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how nice its to hear your musik in every platform mr Millen

Nite Sprite's "Strut" has gotten a major overhaul by Mitch Murder, Betamaxx, Auxiliary Tha Masterfader, Perturbator, Le Cassette & Mr Maen.

Buy the release in full quality here: http://dxseven.bandcamp.com/album/strut-remix-compilation

Strut (Mr Maen Rework)

Hanuš is out now from @stereoscenic :
https://dreone.bandcamp.com/album/hanu

Digipack with a hard-book style cover, 7mm spine. Glass-mastered CD with paper inner-sleeve is held in a printed sleeve (3mm spine) glued to the inside of the book. Edition of 100.

Also streaming:
Spotify 
https://open.spotify.com/album/4kT5pNtEoedBdqYe37pgJ6

Amazon Music
https://music.amazon.com/artists/B08QYPYMMQ

Hanuš is a holistic collection of remembrance and reflection of my late friends John and Jacob, both of which are the names of the main characters in the film Spaceman which coincidentally became a deep inspiration while writing, recording and forming its concept. The overall theme of the Dreone project (as some may already know from Driftdown Procedure) is that the souls and spirit of my fallen companions live within the systems of a sentient spacecraft and its humanoid manifestation/android, the notion of which allows me the mental freedom to explore the cosmos through music and be a bit more experimental with my sound. This album in particular is about them traveling together through the echoes of memories and the loneliness of space to witness the beginning and end of everything, leading the listener to acceptance through catharsis. 

Gear used on this album includes, Arturia Mini and Microfreak, Arturia Pigments, Tascam 414 MKII tape loops, Luftrum Bioscape, ESP LTD MH-400 B Baritone guitar, Collision Devices Blackhole Symmetry, and Bitwig.
music & artwork by Bryan Hilyard 
with special guests AJK and Brian Stegmann 
mastering by Andrew Klimek 

Bandcamp

Dreone - Render (feat. Velvet Rope Crowd Control)

autumn - slowed

Clientelle

Leap in time

LEAP IN TIME

Welcome to the dystopian future where scummy mega-corporations own the world. Breaking into this security facility would be like breaking into a military base: high tech weaponry and highly-trained guards around every corner.  But you have exactly one job...a hostile takeover.

Cyberpunk and synthwave sounds for your brain space. Grab it on Bandcamp: 

https://meganmcduffee.bandcamp.com/album/hostile-takeover

Composed and produced by Megan McDuffee.
Mastered by Pylot.
'Hostile Takeover' video game coming 2019.

Hostile Takeover

Charon Security

We are on route to 9523 Eridani-A, a vast unmapped region on the very outermost reaches of our Galaxy, this region has become known as The Veil. 
All previous attempts to gather information on this region have failed, it has been impenetrable to all satellites and sensors and we have lost contact with every probe that has been sent, they just seem to vanish. What is out there? It seems Space just stops in its tracks or is it just a never ending void in Space, empty of matter and time.

Despite the dangers or our mission and our main objective, our natural curiosity and desire to explore has gotten the better of us. We have come across a Protostar and could not pass up the opportunity to study something that possibly one day might be the power that incubates new life. 
Hanging in the darkness light emanates, as the giant mass feeds of the surrounding molecular cloud. It is strange that something which holds such immense power, should still seem so delicate and fragile. Yet it is commonplace to take comfort and see the beauty in something so hostile, and that beauty is not lost on my crew, nor is it lost on me. Surrounded by the cold depths of space, I feel warmth as I allow the spectacular view to wash over me, only the gentle sound of our engines softly humming, as we are lost to this moment of wonder. But the moment gives way to the trepidation of the mission, as we resume course.

It seems like only yesterday we had the opportunity to witness the early birth of a star, but with all the majesty and beauty space holds, it still remains fraught with danger, a fact that is not lost on me as we ease towards the remains of derelict husk. A very sobering moment, that a ship of great size should lay in ruin with many of her crew still floating amongst the wreckage. 
Ashmina KymerA a huge warship from a by gone era nearly 1000 years ago, when war was rife in the core cluster. Now she stands just dead wreckage perfectly preserved in the freezing depths, ship and crew. We can't do anything for her, only mark her position and move on.

Leaving our home behind and spreading out into the Galaxy, all our problems and baser instincts still followed us. Evolution and intelligence has yet to weed out our greed and unquenchable thirst for destruction. We believe we are an enlightened species, yet we continue to learn nothing from history and ask why are we doomed to repeat it. As a species we continue to recede to our wanton need to kill one another, as if it is deeply ingrained in our makeup, passed on from one generation to the next. 
Is this what is to become of us?, lost and floating in the darkness, frozen and preserved, nothing but an ancient remnant of a so called great civilization, lost to time.

As we draw nearer to our destination, the tension amongst the crew is palpable, and something that I am feeling too. Every light year that goes by, the urge to tuck tail and run, grows ever stronger, yet so does the curiosity, I can't shake the feeling that we are being drawn towards The Veil but do we continue on or do we retreat to safety?

Capt. Kiniko 17.2.2182.

Red Marker - Beyond The Veil - 05.Endlessly Drifting

Darksynth Cyberpunk song "Dissident" from the album "Resistance" by Shredder 1984

Red Marker - Beyond The Veil - 05.Endlessly Drifting

Red Marker

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