ shaped me who I am today” will be from now. My heart is full of concern for its future.

The film The Blue Kite is still banned in China to this date."

- Otomo Yoshihide



In Japanese / 日本語訳

「Small Stone」

日本では、ステイホームの期間中の5月8日、一人の女性の発言をきっかけに、現

政権がやろうとしていた三権分立をゆるがすようなひどい法案(検察庁法改正案)に対し多くの人々

がSNSを使って異を唱え、それがデモのような効果をもたらし、5月18日国会で

の法案決議を阻止するに至った。

「小さな石をたくさん投げたら山が少し動いた。が、浮き足立ってはいけない。

冷静に誰が何を言い、どんな行動を取るのか見守りたい。」敬愛する女優であり

プロデューサーの小泉今日子が5月19日にSNSで呟いたこの発言は、そのうねり

のことと同時に、しかしそう簡単に現状は変わらないことも表している。

「Serene」

エリック・ドルフィーが作る曲は呼吸とともにある。2020年5月25日は忘れては

ならない日だ。みなが伸び伸びと息ができる世界のために。

「Two Blue Kites」

  6月4日は個人的にも忘れられない日だ。31年前のこの日、わたしは初めてデモに

参加した。東京でおこなわれた小さなデモだった。東京に住む中国人たちと一緒

にわたしも声をあげていた。いてもたってもいられなかったのだ。

90年代初頭、わたしは香港と東京を行き来して音楽をつくっていた。そんな中

1993年、文化大革命前夜の北京を描いた「The Blue Kite」という中国映画の音楽

を作ることになったのが、わたしが映画の世界に入る切っ掛けだった。中国で作

ることを禁じられ、香港経由でフィルムを持って日本に脱出した監督が東京で完

成させた映画で、香港のプロデューサーがわたしを誘ってくれたのだ。当時香港

はまだイギリス領だった。

2020年6月4日、香港では天安門事件31周年の集会が新型コロナを理由に禁止され

ていたにも関わらず、多くの人たちが集まり追悼集会が開かれていた。きっと多

くの友人もそこにいるのだろう。わたしを育ててくれた香港はどうなっていくの

だろうか。「The Blue Kite」は今でも中国での上映が禁止されている。

TR045 - Otomo Yoshihide - 'Small Stones 2 (The Diet May 18th 2020'

Off the new album:  https://snackmaster.bandcamp.com/album/this-path-of-mine

Rolling

Second Sleep : secondsleep.org 

LP will be released from Italy from the product Second Sleep.

"the Distance is forcibly cut,,,,, 
the Time is repeated,,,,, 
the Speed is stretched,,,,, 
Some material "something" uses concepts to repeatedly connect and divide." 

* Digital purchase is only on my bandcamp page,,,,,,,,,,,,

Conne ctedness

Music page for the record label Recital, run by Sean McCann. 

R66 - Nour Mobarak - "Neurodiversity" from Father Fugue LP

Recital

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