Marijn S is a Dutch producer and DJ who showcases the organic age of dance with radiant breaks and gritty, icy soundscapes.

As a producer, Marijn combines multiple contrasts in her work; the raw, pure and timeless essence of music. Embracing simplicity and tranquility, Marijn is also intrigued by darker, experimental, and complex music. Her artistic expression is characterised by the playful juxtaposition of these contrasts. 

She’s played notable gigs such as De School (AMS) Garage Noord (AMS), Dekmantel Festival (AMS), La Cheetah (Glasgow) and participated in events like Ilian Tape’s Amsterdam takeover at the Melkweg. Marijn S has recently made her live performance debut for Speedy J's STOOR / PINK NOISE during ADE, playing only with her so described ‘machine of self expression’: One hour full of her own creations, ranging from textured ambience and dreamy IDM to heavy distorted bass, abstract noise and heavy hitting electro & techno.

Her most recent EP, Digital Tears, is entirely composed and produced using the Elektron Machinedrum MKII. Some tracks, like Digital Tears and Soft Fall, were recorded in a single take to capture the raw energy, live vibe, and personal touch that come from working with analog equipment. She uses techniques like layering, resampling and overdubbing to produce a richer, denser, and reimagined sound (Gleam), as well as recording several elements individually, processing and arranging them in a way that enhances the overall coherence of the sound (Magnetic Fields).

Marijn S - Digital Tears EP will be out on September 12th on Selvamancer.

https://soundcloud.com/selvamancer
https://soundcloud.com/marijnswillens

Order via Bandcamp

Premiere: Marijn S - Digital Tears [Selvamancer]

Noir Age: Swiss Wave Special 06/09/25

Evening Chants is a contemporary music label presenting strange and unknown musical explorations. Founded in 2018, the label curates an eclectic range of ambient, experimental, and avant-garde sounds from artists globally - Meitei (JP), Softman (UK), Nicolas Snyder (US), Samutek (PL) and more.


Evening Chants @ Kiosk Radio 10.09.2025

info: https://radio.syg.ma/episodes/a-ghost-in-the-deckshell-2-drummykutz
https://github.com/pauline-devs/A_Ghost_In_The_Deckshell_2

Ghost in the Deckshell

A Ghost in the Deckshell 2 – drummykutz

Venera - Exinfinite
Label: PAN
Cat.No.: PAN 153
Release Date: 12 September 2025
Purchase: pan.lnk.to/Exinfinite

Having defined a multi-dimensional sonic universe on their acclaimed eponymous debut album, composer/filmmaker Chris Hunt and Korn's James "Munky" Shaffer abandon the familiar and drift towards a kingdom of recursion on EXINFINITE, staring down a tangled mass of mirrored wormholes that hum with eldritch ambiguity. VENERA's sophomore full length is darker, heavier and more percussive than its predecessor, but there's something more intimate wired into its circuitry that's harder to define - something mystical, mysterious and melancholy. Songs materialize from the void only to be dissolved by acidic synths or pierced by Hunt's whetted beats, while Shaffer's dense, tortured riffs are offset by euphoric, time-dilated vocals from FKA twigs, Dis Fig and Chelsea Wolfe. Following their encounter with vastness, VENERA have peered inward, ruminating on the limits of existence and excavating their most deeply buried emotions.

VENERA emerged in 2022 when Hunt and Shaffer veered into their own musical territory after recording with Albanian artist Xhoana X. Improvising together and experimenting with cinematic, sci-fi-inspired sound design, the duo realized the collaboration had potential, so they began developing and evolving the sound further, bringing in assistance from former Mars Volta drummer Deantoni Parks, Queens of the Stone Age's Alain Johannes, post-punk duo VOWWS and LA noise rock legends HEALTH. And after their debut album appeared on Mike Patton's Ipecac imprint in 2023, VENERA kept deconstructing and rebuilding their approach to songwriting, swapping out ambient Eno-esque atmospheres for blown-
out beats and dense textures, and figuring out how to extend the narrative they'd opened up without retreading old ground.

