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Dum Maro Dum

Yaara Silli Silli Remix

my opinion on balls

AR REHMAN -  VANDE MATRAM - DJ XYLO

Hare Rama Hare Krishna - Dum Maro Dum (1971)

Tu hi re_Cover_#ashiqameer

He mahaveer Karo Kalyan DJ dm

Nimoli by Dhruv Ghanekar, Ila Arun & Bobkat - Coke Studio@MTV Season 4

Mogal Aave | New Gujarati Devotional folk fusion Song by Santvani Trivedi | Bahadur Gadhvi



Disclaimer :- This song is an artistic representation of ones feeling towards the MOGAL MAA (Mother Goddess), 
                                Every Artists of this song don’t intend to hurt any religious sentiments of an individual or any community.

Each word of this song is a praise we have our faith in. Every expression are a connection with the Goddess herself.
We present to all of you our most favorite & most beautiful tracks of all time, #MogalAave & #MogalAavone.
This track talks about the Strength & Power of MOGAL MAA, while also about her beauty & magnificence.
It is a composition passed down in tradition through generations, and awesomely written by Shri Dadudan Mesan (Gadhvi), known more by his pen name “Kavi Daad”.
We recreated this oldest Devotional Folk Tracks in R&B Style. Hope you All Enjoy this Form of Divineness.
Song: Mogal Aave & Mogal Aavo ne 
Singer: Santvani Trivedi & Bahadur Gadhvi 
Music Arrangements: DJ Adee & Ahmon 
Keyboard: Param Bhagat 

Flute: Hasmukh Belani 

Drum: Vrushank Gaurav 

Recording & Mixing: Ahmon Studios

Lyrics: Shri Dadudan Mesan Gadhvi ( Kavi Daad)

Sponsored by : 

Video Credits: #DevPatel 

Social Media Support: #WebStreamLive ( Nirav Parmar )

Makeup and Hair : Plumz Care Centre

Special Thanks : Medhant Trivedi

Mogal Aave | New Gujarati Devotional folk fusion Song by Santvani Trivedi | Bahadur Gadhvi

This is a song I wrote describing the dependency of the Sea with its Shore. It parallels the Love between Lord Krishna and Radha.

Video: http://www.youtube.com/watch?v=i-y_C0vsCr4

Lyrics:

Gila gila sa 
Dhua dhua sa
Khoya hua sa
Behka hua sa
Humsafar se milta yeh kinara, bhiga bhiga
Sagar se gehera yeh kinara

Diwano jaisa chahe wo sagar
sunta hai lehero ki aahatein
sagar ki lehere jaise  baje iktara
sajde mein uske hota hai kinara

sagarkinara jaise kanha aur radha
kanha bin radha kaise jiye
kanha se radha radha se kanha   
donno ki preet chamke banke ik tara

Rough Translation:

Soaked, smoky, lost, and intoxicated,
The shore meets his soulmate.
Deeper than the sea itself, is the shore.

He loves sea with passion,
He listens as the sound of the waves
Are drawn from the sea like the string of an Ektaara.
The shore is always there to worship the sea.
 
The sea and the shore are like lord Krishna and Radha,
How can Krishna live without Radha?
If Krishna is there, Radha will be there.
Their love shines like a star.

Kinara - Mugdha Hasabnis &  Shankar Tucker (The Shruti Box)

5000 Old Songs

Part 1- 5000 Old Songs Saregama Carvaan

Red Baraat is a pioneering band from Brooklyn, New York. Conceived by dhol player Sunny Jain, the group has drawn worldwide praise for its singular sound, a merging of hard driving North Indian bhangra with elements of hip-hop, jazz and raw punk energy. Created with no less a purposeful agenda than manifesting joy and unity in all people, Red Baraat’s spirit is worn brightly on its sweaty and hard-worked sleeve. 
“Their infectious rhythms roll over the audience like a hurricane and let the audience breathe only in a short ballad pause.”
— RHEIN MAIN PRESS (GERMANY)
Red Baraat’s June 2018 album release, “Sound The People”, hit the top 10 on the World Music Charts Europe and was heralded in the US as the anthem soundtrack for the South Asian diaspora by US hipster, indie-rock magazine.
“The album is full of moments that hit with the force of a spiritual awakening…The funk, ska-punk, and other American forms that make their way into the music are layered intricately within the same threadwork as the ragas on which these songs are pulled from. Each piece is a gesture of cultural harmony, rendering not only genre irrelevant, but the geographic placement of those sounds.”
— STEREOGUM
2018 also saw the band touring Kazakhstan, Abu Dabhi, US, Canada and Europe. They headlined the renowned WOMAD Festival in Cáceres, Spain in front of 10,000 people, performed the Vienna Konzerthaus (Philharmonie) in Austria and had the crowd jumping at Rudolstadt Festival in Germany. The release of Red Baraat’s 2nd album in 2013, Shruggy Ji, debuted at #1 on the Billboard World Music charts in USA and propelled the band on a world tour that has yet to stop. They’ve performed at Bonnaroo, Austin City Limits, WOMAD, globalFEST, Lincoln Center, New Orleans Jazz Fest, along with clubs, theatres, and arts centers. Along the way they sold out rooms as diverse as the Luxembourg Philharmonic and the New York City’s legendary rock club Bowery Ballroom, and performed at the request of The White House (Obama), TED and Olympic Games.  
“This year’s ‘discovery’ [WOMAD UK Festival], though, was Red Baraat, a cacophonous bhangra funk band from Brooklyn. Think Punjabi weddings, Delhi street brass bands, modern jazz and rock.”
— THE TELEGRAPH (UK)
But even as it’s clear that Red Baraat has built a startling history of performances in iconic settings, the band’s bread and butter remains the sweaty clubs, festivals, packed performing arts centers, and college auditoriums that keeps the band on the road all over the world the last several years. It’s here where Red Baraat does what it does best - communing with their audience in a joyful, near hedonistic celebration of music and dance, which tellingly, draws a crowd even more diverse than the players on stage. The universality of what Red Baraat does is undeniable. And this is no happy accident. It is the product of intention and design. Says Jain, “The band…our songs…are addressing the multiplicity of viewpoints,” says Jain. “There’s ‘Zindabad,’ which means ‘Long Live’ in Hindi. In that song, we’re saying that we celebrate life, we celebrate devotion — but we also celebrate agitation and revolution. If we can unite people of all backgrounds and ethnicities to partake in the exuberance of life through the universal language of music, then life is that much sweeter.”

Dum Maro Dum

Red Baraat

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