IGNATZ & DE STERVENDE HONDEN - You Can't See Me

 7 months on from TP#4, Demdike return with the 5th instalment in their ongoing research and development series - a double-headed monster split between gnarly reductions on the A-side, and industrial strength edits on the flip. ‘Procrastination’ edges through Grimey detritus and gunshot snares within a vast open space perfectly primed for that Demdike slow build. ‘Past Majesty’ on the flip offers up a feral take on some kind of cyber-industrial insanity, somewhere between Ministry and Powell - with a denouement which should probably come with a public health warning attached to it. All we’re saying is - watch yr eardrums.

Procrastination

From ou https://careof.bandcamp.com/merch/lucrecia-dalt-ou-12-vinyl

04 - Eleanore (closing track)

HVNX-400 Lawrence Le Doux
'Music for Documentaries'

Release date May, 19th

A1 - Cayenne

MIKA VAINIO + RYOJI IKEDA + ALVA NOTO - LIVE 2002 [N-043]

In September 2002 Mika Vainio, Ryoji Ikeda and Alva Noto (Carsten Nicolai) were invited by the Baltic Centre For Contemporary Art for a residency. As a result of this project three live performances followed this research period.

All the tracks on this record were recorded live on September 23, 2002 at the Baltic Centre For Contemporary Art in Newcastle, UK.

All sounds by Mika Vainio, Ryoji Ikeda, Carsten Nicolai.

LIVE 20O2

MOVEMENT 4

MIKA VAINIO + RYOJI IKEDA + ALVA NOTO - MOVEMENT 4

Mimicof "Love Control" ft. hprizm is a cut from '»sichten« vol.1' a compilation from Raster Noton out on September 21st. The Raster label invites friends and colleagues to present music that tends to be out of the focus of current media channels. For the first edition, they’ve invited musician, composer and video artist Frank Bretschneider, whose picked six artists working in multi-textured minimal sounds. MimiCof is the solo project of Midori Hiran in which she explores the realm of experimental music and detailed rhythmic patterns, combined with an idea of drawing melodic shapes and harmonies.
The track premiered on today's episode of Peak Time, live from Funkhaus Berlin, for RBMA20.
www.redbullradio.com/shows/peak-time
@raster_artistic_platform

Sichten 1

Mimicof "Love Control" ft. HPRIZM [PEAK TIME PREMIERE]

Taken from the iDEAL187 "Loyalty Does Not End With Death" LP. Available April 19th 2019 from www.boomkat.com

Carl Abrahamsson & Genesis Breyer P-Orridge

LOYALTY DOES NOT END WITH DEATH

A1. A PERFECT RESTRAINT
A2. BURNING BUSH
A3. S/HE IS HER/E
A4. THEE HEIROPHANT OV LEAD
A5. EASING
B1. A THIN GARDEN
B2. INTERDIMENSIONAL TRAVELS 
B3. FIREFLY'S LAST SPARK
B4. ARBITER OV ELEGANCE

Bonus 12” A: SLOWLY
Bonus 12” B: THIRD MINDS THINK ALIKE

Recorded by Sean Ragon in New York City and by Carl Abrahamsson in Stockholm 2017-2018. Words & vocals by Genesis Breyer P-Orridge. Music, mixing and production by Carl Abrahamsson. Cover art by XXX. Mastered by Gregg Janman at Hermetech Mastering. Words and music published by Interzone/Freibank.

Genesis’ special Thanks to: Ryan Martin; Roxy Farman; Genesse P-Orridge; Caresse P-Orridge; my chosen famille in Psychic TV (3); Leigha Mason; Hamburguer Lady and all thee Oncology Ward staff at Presbyterian Horse Pistol, New York.

Carl’s special Thanks to: Vanessa Sinclair; Sofia Lindström-Abrahamsson; Margareta Abrahamsson; Joachim Nordwall; Ryan Martin; Sean Ragon.

Dedicated to: Thee Twins; Dah Gbedjinon; Lady Jaye Breyer P-Orridge; Susana Vico Valero; Brion Gysin; Joumoux; Dr Sangmin Lee and thee One True TOPI Tribe.

iDEAL187 
iDEAL Recordings 2019

Distributed by Boomkat

Genesis Breyer P-Orridge & Carl Abrahamsson - The Hierophant Ov Lead

Ben Vida
Reducing The Tempo To Zero
SHELTER PRESS / SP108

Recorded 2016-2019 New York
Mastering: Stephan Mathieu
Artwork: Xavier Antin

The theme of time is unavoidable when approaching Ben Vida’s Reducing the Tempo to Zero, his latest endeavour with Shelter Press. A singe work, pushing the bounds of Digital and Analog Synthesis, which stretches to just over 4 hours in length, its realization is the product of years of effort - the process of recording and editing extending across the period between 2015 and 2019, offering momentary conclusion to an arc of ideas and practice which which first appeared on Damaged Particulates, issued in 2016.

RTTTZ is a temporal nesting doll - a meditation, conceived by Vida as a part of a daily practice which embarked upon sustained periods of focused creation and listening. While the product of a deeply personal, inward journey, similar to iconic efforts by composers like Dennis Johnson, La Monte Young, Morton Feldman, and Éliane Radigue, it strives to unravel the standards and expectations applied to musical and experiential time, taking the relation to sonic phenomena into an almost transcendental realm. Immersive in scale and endurance, through a deep and radical sensitivity to material and structural hybridity, Vida’s return to the durational drone based forms - first explored as a member of Town and Country during the mid-90s - drives the ear toward the solace found through developmental and intimate relationships with the fleeting, granular, and discrete, transmogrifying smallest detail into a monumental event.

