Skywalker

Sanctuary

Nova

Lyrics & Music: Fred Offret

Vocals: Fred Offret
Guitars: Valentin Loisy
Bass: Jo Viaux
Drums: David Elz

Stone Breakers

Title: River of Black Flame  
Artist: Roxy Black  
Project: Orpheus Vector  
Genre: Haunting Metal / Dark Ambient / Ambient Trap / Ritual Trap  
Lyricist: Ben (Orpheus Vector)  
Vocalist: Roxy Black  
Guitarist: Jeremiah Black  
Drummer: Brian Anderson  
Cover Art: Ben (Orpheus Vector)  
Release Date: August 31, 2025

Description:  
"River of Black Flame" is a sonic invocation — a descent into mythic sovereignty where truth burns and memory becomes a crown of bone. Fusing haunting metal, dark ambient textures, and ritual trap rhythms, this track channels the voices of the Oud, Ney, and Griot alongside electric guitar, electric violin, and marching drums.  

At its core lies the Orpheus Vector chant — a phonetic sigil encoded in sound geometry, designed to bind the listener to the mythos. The sigil appears in the cover art and pulses through the track’s structure.  

Esoteric Meaning:  
The chant invokes the seeker’s passage through the Vector — a metaphysical current of truth, sovereignty, and eternal flame. Each phrase is a ritual key:  
- VOR‑rah KETH‑ahn OR‑feh‑us VEK‑torr → Enter the mythic current  
- SHAH‑lum NAI‑thar KOR‑vess DRAH‑muun → Crown of bone, throne of shadow  
- ZEH‑thra MORN‑ahl VEK‑torr KAI‑runn → Flame that burns without end  
- Ahm… Ten‑eh‑brae… → I am the darkness  

Lyrics:  
© 2025 Ben / Orpheus Vector. All rights reserved.

Through the veil of glass and smoke  
I walk where names are carved in ash  
The wind wears a crown of broken bells  
And calls me deeper into its throat .....
Every breath tastes of iron and prayer  
Every star is a watching eye  
I am the oath you cannot break  
The ground hums with ancient hunger  
Roots twist like serpents in the dark  
A thousand voices chant my name  
From the mouths of the forgotten  
Your face is carved in obsidian rain  
The candle dies, but the smoke remains  
It curls into the shape of my soul  


River of Black Flame

RIVER OF BLACK FLAME

“The Rhythm” is a hypnotic journey through the depths of progressive techno. Driven by a deep, groovy female vocal, the track builds tension with an evolving buildup before exploding into an unexpected drop. Shifting seamlessly between acid textures and minimal techno grooves, it delivers constant movement and surprise. A dark yet infectious rhythm designed for late-night dancefloors.

Free download 

The Rhythm

Say it to my face

Artist: Reverend Sulanke
Title: The Grey Amnesia
Genre: Post-Punk / Dark New Wave / Coldwave

"The Grey Amnesia" is the first transmission from Reverend Sulanke – a phantom ensemble summoned from the backrooms of a half-forgotten Berlin ballroom, where the raw nerves of early The Cure meet the mechanical pulse of Fad Gadget, and the storytelling despair of Johnny Warman collides with the synth-stabbed melancholy of Depeche Mode’s "Speak & Spell" era.
A 7-minute maxi-single that unfolds like a fever dream: jagged guitars weave through ice-cold synths, while a bassline throbs like a bruised heart. The vocals – half-spoken, half-sung – drag you through the corridors of a memory that isn’t yours, where "the walls are made of static and the floor is made of broken vinyl". This isn’t just a song; it’s a seance. A tape loop of regret, played on a machine that’s always on the verge of collapsing into silence.

Recorded in the dead of night, with the ghosts of 1980s analog gear breathing down its neck, "The Grey Amnesia" is the sound of a band caught between punk’s fury, new wave’s glamour, and the gothic storytelling of a war that never really ended. Think Robert Smith’s guilt, Vince Clarke’s circuits, and Frank Tovey’s (Fad Gadget) clanking paranoia, all stitched together with the thread of a novel you can’t put down.

