Name: untitled by recursiveidentity
Duration: 5 min 28 s
Description: Finally a new work in progress. Hope you like it!

Nice work! Great industrial/dark ambient. If this is a WIP, can't wait to see where it goes.

**SHIRTS NOW AVAILABLE** http://turndownforhwut.spreadshirt.com/

PLEASE SHOW YOUR SUPPORT AND BUY A SHIRT!!!

BWAAHH?!?

ZIPPY: http://www61.zippyshare.com/v/79102488/file.html

Remix by TMFC666/MO BUTT/colonelSTIZZEVE.

View on YouTube: http://youtu.be/kTnUpYVPAVY

----------------------

SUPPORT THE ORIGINAL RELEASES!:

Buy DJ Snake Ft. Lil' Jon - Turn Down For What:
http://smarturl.it/TD4W

Buy Pop Beatz - Turn Down For What (Instrumental Version):
http://goo.gl/zseUEB

Buy King of the Hill Seasons 1-6 DVD:
http://goo.gl/DUh0Jr

----------------------

Original by DJ Snake ft. Lil Jon. Instrumental audio by Pop Beatz. Samples from King of the Hill. This is for entertainment purposes only--no commercial use.

DJ Snake - Turn Down For What (MO BUTT PROPANE REMIX FT. HANK HILL)

lap guitar and file, electronics, percussion and triggers, piano, flute, lips,  virtual ANS


I can't sleep with you floating there

another mix,
In answer to the questions I keep getting asked.
 ccai pt2 , part 1 is Drukqs, as that was the first thing I released that utilised computer controlled instruments, namely a modified Yamaha disklavier, 2nd gen and a couple of midi controlled solenoid based drum mechanisms I made just after I got the Disklavier.

I kept seeing them [disklaviers] in hotels, usually used to pipe muzak around the place and thought why doesn't anyone actually use one of these to compose music on and make beats etc! 
A couple of times when i saw them in hotel lobbies, i sneaked up to the disklavier and set it to play ultra low pitch and very slow, funny watching peoples reactions, it was down every corridor etc
NOBODY i spoke to back in around 1999 inc. people at yamaha knew how to connect one of these to a computer and I had to take my computer into Yamaha to try it out to see how fast these things could go, no info on the net then either.
The first year I burned out countless solenoids in the thing and learnt how to repair them myself, the more recent gen ones like I used at the barbican have temperature cut outs on them thankfully, i’ve still fried a few though!

Diskhat ALL Prepared1mixed [snr2mix]

Finally a new work in progress. Hope you like it!

untitled

The most western coast of Canada is known for big things. It's a land of big mountains, big trees, and big rivers that flow towards the world's biggest ocean. Yet, keeping the expansive landscape from overwhelming its inhabitants, the massive productions of Vancouver's Andrew Bartos has helped put it all in perspective, towering tunes so grounded that even the mighty Pacific couldn't wash them away.

Bartos has made quite a name for himself over the past decade or so. In addition to being a long-time freelance composer, sound designer, and music editor for Electronic Arts, he has famously produced bass music under names such as Supercycle and C((o))de Blue, including a couple tracks with The Panacea that helped relaunch the legendary Position Chrome, and earned play by Aphex Twin at major gigs such as Coachella and Forbidden Fruit in Dublin. In 2014, he launched his Ded Sheppard project with his initial release, a gnarly drum and bass single produced with Queensyze.

The Ded Sheppard EP marks the first true solo release for this project, and it hits the ground running. 'Serfculture' kicks things off on a bit of a slower, surging beat. The slight 303 warp and gated pad build to symphonic strings and wild drums, seemingly pushing towards a drum and bass crescendo, yet the drop knocks it down to a menacing, dubby grind with a hard 4/4 beat and ominous bass warp, contrasting the frantic percussion. It seems to tap into the tension of these modern times, pulling in two directions at once.

'Warehoser' takes things on a more cerebral trip. Like a raver siren call, its processed feminine vocals beckon the listener to carry her into the night as the instrumental moves from tinkling pads to bassline meat-grinder with a touch of hip-hop swagger that'll blow your earplugs out and knock your socks off, in that order. A Queensyze treatment of 'Warehoser' later caps off the EP, maintaining much of the original's style until it hits a kind of bassline garage house peak, trading sawtooths for sinewaves at a halftime tempo.

'Wrongmusic' follows suit with a big room introduction that meets rising acid build-ups with tongue and cheek phrases 'I know this stuff' and 'I've heard this a thousand times' then counters the expected EDM landing pad on a loping underground jungle neurofunk.

'Taillights' is imbued with a rather manic energy. Opening on a cinematic blend of synth leads and orchestral brass, the track quickly escalates to a haunting, swirling liquid kind of downtempo gabber. The melodic theme coming back gated to enhance its surge, the rising acid squelches pushing its brisk percussion.

There is such poise heard on this EP. Each of its darkest and heaviest moments has a counterpoint, a light reprieve and sense of space, like the crashing of waves on the shoreline and their subsequent simmering back into the fold. There's room for the listener to regain their footing on the dancefloor, yet never a vacant moment. Imagine Acen in his prime collaborating with Spor, mixing a retro lightness with a post-millennium crush, and you're close to the magic on this earth-shaking Ded Sheppard release, a taste of even bigger things to come.

Release Date:
September 25th, 2015.

Direct Purchase Links:

EVD Store:
www.eastvandigital.com/EVDvelop/samp…-sheppard-ep/

Beatport
classic.beatport.com/release/ded-sheppard/1609133
iTunes
itunes.apple.com/ca/album/ded-she…-ep/id1039515315
Juno
www.junodownload.com/products/ded-s…rd/2889568-02/

Tracklist:

Serfculture
Warehoser
Wrongmusic
Taillights
Warehoser (Queensyze Remix)

All tracks CanCon.
All tracks clean.

Contact:

Ded Sheppard - Serfculture (Original Mix)[EVDEP027]

Loretta Halliday - Commercial Demo

032213

032213_3

Third track in the "Ascent" series. There is no real relationship between these tracks except I think they have a similar feeling.

Ascent 3 (excerpt)

Within chaos resides every possible order.
Chaos is perfection.

Station X

Check out my bandcamp page here:
recursiveidentity.bandcamp.com
where you can support me by buying my tracks.
I also have a physical CD available soon on CDBaby here http://www.cdbaby.com/AlbumDetails.aspx?AlbumID=recursiveidentity
Also available on iTunes, Rhapsody, Spotify, Amazon, etc...

untitled

recursiveidentity

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