From the album Surrounded, out September 3, 2013 on Merge Records.
http://www.mergerecords.com/store/store_detail.php?catalog_id=948

Surrounded

Buy from Merge

Richard Buckner "Mood"

Darkness

"In a Bar" from Tango with Lions' debut album "Verba Time", released by InnerEar Records on June 21st 2010

In a Bar

First mp3 single from In Roses, the 2nd full-length LP from Boston's Gem Club, out January 28th on Hardly Art records.

www.hardlyart.com/gemclub.html

Polly

2015 UK & European Tour Announced. Click here: smarturl.it/finkautumntour for all dates & tickets.

Order & Follow
Ninjashop: http://found.ee/horizontalism 
iTunes: http://found.ee/horizontalism-it
Spotify: http://found.ee/horizontalism-sp

Download live EP 'The Hard Believer Sessions' free: http://smarturl.it/finkhbsessions

Hard Believer album out now: smarturl.it/finkhbalbum 
Download new track 'Hard Believer' free: smarturl.it/finkhbsc

Hard Believer

Shakespeare

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Fink - Shakespeare (Hard Believer)

On a day some talk silly, some talk strange, I find I am leaving here #behouai #niort

Strange

2015 UK & European Tour Announced. Click here: smarturl.it/finkautumntour for all dates & tickets.

Probably our favourite track from Hard Believer, co-written with with our old partner-in-crime Blair Mackichan - finally released as a single. Video, directed by skate legend Foley, here: http://youtu.be/eRjm9dupL1k

Horizontalism out now on R'COUP'D. Visit & sign up to Fink newsletter: http://finkworld.co.uk for more information.

Buy & Follow
Ninjashop: http://found.ee/horizontalism 
iTunes: http://found.ee/horizontalism-it
Spotify: http://found.ee/horizontalism-sp
Beatport: http://found.ee/horizontalism-bp

Pilgrim

DL iTunes

Release Date : 23rd February 2015

Grasscut, the duo of Andrew Phillips and Marcus O’Dair, return in February with a new single, Curlews/September Night’s Sky – the first single from the band’s forthcoming third album, Everyone Was A Bird, to be released by Lo Recordings in May 2015. 

Whilst first performed in collaboration with the Kronos Quartet to over 4,000 people in a warehouse in Poland, Curlews origins lie much closer to home. It’s meditative piano intro, soaring strings and sense of open skies and distant horizons inspired by the British coastline. “I’d started it on the train from Birmingham to Wales,” say Phillips, “and as I reworked it later for the album the music, especially the piano and string rhythms, kept pulling me back back to the Mawddach Estuary. I kept stripping layers and layers away, till eventually the melody, mood, and words were exposed – like they'd always been there.”

“The poet Harriet Tarlo cautions against the lazy use of ornithological metaphors for human emotion, but watching the curlews on the estuary, I really thought: this is me, digging around in the mud till I find it. I hope that's not lazy.”

That sense of place and belonging resonates throughout much of Grasscut’s work, and the forthcoming album features liner notes from the renowned landscape writer Robert Macfarlane. 

Alongside Curlews comes September's Night Sky, a story of a spring equinox in the Southern Hemisphere. Scored by fragmented keyboards, guitars and sweeping strings it brings to mind the sense of both majesty and fragility that a starry night can inspire.

http://www.grasscutmusic.com
http://www.lorecordings.com  


www.grasscutmusic.com

www.facebook.com/GrasscutMusic
www.twitter.com/GrasscutMusic
www.youtube.com/GrasscutMusic

iTunes

Curlews

After "Theater Island," last year's 6-track EP, Sóley returns with her first full-length, an album full of rhythmic makeshift creatures, of handclaps hidden in the undergrowth, tempting us to join in. The 13 tracks are sometimes incredibly catchy; amazingly quirky at other times: think cardigan-folk from the northern hemisphere, an ocean of stained glasses bopping up and down in the shared apartment's dishwater, leeward in limbo. The result is refreshing in its lack of edginess; think Joanna Newsom minus her harp, or the Casady sisters circa 2004, but then clearly better trained, less crooked. In other words: her voice, those loops moving around like wooden toys, and finally the piano – that's the backbone, the essence of her compositions; at least until some unexpected element appears elsewhere, a rhythmic creaking or the lack thereof, like a hidden Rube Goldberg machine, setting off yet another component, thus paving the way across the threshold and on into the next realm of sound. And thus we keep on sinking, deeper and deeper, until we stand on terra firma once again, realizing that somehow, next to us, above us, around us, a beat is laid out, hesitantly moving along at first, then careering… 

Kettering - The Antlers

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