Amazing work! Is this the beginning of your project to cover every great song ever written? ;)

I feel like im wandering through an amazon on the lookout for a sign back to the trail

Take a Picture

RX-81

Side 7

Luminance

My Remix of Le Cassette's 2014 smash hit, "Radio."

Get MP3 Here

Le Cassette - Radio (Silent Gloves Remix) [Free D/L]

Poison

"Asake Party Banga Instrumental" by Prince Oye delivers a high-energy Afrobeat experience with street bounce, Yoruba Fuji flavor, and modern Amapiano undertones. Inspired by Asake’s party-driven style, this beat is built for dance floors, freestyle sessions, and viral content. Whether you're a singer, rapper, or DJ, this banga is ready to ignite your next hit.

#AsakePartyBanga #PrinceOye #AfrobeatInstrumental #AsakeTypeBeat #NaijaInstrumental #Afrobeat2025 #YorubaVibes #StreetAfrobeat #FujiFusion #LagosVibes #AmapianoInfluence #PartyBanga #AlujoBeat #AfricanClubVibes #NaijaGroove #AfrobeatProducer #OpenVerseBeat #ViralInstrumental

Asake Party Banga Instrumental (Afrobeat)

The bonus track off the Japanese release of Out of Touch. 

Locust Point (Bonus Track)

Brothertiger Reimagines Iconic Albums of The Eighties 
Tears For Fears’ Songs From The Big Chair In A New Album 
(Reimagine Music)

In the mid 1980s new wave era, with feel good singles, such as “Love Shack” and “Footloose,” at the top of the charts, confessional songs of disheartening childhood experiences was the last thing one might expect from an aspiring young band. Yet it is newcomers Tears For Fears’ dark remembrances, supported by infectious melodies, that many rock historians now cite as having struck a chord with the young recession era generation causing their debut “The Hurting” to go to number one in the UK and the top ten in the US. 

With all the pressure a success of this kind can bring, including a mass of fans anxiously awaiting new material, their next recording sessions could have easily been a play it safe affair. Instead the band pushed themselves ever further artistically, with arrangements of a much greater level of complexity and musicianship. While the lyrics of much of what would become their second album, Songs From The Big Chair, would remain introspective, it may have been the more mature and universal, coming of age themes that contributed to the album having an even wider appeal than the first one. 

In any case, with yet another string of hits from Big Chair -- including "Everybody Wants to Rule the World," "Shout," "Head over Heels," and "I Believe” -- Tears For Fears would find themselves not only standing head to head with the best acts of the day, it earned them the status of having one of the most successful albums of the Eighties. Today these songs remain permanent fixtures on classic radio, and Big Chair is now considered among the most important albums of the decade. 

Brothertiger Plays Songs From The Big Chair pays tribute Tears For Fears’ influential gem by giving it a modern take. Brothertiger is the alias of electronically-fueled John Jagos, a musician and producer based in Brooklyn, NY. Jagos’ passion for making music started out of his college dorm room at Ohio University in 2010. The Vision Tunnels EP was his first proper release, and soon after, he signed with Mush Records to release 3 subsequent albums.  

"Covering this album was gratifying, challenging, and truly inspiring” John Lagos says of the process. “I never thought I'd ever get a chance to be able to cover an entire album, let alone an album I truly care about. I feel so fortunate to be able to cover one of my favorite records in my own style and my own approach."

Brothertiger’s style complies with the vision Tears For Fears had 32 years ago, and by working with Reimagine, Brothertiger Plays Songs From The Big Chair helps to shed new life and give new meaning to an iconic piece of music that should never be forgotten. 

Contact:
Cody Simmons at cody@reimaginemusic.com

The Working Hour

Strange World

Strange World (Original Mix)

Estate - Nuclear City

Thomas Barrandon- The Quiet Earth (feat. Izaac Nova, Hanna)

Reimagine Music

Paying homage to rock ’n’ roll’s potent past and dynamic present

When critically acclaimed indie music producer, Jim Sampas, conceived a new label of his own, he had a clear vision in mind: a venture that would pay homage to decades of superb rock music and classic literature and enlist the best talents—established and emerging—to pay those respects.

After producing numerous critically acclaimed tributes for distinguished companies like Sub Pop, Rykodisc, Razor & Tie, and Atlantic Records, Sampas’ experience continues to yield outstanding results through Reimagine Music. He has persuaded a galaxy of rising stars to partake of a unique aesthetic marriage, as vintage works are resurrected in contemporary arrangements.

Classic works of music and literature are evergreen, renewing their appeal with new audience clusters and whole generations year by year. Reimagine Music revisits the past through the future, garnering the best Indie Rock artists working today to take a fresh look at classics of yesterday. And the results provide strong evidence of success, with high praise for each new Reimagine Music effort in such major news outlets as Rolling Stone, The Huffington Post, The Associated Press, National Pubic Radio, The Washington Post, USA TODAY, ABC News, The Los Angeles Times, and many others.

Sampas noted, "Reimagine was conceived as a label where the soundtrack of our lives could be re-made, re-envisioned, in the hands of dynamic indie, electronic, and alt country rock artists. I was fascinated by the idea of these artists reacting and responding to songs we already know, revitalizing and even reinterpreting some of rock’s greatest musical moments. In this way the creative process comes full circle with fresh versions of enduring songs.”

“Another significant consequence of our work," Sampas continued, "is the positive effect we are making on our culture. With project after project, we know we are introducing classic artists, and their songs, to younger audiences who may otherwise never have experienced it.”

The Working Hour

Reimagine Music

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