On 'Tear', the duo's new direction can be heard clearly as Shaffer's primal guitar noises are reformed into eerie widescreen expositions that Hunt punctuates with pneumatic kick and snare cycles. Broken up by airlock hisses and luminous synths, the track proposes a backdrop that VENERA continuously transmute, reforging the concept as the album develops. Cult singer-songwriter Wolfe adds a gothic American flavor to the crepuscular 'All Midnights', crooning powerfully over VENERA's vacuum packed rhythms and gaseous synths, and Berlin-based noisemaker Dis Fig follows work with The Body and The Bug on 'End Uncovered' lending breathy, emotionally layered tones to Shaffer and Hunt's tape-damaged industrial pops and whirrs. They launch squelchy, decelerated techno into occult noise reflecting pools on the slithering 'Asteroxylon', and Hunt replies to Shaffer's reverberating plucks with foghorn groans on the ominous, pensive 'uuu773'.

'EXINFINITE' perpetually builds momentum until it hits 'Caroline', an intense collaboration with FKA twigs that isolates her most unearthly tones. Initially curling her words around ominous electrical distortions and mangled, ghostly voices, twigs launches into a charged operatic cry that Shaffer and Hunt meet with skittering cybernetic beats and dense walls of guitar noise. It's this track that fully cracks open VENERA's concept, merging the synthetic with the natural and prompting dysphoria, loss of self and infinite regress. So the blood-curdling noise and sinister ambiance of 'Decreation' acts like a dissociated coda. In the 'EXINFINITE', destruction and death are not overcome, they're intensified until they metamorphose completely.


Venera ft. Chelsea Wolfe - All Midnights

Full tracklist & Video Mix: bleep.com/bleep-mix-309-dj-food

To celebrate the release of the Telepathic Fish compilation, we have a special ‘O Is For Orange 2025’ Bleep Mix from DJ Food.

"A version of this mix first appeared in 2013 at a night to celebrate the release of Boards of Canada’s ‘Tomorrow’s Harvest’ LP release. It then morphed into an Audio Video DJ set that I toured around the UK in 2019, playing the Bluedot festival to a packed tent that year. The idea was to thread Boards of Canada’s music with original sample sources, tracks they’d remixed, fan remixes or songs that fitted their sonic blueprint.

I recently resurrected and refined the mix for a gig booking, updating it into a new version. This happened to be a week before I was due to deliver my guest mix to Bleep and it seemed to be too good an opportunity to pass up. I abandoned the mix I was going to deliver and put down the first hour of the ‘Orange’ set including a video mix to go with it. I used stem splitting apps to deconstruct some of the tracks into unique versions before video mixing it all on turntables using Serato then editing the footage in Premiere." - @strictly

Bleep Mix #308 - DJ Food

www.thetrilogytapes.com

Marc Sabat / Johann Sebastian Bach – Streams Barely in Winter 3 - Stones
Henry Flynt – Lonesome Train Dreams
Éliane Radigue – Koumé
Éliane Radigue – Asymptote Versatile
Giuseppe Ielasi – Track 9 (from An Insistence On Material Vol.2)
Giuseppe Ielasi / Jack Sheen – The Vestige
A LARGE SHEET OF MUSCLE – WATER MANAGER
Jordi Santanach – V (from Strata)

TTT NTS 15.09.25

Dysphagia - Movement:3

Reece (they/them/she) is a Non-Binary experimental artist based in Germany.
For Bookings/inquires contact: reecethomasgreen@gmail.com

Out:
'DYSPHORIA' LP/CS on @Amuletoftears
Upcoming: 
'BETRAYED BY THE SUN' CS on Trust Collective
'THE PLEASURE GARDENS OF CAIRNS' CS/CD on Shadow World

Dysphagia - Movement:3

Reece Thomas

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