Despite being the “complete” RTTTZ document, made concrete by the process of recording, this 4+ hour iteration carries the shifting ghosts of other beings and times. It represent only one of many possible, existing beside a free standing phonetic, text-based score, and a near infinite number of evolutionary, live variations - instrumental and vocal versions, as well as those which spring from the combination of instrumental and vocal ensembles of varying sizes, each time of different length, changing and taking on new dimensions determined by the its performers. In a sense, each version is simultaneously free-standing and finished, while capable of reconfiguration and being made anew - a mirror for its shifting passage through the ear, which triggers multiple, concurrent images of other times and existence of itself.

While the duration, structure, and relatively of RTTTZ focuses attention toward the internality of what it is, like all great art, they are simply a means to an end. The crucial themes lay with the cumulative effect of their sum - the power of phenomena and highly individualized experience. It is an organized, sonorous space which is to be occupied and within which to get lost, shifting the ownership, whether embarked upon actively or passively - both as valid and rewarding as the next - to the listener alone, sculpting a subjective expanse which denying concise location and, in so doing, undermines the presumption of the capacity to be the same thing twice.

Overwhelmingly beautiful in its oscillating harmonics and punctuation of pulsing texture and tone, each stage of its evolution moving at a glacial pace, represents a monumental achievement from Vida within the broad landscape of experimental and avant-garde sound. Reducing the Tempo to Zero was mastered by Stephan Mathieu, and is released by Shelter Press in both digital and limited USB card editions.

Reducing The Tempo To Zero

BEN VIDA 'Reducing The Tempo To Zero' (EXTRACT)

All 5 tracks on ​12" Matas Flores y Algo Más ​were jammed and recorded between late 2018 and early 2019, with Juno 106, Yamaha DX7, Korg Wavedrum and Pearl SC40. 
A1. Self Similar Melodies
https://tulips-de.bandcamp.com/

Sound enthusiast and percussionist Tulips, plays with NASSSAU, as P.VEE with TRJJ (Stroom), and MONTEL PALMER.

Tulips - Self Similar Melodies

What is in the Museum Of No Art? Not paintings, but visions. Not sculptures, but empty spaces full of potential. It is within this inverted gallery that Mona Steinwidder traces fabulous forms with voice, sampler, synthesizer, clarinet and effects. Under the moniker Museum Of No Art, she has created an album that floats in a hazy lacuna between realities, rooted in propulsive and deep bass resonance, but also footloose, playfully deconstructing language and mixing in layers of echoing synthetic and organic tones. The fascinating result of these unfettered experiments resonate as an imaginary cadavre-exquis played by DJ Screw, Arthur Russell, Hiroshi Yoshimura, MJ Lallo, Poppy Nogood, and Laurie Anderson.

With a background in fine art and music, over the years Steinwidder has created and released music under the pseudonym Mohna, as part of the experimental pop band Me Succeeds, and collaborates with composer Alexander Schubert and electronic dance music producer Christian Löffler. Recently, shifting her focus more on improvisation and experimental music, she moved to Vienna for six months to concentrate on experimenting with synthesizers, samplers and voice. Her intention was to build a “playground” that would leave space for improvisation and allow for a meditative and intuitive process. This solo exploration allowed her to return home with a new way to play.

“I like this idea of an open and light structure that can grow and transform and leaves space in all directions. Something without a clear beginning and ending. A rough, short note. Today I’m in the mood to sing, but tomorrow I might be in the mood to just float on an ocean of synths or to play a solo on my clarinet. I am a never-ending process and I am many. The Museum Of No Art album is a collection of days and moods, images and circumstances I experienced and immediately recorded in the last year.”

Limited edition of 200 LPs with risograph printed artwork.

Tracklist:

A1 La Grotta (5:39)
A2 Fabulous Youth (8:06)
A3 Minimal Default on a Clear Blue Day (3:33)
A4 A Melting Tree (2:30)

B1 Form and Focus (4:48)
B2 Eternal Explorer (3:31)
B3 A Nameless Person Tries to Describe Herself (3:10)
B4 Three Years Later (The Formation of a New Animal) (5:14)
B5 Subconscious Message (2:26)

Release date: July 17th

BUY Vinyl: https://www.seance-centre.com/shop/museum-of-no-art-s-t
BUY digital: https://museumofnoartsc.bandcamp.com/album/s-t

Museum of No Art (23SC)

Museum Of No Art -  Fabulous Youth (23SC)

from KR083:  MARTINA BERTONI - Music For Empty Flats. LP / DL / Tape out january 29th 2021

Music For Empty Flats

MARTINA BERTONI - Music For Empty Flats

The Red Bull Music Academy is a world-travelling series of music workshops and festivals: a platform for those who make a difference in today's musical landscape. Here, you'll find exclusive downloads and streams from Academy participants, family, and friends.

Mimicof "Love Control" ft. HPRIZM [PEAK TIME PREMIERE]

Red Bull Music Academy

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