This is what I was doing in 1996.  No computers.  Just cool things that the EPS-16+ did.  
Plus me playing guitar, singing, and f-ing with sh*t.
Oh, and singing.  With my voice.

This song was recorded entirely on the ARP Omni.  There is no sequencing.  The drums were created out of Apple Loops.  
The music was written by me, of course.   

Theme to the ARP Omni 2 Demonstration

This is a song that I consistently underrate.I think it's because it's probably my only ballad in the past decade.But I don't know.That choir isn't bullshit.That's 64 voices divided among 8 parts... all me.  Also, the "synth" chords at the beginning and during verses were recorded with a Hammond Novachord.   This is the exact Hammond Novachord which went on to be sampled for the Hollow Sun product.  If you're using that product, you're using what used to be my Novachord... good ol' #346.    


Beautiful

Here is an all-Minimoog (except drums) demo song.  

New Minimoog Demo

Here is the theme I wrote for the Arturia MicroBrute demonstration.  

MicroBrute Theme

Here is the theme to the Jen SX-1000 demo.  I wrote it, and even played the drums.  

SX-1000 theme

Here is yet ANOTHER Minimoog Demo theme written by me.  All synth sounds were played by me on a Minimoog.  

Minimoog Demo Theme Also

Here is the theme I wrote for the Roland Juno 6 demo.  It was recorded entirely with a Juno 6 (except drums).  

The Roland Juno 6 Theme

This was a song I wrote in 2006.  The recording is messy and loose, just like I like it.  There are a lot of vintage synths in it, including a Minimoog and a Korg PS-3100.

The Future (demo-no vocals)

Here is the music for the Lambda demo.  All tonal sounds were created with the Korg Lambda.  

Lambda Demo Theme

Here is some music comprised entirely (excepting drums) of Moog Liberation.  

100%  Moog Liberation

I created this nearly 20 years ago (1996).  It probably deserves its own genre distinction.  

The version with vocals was released in 1997 on "Of Congress and Machinery," an album I released under the name "terpsichore."

Surge (instrumental version)

This song was created entirely using the entirely-analog Analogue Solutions Leipzig S.  Including all drums.  
The song is a collage of 8-note sequences created for the Automatic Gainsay Leipzig S demonstration video series.  

Leipzig S Demo Theme

This piece was written for the Off Leash Area production "Psst...", which was based on the graphic novel work of Norwegian artist Jason.  

Seduction

Here is the theme to the Analogue Solutions Nyborg-12 demonstration videos.  

It is a multi-tracked Nyborg 12 plus drums from Korg Gadget and Garageband.  

The sequenced parts are controlled by the DSI Pro 2 sequencer.  Much of it is played by hand by me.  

All sounds were designed by me.  

Analogue Solutions Nyborg-12 Theme

Here is a recording which, excepting drums, was created entirely with the one-of-a-kind Dewanatron Novitiate made by the Dewan Cousins for the Bob Moog Foundation.  It is monophonic, so multitracking was necessary.  It is fully analog and housed in a very cool case.  The Novitiate was designed to simply synthesis for educational purposes, but sounds great in the process.

The Dewanatron Novitiate

Here is the theme to the Korg Minilogue demo created by Automatic Gainsay.  
It is 100% Minilogue... except for drums.  

Korg Minilogue Demo Theme

This is the theme for the DSI/Oberheim OB-6 demonstration series. 

The DSI/Oberheim OB-6 Demonstration Theme

This is the theme to the Korg Volca FM demonstration.  All sounds except for drums were generated by the Korg Volca FM.

The drum sounds are from an old EPS-16+ sample set, and all sequencing was performed with the EPS-16+.  

The Korg Volca FM Theme

I needed to test the sequencer of the Korg Monologue, so I plunked out a series of notes to see how it sounded.  By chance, the notes I plunked out were ones I really liked.  So, I recorded this sequence with me turning a lot of the knobs that lead to pleasing aural outcomes.  Then I added a melody and a bassline, and synced it with a drum part constructed out of a number of GarageBand loops.

Korg Monologue Theme

This song is probably from 1994 or so.  It was really just an outline, and it was never made into a song.  It was recorded entirely on an EPS-16+, and features samples from toys from the toy store I worked at.

Electronic Thing

I can't remember when this was written, but

Electronic Thing 2

This is the song which is used to introduce Wersi Synth Baß in my Wersi Synth Baß video.  Everyone seems to like it very much.

Introduction

The third track on the terpsichore album "Of Congress and Machinery."  This was me writing to appeal to pop audiences.

Close To What Heaven Must Be

This song was written in 1994.  It was included on the terpsichore album Quod Erat Demonstrandum, but was never actually part of that album.

Slave

Every sound in this song was created with a Yamaha CS-15.  No effects, compression, or even EQ were added.  Any time that the same part was played by two different sounds, there is a stereo separation (and I think it only occurs with one verse bassline).  The "cymbal" sound is a combination of two sounds, multitracked and not stereo-separated.  It should be painfully obvious that this song was not sequenced.  All sounds were played individually and recorded in realtime.

All CS-15

All sounds in this song were created with a Korg PS-3100.

All Korg PS-3100 Jam

This is a little tune I shot off relatively quickly for a video project.  I really like it... just like the theme for the Voyager video and some other recent snippets, I feel like there's a song in here.  

Video

This is the Soundcloud of Marc Doty, also known as Automatic Gainsay.  

Recondite

Popular tracks