somewhere between Parrish blue, cobalt blue and sensory in a 60's self-actualized surround sound.

amazing set! can anyone identify this one? :)

New mix from Manchester-based dj & producer Simon Hindle aka @rufdug !

We invited Ruf Dug to play in 2017 at our party "Exotika" in Paris who definitely left us great memories of his skills behind the desks, his super solid vinyl selection between balearic, boogie, disco, tropical house, dirty techno and unclassifiable music and great humor and mindset.
Ruf Dug signed numerous records on labels such as Music For Dreams, Unknown To The Unknown, Golf Channel, Futureboogie Recordings, and lately on Shall Not Fade or No Bad Days. He also runs his impeccable imprint Ruf Kutz for more than 10 years. Monthly host on the prestigious NTS Radio, he reflects a wide range of influences in his shows like in this special podcast he delivered for our series !

Ruf Kutz Label --> https://rufkutz.bandcamp.com/

LYO#182 / Ruf Dug

Mix of the Week #379 is "Dream Machines" by Basso
Follow and include @growingbinrecords in your track ID requests

"If someone knows stuff that fits the vibes in this mix I’d be very greatful about recommendations. Of course I will also listen to dreamy electro demos…" - Basso @growingbinrecords

https://www.growingbinrecords.com/

Mix of the Week: App/Email https://www.dreamchimney.com/motw/subscribe
Dream Chimney Radio: https://www.dreamchimney.com/radio

Dream Chimney 'Mix of the Week'

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Mix of the Week #379: Basso - Dream Machines

Nick Cubley - The Last Sunbeams

Kryptic DJ and Menqui met at the Cashmere headquarter for an extended 3h session.
 
Artwork by @magicmuelli

The Past Forward radio show is hosted and aired on Cashmere Radio. Find more info and other episodes on the Cashmere Radio website - https://cashmereradio.com/episode/past-forward-w-menqui-kryptic-dj/

Past Forward #71 w/ Menqui & Kryptic Dj

The December episode of Music From Mullets is a cozy one, as it‘s cold and grey in Berlin and we can really use some warmth right now. We‘ll go on a journey through soul and jazz infused folk and AOR while leaning more towards New Age and balearic vibes in the second hour. Thanks to @kryptic_dj who provided this time's guest mix: it's like an audible postcard from the seaside.

This show originally aired on Cashmere Radio at December 7, 2022
For more info, the tracklist or other episodes visit the show's archive at
cashmereradio.com/shows/music-from-mullets/

Music From Mullets #11 w/ Frinda di Lanco & Kryptic DJ

September Jams 2017 ( Guestmix - Steele Bonus )

Rinse France - Music For Tourist w/ Maybe Tonight (10/2018)

@djsundae

Laurent is one of our favorite DJ’s from the Parisian scene. Known for his delicate tastemaking selections, his mixes are always a pleasure for the ears and the heart. He runs the Idle Press label... do you remember that Pitch re-issue in 2016 with this great Tolouse Low Trax remix. In the bag forever.

IFM # 50 - DJ Sundae - Knekelhuis - Intergalactic FM

This is my set at Camp Cosmic 2019,  8 o’ clock when the sun came up. 
I think it was one of my all time favourites — the energy of the audience dancing & smiling in front of me was super beautiful and what Camp Cosmic means to me… One love!

The set is re-recorded from my blurred memory and 45 minutes of my phone grabbing the sound — the recorder disappeared into the fog, such as the rest of the set… But I tried my best to puzzle together what i played.

Shoutouts to my talented friends who make this amazing music!
Praah, Otto, Ashinoa, Abschaum, Reymour, Fantastikoi Hxoi, and thanks Katzi for sending the last track by Shari Vari just in time ツ

@el-praah @otto-inoffizielle-seite @ashinoa @abschaum-911931196 @reymour @fantastikoihxoi @malka-tuti

C🔥mp C∅smic 2◐19

Contribution number ten comes from long time label friend and multi instrumentalist Michal Turtle (@michalturtle). Q&A (excerpt) here below.

www.musicfrommemory.com

MFM: Hi Mike, how's life in beautiful Swiss? What's the story of you leaving the UK for Switzerland actually?

