Digging the soundscape with cool vocal delivery.... 🤘👊✌️

Very nice track with beautiful vocals and very nice arrangement! [via https://sc.repostexchange.com]

Toad's Improv

Evil Spiritual Visions

Tired of writing lyrics, we used the text of an old Rolling Stones song for this one.

Video: https://youtu.be/gHMPoX66xxw
Lyrics by Nanker Phelge (1965)
Music by Interpret Unbekannt (2023)

Play with me (Reimagination of a The Rolling Stones Song)

Madness

'Ally May' is an old-school pop ballad

I wrote Ally May for a  dear friend who was fighting cancer..Ali won her battle and did regain her health..but other friends and dear family members have been lost. the song is happy and sad for me.

Another dear friend ,Martine , has recorded this beautiful version  , produced by Charlie Hull.    Martine and I did the bv's.          i hope you love it as much as I do
love Salx. ❤️

Ally May

Sabre Dance

Fleeting Reasons

Audio Music Library for Videos – FREE DOWNLOAD!

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Track name: Fascinating Nocturne in G Minor: Silent Serenade
Music by Michael Herter
Free Download: https://bnd.link/sibviolin
Video:  https://youtu.be/79WcKjc4YTA

Silent Serenade is an enchanting melancholy Nocturne in G Minor in the style of the eccentric French composer and pianist Erik Satie. A soul-stirring classical composition that captures the essence of the night. This captivating music, delicately performed on a velvety soft grand piano, evokes a sense of introspection and nostalgia. Its hauntingly beautiful melodies and graceful arpeggios paint a vivid musical landscape, perfect for poignant cinematic moments, emotional storytelling, and reflective scenes. 

Ideal for films, documentaries, commercials, and atmospheric projects seeking a timeless and evocative classical soundtrack. 

License this enchanting masterpiece for your synchronization needs and immerse your audience in a world of tender emotions and profound depth.

g-moll; 3/4; varies bpm

► Support my Creativity: https://bnd.link/sibviolin

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Fascinating Nocturne in G Minor: Silent Serenade

Fascinating Nocturne In G Minor: Silent Serenade

Featured as the second track on Suburban Bicycle Gang's sophomore album 'In The Cosmos'.

In The Cosmos

Suburban Bicycle Gang - Lake Scugog

club nights

club nights (prod. say bye)

Written: 2019-20
Duration: ca. 21'
Instrumentation: string quartet
Commissioned by The Indianapolis String Quartet
Premiere: The Indianapolis String Quartet, Carnegie Hall, Weill Recital Hall, New York, NY, March 5, 2020.
Publisher: Bill Holab Music: http://www.billholabmusic.com/composers/robert-paterson/
For More Information: https://robertpaterson.com/string-quartet-no-3

PROGRAM NOTES
String Quartet No. 3 consists of five movements that explore “other voices,” either literally or figuratively. In a literal sense, this could mean speaking or singing in a way that is not considered normal or even out of one’s control. It could also mean speaking differently for a desired effect. Figuratively, “other voices” could mean a voice that is not one’s own. All five movements touch on these definitions in one way or another.

The first movement, Twist and Shout, uses musical patterns that sound like stuttering or someone who has a severe form of Tourette’s Syndrome. I use these sounds as a technical point of departure, incorporating jagged rhythms, erratic melodic patterns, and sudden volume shifts throughout the movement.

The second movement is entitled Poet Voice, and uses this style of reciting poems as a point of departure. In particular, this movement is based on a video of Louise Glück reading her poem “The Wild Iris,” which is included in a book of poems of the same name for which Glück won the Pulitzer Prize. Glück’s poem compares human suffering and finding a voice to the growth of a wild iris that makes a “passage from the other world” underground, despite the difficulty of breaking through. In the image of the wild iris, the explosion of color symbolizes new life. In this movement, I mimic Glück’s speech patterns and structure the movement around the sound of her voice and the content of her poem, essentially giving new life to her poetic reading. 

The third movement, Auction Chant, is inspired by North American auctioneering, which is a rapid-fire, rhythmic repetition of numbers and “filler words” spoken by auctioneers in the process of conducting an auction. This movement is also inspired by country fiddle music, which is a type of music often played in areas where auctioneering takes place.

In the fourth movement, Effects Pedal, I mimic sounds made by electronic effects pedals—and in particular, a vocal effects pedal, but without the use of actual electronic effects on the stringed instruments. I also use musical effects that sound somewhat like swallowing helium, which raises your voice when you inhale it, or sulfur hexafluoride, which lowers it.

The final movement is entitled Anthem. In this patriotic-sounding, yet slightly humorous movement, I weave together various sports themes and state songs from around the United States that are used to rile up fans at sports games.

String Quartet No. 3 was commissioned by The Indianapolis Quartet.

Fleeting Reasons

Recom Son

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