The American Drill Vol .1
FREE BEAT PACK
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Forn Elding

DEVIL CALLS - The American Drill Vol. 1 [142BPM] FREE

The American Drill Vol. 1
FREE BEAT PACK
reddot.beatstars.com

TRIPPIN' - The American Drill Vol. 1 [143BPM] FREE

EGOMANIAC - The American Drill Vol. 1 [142BPM] FREE

CAN'T STOP ME - The New York Files 80BPM

WE USED TO - The New York Files 93BPM

Project 155 - 105BPM

Project 175 - 76BPM 15$/Lease

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Stadium Hype (Rick Ross x MMG Type Beat)

Dive into the enigmatic and shadowy realm of OCCULT, a captivating drill instrumental. Dark keys and haunting piano notes weave a mysterious melody, while thunderous 808s deliver a powerful undercurrent. Ethereal choirs add an eerie, otherworldly aura, creating a soundscape that's equally mesmerizing and intense. This track is a journey into the unknown, where mystery and rhythm collide. 
Drill banger. introspective, story telling. Bxdrill, Bkdrill, UK drill, drillfr, emo, hardcore.

[OCCULT] DRILL Sessions 145BPM F# min

Down tempo hard knocking boom bap beat. Sliced sample hard drums deep bass

[NO SURRENDER] BOOM BAP Sessions 75BPM F m

Hard knocking beat. Break beat sample dope minor melodic harmonies original hook chorus composition. No copyrigth sample

[GLADIUS] 85BPM BOOM BAP Sessions G# m

[VINDICTIVE] TRAP Sessions 160BPM B min

Hard knocking downtempo dark trap beat metro boomin type 808 pluck chords chorus choirs

[NIGHT FRIGHT] TRAP Sessions 140BPM C min

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Production credits: Passport Scoob, Konflik, Dustorm Da Lyrical, The Mighty Rhino, Fubar, Ultra Magnus, Donny Yonder, The Lyrical_Gift, Pete Cain, The Machine, The Coronerz, Foggy Lungz, Noetic Nyce, Kid Novice, Bagz Da Ryda, Activiz, P-Know, and others. In France, Bomaye Music, Jejor of La Konspy.

Red.Dot is a beatmaker from Paris, France. He discovered Hip-Hop during his first trip to the US in ‘89. He found the first Public Enemy LP in a record shop and that was it. By this time, the French Hip-Hop scene was boiling since the first block parties in ‘84 and the first rap crews were emerging (NTM, IAM, Assassin, etc). He became a big fan since the first songs. There were no language barriers anymore. He mostly got involved in the movement as a Writer/Graffiti artist.

By the mid 1990’s Red.Dot got bored by the movement’s evolution, its lack of consciousness, consistency and originality. In ‘95 he got involved in Raves that were blowing up big in Europe and mostly in France. He became an actor of this movement through his participation in Sound Systems, Teknivals and during many years as a social worker in the Rave mission from the NGO Doctors Of The World, where he provided harm reduction services for drug consumers. But his ears always stayed close to Hip-Hop.

Through all these years Red.Dot built an amazing record collection, always with the idea of doing something with it. In 2007, he finally bought some equipment and started beatmaking. His sound is crafted with all his musical influences and experiences (Hip-Hop, Soul, Blues, Rock, Techno, House, etc), always trying to push forward the boundaries in Hip-Hop. That’s what makes his musical identity.

First one to acknowledge him was Dustorm Da Lyrical through MySpace. They started collaborating. Then during a trip in New York, they met in 2010. Dus took him around studios to connect with people and record few tracks. He then brought him to meet his uncle Grandmaster Caz. Caz played his beats on his big speakers, and he saw him nodding on his beats. It was the aknoledgement Red.Dot was looking for. He knew right there, that he will continue making beats.

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