Instrumentals Vol. 3

Taken from the album 'S/H' released as 2CD and Download

Steve Hauschildt 'Enter Return' (eMEGO 178)

No Better Time Than Now

Shigeto - Miss U

Ross McHenry’s debut album Distant Oceans brings together 6 of the worlds foremost musical innovators for the first time on record. The ensemble features one of the most exciting and in demand producers and keyboardists in the world today, Mark de Clive Lowe, the rhythmic foundation of renowned NZ ensemble Electric Wire Hustle, Myele Manzanza, multi-instrumentalist and composer Adam Page and leading Australian instrumentalists Dylan Marshall, Jon Hunt and Luca Spiler. 

With a focus on new improvised music inspired by the LA beat scene and the worldwide new jazz movement, this highly original album traverses unique sonic landscapes reimagining the modal jazz movement through the lens of contemporary music production. Imagine John Coltrane meeting the Brainfeeder collective and you’re somewhere close to the sound of Distant Oceans.

Ross McHenry - Distant Oceans - 04 Distant Oceans Pt. I

Taken from Sinemis's LP Dua on Injazero Records, out November 4.

Pre-order: https://sinemis.bandcamp.com/album/dua
More: www.orbmag.com/music

@injazerorecords
@sinebuyuka

Listen more

Premiere: Sinemis - Elegy

Theories of Translation EP - A journey through the mind of experimental hip hop producer Ruff Draft - Enjoy.

http://resonate.bandcamp.com/album/theories-of-translation-ep

The Lorelei Signal

SPOTIFY: https://open.spotify.com/artist/6SzU6snNluczsIllhw0lf5
FACEBOOK: www.facebook.com/ScottieRoyalMusic/
YOUTUBE: www.youtube.com/c/ScottieRoyal

Tried to kill two birds with the throw of one stone ;) (STBB entry and BoardWalk remix). Rules for this week's battle: make an arrangement with four distinct parts. No acapellas were supposed to be used, so I may have walked a fine line with that rule.

Original from: @boardwalkla on @stonesthrow
Listen here: https://soundcloud.com/boardwalkla/im-to-blame

FACEBOOK

Blame Scottie (STBB 374 Winner, Boardwalk "I'm To Blame" Remix)

Freedom

Una ninna nanna
Frutto della mia mente
Mi accompagna
dove Il tutto,
Si offre al nostro controllo.
Note lunghe
Di scale rovinate
Da chi
Prima di me
Cascato nel vuoto
Ha cercato di arrampicarsi
Per tornare indietro
Ed aprire nuovamente gli occhi.
Ninna nanna
Morbida e pungente
Risuona in me
Senza allontanarti
Così che una volta
Arrampicato su queste scale dissonanti
Sognerò ad occhi aperti
Per l' eternità.

Ninna Nanna

From the forthcoming compilation 'Suso Sáiz ‎– Odisea' 2016 © Music From Memory

Buy 2xLP

Suso Saiz - Hombre Oscuro (4:24)

Equiknoxx are one of the hottest, most innovative dancehall squads from Jamaica right now; Bird Sound Power is their debut collective show of strength, packing 12 avant, crooked riddims by core members Gavsborg and Time Cow, plus Bobby Blackbird and Kofi Knoxx, with vocals by Kemikal, Shanique Marie and J.O.E. (R.I.P).
The set was parsed and pieced together by Jon K & Demdike Stare , and now thanks to link ups via Swing Ting’s Balraj Samrai (a longtime livicated supporter), it is issued on Demdike’s DDS imprint, replete with Jon K’s sleeve design.
Easily identified by the squawking bird idents peppering their cuts, Equiknoxx productions have been big in the dance since Gavin Blair a.k.a. Gavsborg produced Busy Signal’s billboard hit Step Out in 2005, followed by key instrumentals for Beenie Man, Aidonia, Masicka, and T.O.K. - with many released on 7” thru their Equiknoxx Musiq label, and some of which, such as Aidonia’s Negative, are included in this set.
Bird Sound Power arguably marks up the most striking riddim album you’ll hear from JA in 2016, weighted with the potential to open up perceptions of current dancehall thanks to the mad character and broad reference points of its producers, encompassing King Jammy’s foundational digi-dub and Dave Kelly’s Mad House sound as much as rugged New York hip hop and the wigged-out, feminine pressure of Virginia Beach’s Timbaland or The Neptunes.
The oldest tune inside dates to 2009, but the rest are relatively recent dancehall mutations, including a number of exclusives produced in the last 12 months. Each one reps for Equiknoxx’s unique aspects, such as Jordan Chung a.k.a. Time Cow’s brilliantly bizarre, layered arrangements of film samples, sawn-off hooks and digi-tight beats, whilst also a result of as their distinguished family vibe,
Bird Sound Power exists in a paradox, contemporary but classic, and with as much potential to turn new heads onto current JA sounds as Mowax’s Now Thing set back in 2001, which remains a key touchstone for all fwd looking producers..

