Read about your process on lines. Wow so imaginative. Love the map. The results match up with what you describe too. Great job.

Special thanks to @RabMusicLab @user-248104983 and @andreas-kitzmann-27370936 for sharing their recordings

More on this 610th weekly Disquiet Junto project, Speed Limit Pt 2 (The Assignment: Combine two or more pre-existing 60 BPM tracks into something new — at half the speed), at: https://disquiet.com/0610/

About the Disquiet Junto: https://disquiet.com/junto/

Subscribe to project announcements: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0610-speed-limit-pt-2/

Slow & Low (RabMusicLab, Samplair, A.Kitzmann)(disquiet0610)

I used tracks by Andreas Kitzmann, Analoc, Krakenkraft and Tristan Louth Robins (and in other versions also by Ray Cobley and Debroc). Thanks a lot for being able to work with those.

I made several tracks with different techniques - from straight mixing to editing to different granular tools. The one I uploaded was entirely made with the fantastic Granchild by infinitedigits. What I like about it is the soft and mysterious beginning and foundation which is based on the track by Krakenkraft. Next come three parts by Tristan Louth Robins, Analoc and finally Andreas Kitzmann. It is a very quiet affair and has a certain Revanchol vibe to it.

For those wondering about the cover drawing: after finishing a track I usually google its title and take the first image search result I like to base a drawing on. Here I googled a combination of the original track names, catnip blink drift, and somewhere buried in the results was Trent Reznor… So him it was.

More on this 610th weekly Disquiet Junto project, Speed Limit Pt 2 (The Assignment: Combine two or more pre-existing 60 BPM tracks into something new — at half the speed), at: https://disquiet.com/0610/

About the Disquiet Junto: https://disquiet.com/junto/

Subscribe to project announcements: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0610-speed-limit-pt-2/

Disquiet0610 - Cat Blink Fawn Drift

This assignment uses two songs from Disquiet0609 (made to be 60bpm) and combine them while setting the new song at 30bpm. I used Plucks & Pad from Noodle Twister (https://soundcloud.com/noodletwister/plucks-pad-disquiet0609) and combined it with SAMPLAIR's Disquiet 0609 (https://soundcloud.com/user-248104983/disquiet0609-60bpm). I altered the sounds and added LABS piano parts.

More on this 610th weekly Disquiet Junto project, Speed Limit Pt 2 (The Assignment: Combine two or more pre-existing 60 BPM tracks into something new — at half the speed), at: https://disquiet.com/0610/

About the Disquiet Junto: https://disquiet.com/junto/

Subscribe to project announcements: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0610-speed-limit-pt-2/

air space feat. Noodle Twister & SAMPLAIR [disquiet0610]

Disquiet Junto Project 0610: Speed Limit Pt 2
The Assignment: Combine two or more pre-existing 60 BPM tracks into something new — at half the speed.

• • •

For this remix, I worked with a handful of tracks from the 0609 collection that I gravitated towards, chopping + processing them in Paulstretch, Twisted Wave, and Ableton Live to halve their speeds.

'Blink' by https://soundcloud.com/analoc became a melodic anchor that the rest of the remix was built around. It was interesting to listen to the results of slowing + pitching the original tracks down. Sometimes I would sample the original speed version, and others I would first slow down before stumbling onto something that clicked well with the composition. 

bassline + clicky percussion sampled from:
https://soundcloud.com/analoc – https://soundcloud.com/analoc/0923-disquiet-junto-609-blink

heavy, textured bass drum hit sampled from:
https://soundcloud.com/winterer – https://soundcloud.com/winterer/catnip-in-60bpm-disquiet0609

huge clap drum sound sampled from:
https://soundcloud.com/oh-well-360226041 —https://soundcloud.com/oh-well-360226041/shadow-clocks-disquiet0609

soaring synth solo sampled from:
https://soundcloud.com/xhg — https://soundcloud.com/xhg/disquiet0609-acrostic-speed-limit?in=disquiet/sets/disquiet-junto-project-0609

chord washes + drum loops sampled from:
https://soundcloud.com/doodledigital – https://soundcloud.com/doodledigital/already-the-morning-disquiet0609

