Name: Jimmy's Fantasy by ReddKross in Jules
Duration: 3 min 45 s
Description: Jimmy's Fantasy from the Redd Kross album "Phaseshifter"

Jules

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New York garage punk pioneers, The Fleshtones perform live at 88.1 KDHX in St. Louis. Recorded March 12, 2011. Hosted by Valice Hortel. Audio by Ryan Greenlee. Discover more great music at http://kdhx.org.

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For request TRACK ID send a message to @krisbaikova.

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by Radio Fantasia
https://radiofantasia.bandcamp.com/album/don-t-stop-talking-about-palestine

Don’t stop talking about Palestine.

As we near the end of 2023, we feel exhaustion from wars, exiles, ecological catastrophes, censorships, unstable economic situations we find ourselves and our dissolving bodies. In all that the only thing that keeps us hopers is seeing you guys act, listening to all the strong supportive voices, talking about things that can be dangerous to speak up about, as we see numerous examples of censorship for standing up for your beliefs.

This compilation brings together 19 musicians to continue the conversation about Palestine, calling for a ceasefire and an end to the occupation, and donating their tracks to support the people in Gaza.

All donations raised from this compilation will be sent to Medical Aids for Palestine (MAP), an organization prioritizing the health of Palestinians living under occupation and as refugees. They provide immediate medical aid to those in need and work to develop local capacity and skills for the long-term development of the Palestinian healthcare system.

Let's not allow the darkness to consume us. Let's continue to raise our voices, support each other, and take action.
—
We want to thank all the artists and design team for such a work and spreading their sonic acts, words and thoughts.
credits
released December 21, 2023

Artwork by Alena Koleso
All tracks mastered by Wehrk
Curated by Radio Fantasia team: Misha Kurilov and Marianna Kruchinski

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SEAT003 PRE-ORDER -https://seatedrecords.bandcamp.com/album/22-beaches-dust-recordings-1980-1984


Seated Records return with more 1980s Scottish Post-Punk / New Wave material. In this 8-track mini compilation, “Dust: recordings 1980-1984” , the label introduces the work of Stirling band 22 Beaches, following the band's journey and the changes in their sound over the years. The compilation moves from the raw, punk energy of early DIY recordings through to the A Certain Ratio style Balearica of their later pieces. 

Limited 12" Vinyl & Digital

Released 27/05/24

22 Beaches - Dust: Recordings 1980-1984 (Clips)

LUMER – Lying in wait //
REGULAR GIRL - breakthrough //
Théo CHARAF et Raoul VIGNAL (Nitebirds) – Moonlite //
Les SOUCOUPES VIOLENTES - J'irai pas //
The LEMON TWIGS - My golden years //
METZ - entwined_street_light_buzz //
MARBLED EYE – Read The Air //
LUMER – One hundred years of solitude //
LUMER – Notion of the dark //
ELYSIAN FIELDS - First last wishes //
Catherine GRAINDORGE - Orpheus' head //
Turner CODY – First One at the Drive In //
LUMER – Dead Conversation //

#850 - LUMER

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Jimmy's Fantasy from the Redd Kross album "Phaseshifter"

Jimmy's Fantasy

A skinny live version of an old Brokeoffs number. 

http://www.thebrokeoffs.com

Little Low

Redd Kross have always been too good, too perfect, too true, to believe. Mythic. Could this tuneful hardcore punk EP really be the work of a brother band with the 15-year-old on vocals and guitar and the 11-year-old on bass? Did Redd Kross really open for Black Flag? Could Jeff and Steve really have been born and raised in the Beach Boys’ hometown of Hawthorne, California, and did Jeff really see the Beatles live in 1966? Did one of them, dressed in Gene Simmons makeup, really kill a Bruce Springsteen impersonator onstage? Is that really their hair? Could Researching the Blues, their first studio album in 15 years, be not just the hottest thing since Cher went solo but the best start-to-finish Redd Kross record ever?

Somehow, the answer to all the above is improbably, wonderfully, beautifully YES. Long have Redd Kross rocked, and long have critics, devoted fans, Rodney Bingenheimer and fellow musicians from Seattle (Nirvana) to New York (Sonic Youth) to Driftwood, Texas (Butthole Surfers) to Hollywood (everybody) bowed before the Kross and their self-aware pre-spandex Glam bubblegum garage psychedelic Cheap Trick/Kiss/Revolver post-Kim Fowley rock and roll. Degenerate, sweet: tongues in cheek, song-long winks.

Commercial success may never have been theirs (if time and space had been aligned correctly, they’d have been blitzing ballrooms in the early ’70s instead of opening for Stone Temple Pilots in the early ’90s), but Redd Kross have endured and endeared because they’ve always had the best possible attitude: smarts, smiles, and total commitment to live hair-spinning showmanship.

Like fellow legendary Great American John Waters, they’ve devoted their career to making subversive entertainment in a high pop celebrity style, reintroducing in their especially golden late ’80s/early-’90s period such forbidden classic-rock tropes as melodies, harmonies, ripping musicianship, and primary colors-stuff that had (largely) been ditched in the underground rock’s post-punk, No Wave, hardcore, and sensitive-egghead scenes. Redd Kross then spent the ’90s making one great misunderstood record after another until enough shit had caked the fan that in 1997 they pretty much called it quits.

But you never quit being brothers. And so here’s the next Redd Kross album-produced and mixed by younger brother Steve earlier this year after it was mostly written by older brother Jeff in 2007-08, and recorded in that same period with the band’s current lineup, who’ve re-engaged in live performance since being lured back into action by an excitable Spanish promoter.

They’re too nice to say so themselves, but attention must be paid to this band, to this great album, Researching the Blues, which, like a pair of great pants, is tight and the perfect length. By the time you’re two minutes and 51 seconds into the second song, “Stay Away From Downtown,” and the band is breaking into the sha-la-las, you will be running around the room with your hands in the air. As the fourth song, the Brian Wilsonian “Dracula’s Daughters,” ends and the dynamic mid-’60s Beatles jingle “Meet Frankenstein” launches into its first chorus, you will be mass-texting all of your friends with the good news. By the final four songs-”The Nu Temptations” (Stooges-worthy riffs! Cowsills counter-harmonies! And more!), the “Surrender”/Noel ‘n’ Liam rockers “Choose to Play” and “Winter Blues,” and the stunning summer psychedelic power pop that is the closing “Hazel Eyes”-you will know the truth. You tried the rest-but now you’ve had the best. The McDonalds were educated at Rock ‘n’ Roll High, and they’ve stayed true to their school. Here’s to their beautiful reunion! Redd Kross Forever!

Jimmy's Fantasy

ReddKross

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