Written in E minor – the key of melancholy, rebellion, and haunted ballrooms. ‘The Grey Amnesia’ wraps its lyrics in the same dark embrace as The Cure’s ‘Disintegration’ or Siouxsie’s ‘Juju’, but with a heartbeat of 174 BPM.

Did you know? ‘The Grey Amnesia’ was recorded in 441 Hz – the same tuning as a heart racing just a little too fast. 🎵💓

Credits:
Written and produced by Frank Talmon l’Armée 
Band: Reverend Sulanke
Instruments: "Guitars drowned in chorus, synths tuned to despair, drums like distant gunfire"
Mastered on a reel-to-reel machine that may or may not be haunted.

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Künstler: Reverend Sulanke
Titel: The Grey Amnesia
Genre: Post-Punk / Dark New Wave / Coldwave

"The Grey Amnesia" ist die erste Sendung von Reverend Sulanke – einem gespenstischen Ensemble, das in den Hinterzimmern eines halb vergessenen Berliner Ballsaals beschworen wurde, wo die rohen Nerven der frühen Cure auf den mechanischen Puls von Fad Gadget treffen und Johnny Warmans erzählerische Verzweiflung mit der synth-durchzogenen Melancholie von Depeche Modes "Speak & Spell"-Ära kollidiert.
Eine 7-minütige Maxi-Single, die sich wie ein Fiebertraum entfaltet: zerrissene Gitarren flechten sich durch eiskalte Synths, während ein Bassline wie ein geprelltes Herz pocht. Der Gesang – halb gesprochen, halb gesungen – zieht dich durch die Korridore einer Erinnerung, die nicht deine ist, wo "die Wände aus Rauschen und der Boden aus zerbrochenem Vinyl" bestehen. Das hier ist kein Song. Das ist eine Séance. Eine Endlosschleife aus Reue, abgespielt auf einem Gerät, das jeden Moment in Stille zerfallen könnte.
Aufgenommen in der Tiefe der Nacht, mit den Geistern analoger 1980er-Technik im Nacken, ist "The Grey Amnesia" der Klang einer Band, gefangen zwischen Punks Wut, New Waves Glamour und dem gothischen Storytelling eines Krieges, der nie wirklich endete. Stell dir vor: Robert Smiths Schuld, Vince Clarkes Schaltkreise und Frank Toveys (Fad Gadget) klirrende Paranoia, alles zusammengenäht mit dem Faden eines Romans, den man nicht weglegen kann.

In E-Moll komponiert – der Tonart der Melancholie, der Rebellion und verfallener Ballsäle. ‘The Grey Amnesia’ hüllt seine Texte in denselben düsteren Klang wie The Cures ‘Disintegration’ oder Siouxsies ‘Juju’, aber mit einem Puls von 174 BPM.

So wie der Roman ‘Hinter uns das Land’ mit den Grenzen der Erinnerung spielt, verschiebt 441 Hz die Grenzen des Klangs – eine kaum merkliche Veränderung, die alles anders fühlen lässt.

The Grey Amnesia

It's in God's hands

A real hb product!

 She Hates You Kevin, I Could See How You Misunderstood It

guitar, drums, bass, synth, prod - @sw1shh

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Hear me 

Say goodbye 
And I'll take my life to light
To light

That night 
Wasn't fair 
A walk 
Oh so far 
With hope of shit I could do 
But left with impending doom

Try and try to run away 
From this state 
In which I could call 
The end of me 
Your tears on the sidewalk, nothing that I thought
Could rip this all apart 
Blood on your hands 
If this is life, then its all but mine

A person who speaks in tongues
Is strengthened personally 
But one who speaks a word of prophecy 
Strengthens the entire church 

Oh 

So I'll say goodbye 
And I'll take my life to light
To light

Accept the lie

evil day star

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