• • •
More on this 610th weekly Disquiet Junto project, Speed Limit Pt 2 (The Assignment: Combine two or more pre-existing 60 BPM tracks into something new — at half the speed), at: disquiet.com/0610/

Project discussion takes place on llllllll.co: llllllll.co/t/disquiet-junto-pr…0-speed-limit-pt-2/

Creatures Blinking in the Morning Shadows • [Disquiet 0610]

A self-generating patch on semi-modular and modular and sent through a spring reverb before being recorded into Ableton. There, the 'melody' was converted to MIDI using Ableton's built-in converter. Both them melody and MIDI were then played at half-speed. The melody was forced into the Lydian mode, and played with Reason Studios' Objekt. At the same time, Objekt was being resonated by the original recording (pitch processed into Lydian), via its sidechain channel. The resultant combination was then processed with the Remants granular delay, a Valhalla Supermassive delay, and the Wavesfactory Echo Cat tape delay simulation.
--
More on this 611th weekly Disquiet Junto project, Music That Listens to Itself (The Assignment: Record a piece of music that repurposes itself as it proceeds), at: https://disquiet.com/0611/

Some of the music resulting from this project may be included in a September 29, 2023, event at the Berkeley Alembic in Berkeley, California: https://www.eventbrite.com/e/expanded-listening-music-that-listens-to-itself-tickets-712124101357

About the Disquiet Junto: https://disquiet.com/junto/

Subscribe to project announcements: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0611-music-that-listens-to-itself/

gwrandewch (disquiet0611)

You can find my notes on this track via this link at the Lines forum: https://llllllll.co/t/disquiet-junto-project-0612-drum-vector/64175/9

Disquiet Junto Project 0612: Drum Vector
The Assignment: Walk the listener through variations on the same percussive instrument.

Thanks to Mahlen Morris for having proposed this project.

Step 1: Pick a single percussion instrument.

Step 2: Record between 4 and 12 different short examples (roughly 20 to 60 seconds each) of playing that instrument. Imagine that each recording is by a different musician exercising a different aspect of the instrument. Make no deliberate attempt to match key or tempo or sonic quality between them.

Step 3: Imagine moving through space over the course of time, and encountering the sounds — overlapping somewhat — as you proceed. Arrange the recordings over the course of a track so that at least one and at most five of the examples are audible at any one time. To further the spatial movement, each could fade in at the beginning and fade out. They might, as well, move from position to position within the stereo field.

Step 4: If you wish, consider adding a noise bed underneath the entire piece to sew all of the pieces together, to provide a sense of the space one is moving through.

[Disquiet_Junto_0612] The Lure of Bells

Electronic percussion sequences created in Pure Data with a touch of reverb & additional noise.

More on this 612th weekly Disquiet Junto project, Drum Vector (The Assignment: Walk the listener through variations on the same percussive instrument), at: https://disquiet.com/0612/

Thanks to Mahlen Morris for having proposed this project.

About the Disquiet Junto: https://disquiet.com/junto/ 1

Subscribe to project announcements: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0612-drum-vector/

Drum & Hum (disquiet0612)

This was my contribution for Disquiet Junto Project 0612: Drum Vector

Here’s a copy of my post on the Disquiet Junto 0612 discussion thread:

At first, I wasn't sure how to approach this project. Briefly fooled around with various ideas and percussive instruments, till I finally settled on composing this in Ableton Live. Not sure how accurately I followed the assignment though but at least I had fun.

Five tracks were created using Ableton Live's Wavetable synth, all with the Mallets/Crockhausen preset and Max for Live Octopulse sequencer. Different parameters for the synth and sequencer were adjusted for each track to try to emulate five different musicians. Audio was processed with Minimal Audio Cluster Delay and Arturia LX-24 reverb. Background noise/drone from AudioThing Noises. Image by Neosiam via Pexels.
 
