Unintended Impro II

Metonymia is centered around the use of a modular synthesizer as a unique tool for improvisation that embodies both the performer and the listener simultaneously. Based on a generative patch, the building blocks of the modular synthesizer called “modules” act as a living organism that interact and listen to themselves and other (re)connected modules to generate escalating layers of imagination, meaning and memory. This improvised synthscape is an experimentation to explore the dynamics of Tarab generated by non-human actors (in this case a modular synthesizer,) and how this process comes into being through interacting discursive relationships that are embodied in the act of performing and enacted through listening.

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M E T O N Y M I A

Synthpathy of machine in: Embroidery of Grief

Rehab Hazgui is a Tunisian modular synthesis performer and composer. Her work explores the endless movement of sound, repetition, and the use of silence as a third space to navigate between different forms of listening. 
At the heart of her sonic research is the concept of achieving a synergetic cognitive interaction, which involves the seamless collaboration between human and machine to create an integrated and boundary-pushing musical performance. 
Her music is a unique and innovative experience that transcends traditional notions of music and technology, offering an unparalleled sonic journey for the listener. Her sonic creations challenge the listener's perception of time and space, showcasing her distinct approach to sonic exploration.

Rehab Hazgui

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