MT: Life is sweet thanks :)I've been here since the end of 1987, of course it was a lady story that brought me here.

MFM: Do you think that moving places changed you as an artist or maybe your approach to (writing) music?

MT: Once I got here, things quietened down a lot. I found a job in a recording studio, and started working with local heroes, some of whom I still do work for. The music scene here, compared to what I was used to in London is very low key, and I soon found quite a lot of time for writing my own stuff. The public has yet to hear (maybe one day) my early 90s output, but I carried on much in the same vein as the London years, albeit with improved technology. (this was my bronze age 
output, as opposed to the stone age London recordings)

MFM: Imagine if your inspiration or motivation ever runs dry, what place would you move to in order to find new?

MT: Geographically, it doesn't seem to matter to me where I work, if I'm on the road or on a long plane flight, I can work just as easily. If I don't have a (piano) keyboard, the writing style changes a little, and becomes more mathematical perhaps.

MFM: You have quite a background in musical education, correct? If you'd have to name one thing studying academically has taught you and which you still value today, what would it be?

MT: For much of the work I have ended up doing, I am grateful for my studies in orchestration and notation. I have written (physical) orchestral parts for real players, and they always worked just fine, and sounded as I imagined.

MFM: Experiment seems to play a vital role in your music, which never sounds the same and always rich of unconventional textures and musical combinations. Is that something you inherited from studying music at academical level?

MT: I would say no to that. My classical education was very traditional, and during it I was also experimenting at home and with other people, but the 2 elements never really overlapped. Luckily in college was a “state of the art” (8 track analog) recording studio, and the guy in charge of it was looking for projects to record. I ended up doing 7 or 8 pieces, multi-tracking everything. After that I was hooked on the recording process. (which I still am)

MFM: Did it ever cross your mind to work on a new album after your first and only one from 1983?

MT: In the late 90s I was discovering my production skills, and did 5 albums with my own project “wearedust” It was very much of that time, but some songs still get airplay on swiss radio, but as you say MFTLR was my only album under the name “Michal Turtle” I have written much new stuff in the intervening years, and there may well be a solo project of new material at some point.

MFM: Such a nice thing from you to join our mix series, thanks. You're not really a DJ right? How then did you approach making the mix?

MT: I've done several now, sometimes they are theme based, and other times it can be stuff I like and that has influenced me. This one is basically that, plus a couple of tracks from old projects (you may spot Lucianne and Tim in there) and a couple of more recent tracks by me.

MFM Mix 010: Michal Turtle

Here's a mix I made in anticipation of playing my first time in Moscow. I remember well the great atmosphere at Strelka. The warm hospitality of Sergey, Sasha and the crew. Digging without the shop's owner present, eggs benedict for breakfast. Spasibo, Spasibo, Spasibo!

Basso - Plum Flowers In Golden Vase (2013)

★★ WE'RE A SECOND HAND RECORD STORE IN THE HEART OF THE RED LIGHT DISTRICT IN AMSTERDAM, NOW SELLING ONLINE ALSO★★

https://redlightrecordsamsterdam.com/
-----------------------------------

Redlight Records
Oudezijds Achterburgwal 133
1012 DG Amsterdam

redlightrecordsamsterdam@gmail.com

Opening times : 

Monday 12:00-18:00
Tuesday 12:00 - 18:00
Wednesday 12:00 - 18:00
Thursday 12:00 - 18:00
Friday 12:00 - 18:00
Saturday 12:00 - 18:00
Sunday Closed

-----------------------------------

September Jams 2017 ( Guestmix - Steele Bonus )

RedlightRecords Amsterdam

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