More on this 612th weekly Disquiet Junto project, Drum Vector (The Assignment: Walk the listener through variations on the same percussive instrument), at: https://disquiet.com/0612/
Thanks to Mahlen Morris for having proposed this project.
About the Disquiet Junto: https://disquiet.com/junto/ 1
Subscribe to project announcements: https://tinyletter.com/disquiet-junto/
Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0612-drum-vector/

Five Radials At Obtuse Angles [disquiet0612]

Recorded, mixed & mastered 22-23 Sep 2023 by Jim Lemanowicz at Blissville Electro-Magnetic Laboratories of Massapequa, outside.

Snare drum, landscaping equipment & effects

This original version of "My Resistance Is Not My Personality" was submitted as part of Disquiet Junto Project 0612: Drum Vector. The Assignment: Walk the listener through variations on the same percussive instrument.

More on the Disquiet Junto at: disquiet.com/junto/
Conversation took place here - https://llllllll.co/t/disquiet-junto-project-0612-drum-vector
Artwork/photography by Jim Lemanowicz, 23 Sep 2013, Bryant Park, NYC, NY, USA

Look for me at patreon.com/blisterpop - patrons get my albums for free!
Sign up for my mailing list - http://eepurl.com/ciZNa5

This track was originally released under the artist name "The David Conspiracy."

Music & art ©2013, 2023 Jim Lemanowicz

Patreon & Soundcloud - blisterpop
YouTube - Jimmy Lem
TikTok - jimmlem
Bluesky - jimmylem.bsky.social
Mastodon - blisterpop

My Resistance Is Not My Personality (disquiet0612)

using the rings module as the 'percussive instrument', played by marbles - eight different recordings, each using variations on marbles settings (rate, jitter, ...) - snippets recorded using tascam in room instead of directly - arranged in ableton live, specifically adding panning, some filtering, dynamics

--

More on this 612th weekly Disquiet Junto project, Drum Vector (The Assignment: Walk the listener through variations on the same percussive instrument), at: https://disquiet.com/0612/

Thanks to Mahlen Morris for having proposed this project.

About the Disquiet Junto: https://disquiet.com/junto/ 1

Subscribe to project announcements: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0612-drum-vector/

disquiet0612 - "the conversation"

Disquiet Junto Project 0612: Drum Vector
The Assignment: Walk the listener through variations on the same percussive instrument.

Dragged my wooden tongue drum out of the closet for this one. Recorded too many variations and had to cut a few. Basically just used different reverbs and delays to give each variation it's own space.  Also played with panning on the cross fades to make it seem like you're walking from one area to the next.  Then for a noise bed I routed everything to a new track with more reverb, resonator, effects and so on.  Automated the stereo width on that one rather randomly.

More on this 612th weekly Disquiet Junto project, Drum Vector (The Assignment: Walk the listener through variations on the same percussive instrument), at: https://disquiet.com/0612/

About the Disquiet Junto: https://disquiet.com/junto/

Subscribe to project announcements: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0612-drum-vector/

splinter vector (Disquiet0612)

Tristan Louth-Robins is a South Australian artist working principally in the medium of sound art and field recording. Ideas of sound and its signification are key elements in Louth-Robins' practice, traversing the space between the visual and aural his work is realised through the mediums of recordings, installation, visual art and performance. He is interested in sound and its associative implications - including its relationship to objects, technology, urban space, memory and the natural world. 


Since 2005, Louth-Robins has presented work in Australia and internationally as a solo artist, whilst also collaborating with artists, writers, researchers, musicians and performers. 

Working across a vast array of activities encompassing composition, sound design, installation art, field recording and workshops, his work has been featured in events such as the Adelaide Festival of Arts (2006), The National Regional Arts Festival (2012), Mildura-Wentworth Arts Festival (2013), Fairfax Festival (2013) and Adelaide Fringe Festival (2014); and selected works exhibited at galleries including The Australian Experimental Art Foundation (2009), SASA Gallery (2012, 2015), Light Square Gallery (2012) and FELT Space (2015). His audio works have been broadcast on radio including Radio National, Classic FM, The BBC (UK), Acoustic Frontiers (USA) and RBB (Germany).

[Disquiet_Junto_0612] The Lure of Bells

Tristan Louth-Robins

Recent comments

modusMatt

Related tracks