Bird Sound Power

Someone Flagged It Up!!

Sylvia Monnier - "Dennis Hopper"

INFOS / ORDER: http://shelter-press.org/native-instrument-camo-sp073/

—

Native Instrument is a Berlin based sound collaboration bringing together the fieldrecordings archive of Felicity Mangan and the abstract vocabulary of Stine Janvin Motland.

Often referred to as insect techno, Native Instrument’s music is constructed using electronic and vocal adaptations of wildlife audio recordings originating mainly from the Australian and North European fauna; mixing the natural rhythms of animal calls with digital effects and vocal imitations, Native Instrument enlightens a sonic ambiguity between rural nature, electronics, and the human voice. 
 
Over time, field recordings and human vocabulary become mixed up, indiscernible from one another – a sound illusion that ends in the creation of a new melodious wildlife genre.

With their debut release Camo, Native Instrument presents their true artificial nature; sound collages moving between tropical ambience, club inspired bug beats and amphibian trance. 

Mastered by Giuseppe Ielasi and pressed at Pallas in a first edition of 500 copies.

NATIVE INSTRUMENT 'Waldfest' (SP073)

from the "Wild Palms" CS (NNF336)
Not Not Fun / 2017

TO OWN:
https://iguanamoonlight.bandcamp.com/album/wild-palms
https://midheaven.com/item/wild-palms-by-iguana-moonlight

Iguana Moonlight "III"

→ http://shelter-press.org/tomoko-sauvage-musique-hydromantique-sp087/

TOMOKO SAUVAGE 'Musique Hydromantique' (SP087)
SAMPLE MIX

Musique Hydromantique is the second solo album by Tomoko Sauvage archiving many years of her performance-based practice on the waterbowls - the natural synthesizer of her invention, composed with porcelain bowls filled with water and amplified via hydrophones (underwater microphones). While her first album Ombrophilia (released on and/OAR in 2009) was studio-recorded /composed work, «Musique Hydromantique» is about experimentation and improvisation with the environment - acoustics affected by the architecture, temperature, humidity and the human presence. 

For more than ten years, Sauvage has been investigating the sound and visual properties of water in different states, as well as those of ceramics, combined with electronics. Water drops, waves and bubbles are some of the elements she has been playing with to generate the fluid timbre. Since around 2010, hydrophonic feedback has been an obsession for the musician - an acoustic phenomenon that requires fine tuning depending on the amount of water, a subtle volume control and interaction with the acoustic space. 

Calligraphy was recorded in a genuine echo chamber, with about 10 second reverbs, situated in a former textile factory. Like an endless exercise to draw perfect curves and forms floating in the air, the subaquatic feedback frequencies are pitch-bended with the mass of water sculpted by a hand changing its quantity. Fortune Biscuit is about the singing bubbles emitted from the pieces of ‘biscuit’ (porous terra-cotta). Depending on the texture of the surface, each biscuit makes different sound : insect and animal voices in a forest, motors, crying babies changing pitches and rhythms while absorbing the water… Clepsydra (meaning water clock) features Sauvage’s classical technique, a random percussion with dripping water. She tunes the waterbowls by adding and removing water, making flowing glissando, to find the balance point in ever-changing tonalities. 

Just as the flow of water is subject to a number of variables such as temperature and pressure, water clocks mark a time that is shifting and relative. However, slowness dominates throughout the album as a result of favoring the full resonance of the instrument, leading to a path to experiencing timelessness. 

Hydromancy is a method of divination by means of water. Unpredictable bubbles and water ripples become oracles. Evaporation and acoustic space constantly play a chance operation. Through primordial materials and ritualistic yet playful gestures, Musique Hydromantique questions contemporary divination.

All the tracks are live-recorded without electronic effects or editing. They were recorded during the night or very early in the morning and the whole album is to be listened to during that period of a day. 

—
LP edition of 500 copies with reverse board-printed inner and outer sleeve. Digipack CD edition of 1000 copies. Mastered by Rashad Becker at Dubplates and Mastering.

TOMOKO SAUVAGE 'Musique Hydromantique' Sample Mix (SP087)

März

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Ross McHenry - Distant Oceans - 04 Distant Oceans Pt. I

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